“Alas, poor Yorick! I knew him, Horatio: a fellow. of infinite jest, of most excellent fancy“
This post is part reading group organization, part resource. Earlier today I came across a tweet from Ennet House announcing that they will begin reading Infinite Jest as a group this summer starting with June 1 and ending with September 18. That is a total of 15 Weeks and 4 days, or 109 Days. I figured I might read this work properly and take better notes. The first and only time I read this work was by using Audible as a crutch and without too much highlighting/note-taking. This shouldn’t come as a surprise but this reading journal blog’s name is heavily inspired by Infinite Jest, so I figured why not provide a reading schedule and various resources, as well as opportunities to join read-along groups on this very same forum. The Ennet House Reading group will be meeting in Vancouver, but they allowed an open window for those of us willing to join in online. Ennet House has a Tumblr as well as a Reddit Page where there will be discussion. Main discussion HERE <–
I created a downloadable and printable form of the reading schedule with space for noteworthy quotations and notes. Click here for the Infinite Jest Reading Schedule. If you can’t join in now for this summer and you want to appropriate it to a different 15 week chunk it is up to you. The resources will still be here for you to use. The breakdown was created by Ennet House but I added the spaces for notes and created the PDF for convenience.
You can find copies of Infinite Jest at The Book Depository, your local bookstore, several used bookstores, and it doesn’t matter if you use the 20 Year Anniversary edition or the earlier ones. Ideally, you should use the softcover edition like the one in the image above because I can say for sure that the pages correspond to the reading schedule.
Public Library Dewey Decimal Number
Academic Library, Library of Congress Call Number:
Although of Course You End Up Becoming Yourself by David Lipsky (2010) Mostly a transcript of an interview between David Lispky and David Foster Wallace back in 1996 near the end of the tour for Infinite Jest. Recent film The End of the Tour featuring Jason Segal as DFW is based on this transcript.
Elegant Complexity: A Study of David Foster Wallace’s Infinite Jest (2007) Greg Carlisle
David Foster Wallace’s Infinite Jest: A Reader’s Guide by Stephen J. Burn (2012)
The David Foster Wallace Reader(2014) This 976 page book contains almost every other aspect of David Foster Wallace’s work, for instance it has the syllabus he designed as a professor for writing/reading courses at Pomona College, and additional excerpts not present in the texts above.
Audible and Downpour have great Audiobooks for Infinite Jest, and all his other works are there as well. I found that the audiobook really kept me going the first time.
Don’t forget your public library! Both academic libraries in universities and public libraries will have most of Wallace’s works. If you prefer the online forum, OverDrive is connected through your library card and you can access most of the works mentioned.
In 2015 another group kept detailed records of their reading in a blog called Infinite Summer
NOTE: these are the prices listed online as of February 21, 2018 (the fluctuate)
Downpour: Downpour, like Audible below, is subscription-based. For $12.99 per month you get one credit. If used wisely the credit can go a long way. For instance, if you were to get with the one credit Brandon Sanderson’s Oathbringer, you’ve just invested in over 55 hours of narrative time. That’s like paying someone 23 cents per hour. Twelve credits a year amount to a $156 commitment, but you can cancel at any time, and get only one credit at a time. This is the same sum as an audible gold membership, so it really is quite even. What I love about Downpour is that they have more indie and hidden gems that are not quite so mainstream, and they constantly have sales going on. I also appreciate that they have a connection to Soundcloud (through Blackstone Audio) where you can access some of their audiobooks, and have many academic affiliations. It’s a great platform if you enjoy newer audiobooks, and well-done classics.
Audible as is probably most commonly known, Audible is owned by Amazon. Audible, like Downpour, has a similar price range for their credits and audiobooks: $14.95 per credit, and $150 for a yearly gold membership (which makes the long-term membership a better deal). As an avid audiobook listener I found this membership price to be worth it. I made the mistake of cashing in most of my credits near the beginning of the year, and did not pace myself. You get access to podcasts on almost every topic under the sun including TED talks, and my personal favourite: Orson Welles broadcasts. The variety of lifestyle, literature, science, as well as vintage podcasts given free entry is worth every penny. There are also dramatizations of classics like Jane Eyre. The podcasts here are called Channels and you can tap into almost every topic. There’s one on dialogues between MacArthur Genius Grant winners, or stand up comedians…and everything in between. The audiobooks themselves are of new books and old/classics. Sometimes a famous actor will read an audiobook which is always nice to hear. My personal favourites are Nick Offerman and Richard Armitage. I am an audible believer so I would strongly recommend a membership, but again, it’s only worth it if you do use it. According to my stats I listen to about 15 hours per month. This is a sum of me listening while shelving books, while painting, while commuting etc.
GraphicAudio: The quality of the audiobooks on this is top notch. Their tagline is “a movie in your mind” which is quite possibly the best descriptor for how their audiobooks are produced. GraphicAudio includes a few free short stories, and has discount codes for sets, or other deals from time to time. The content is by far the most different from all the rest. They have obscure comic books, graphic novels, fantasy series. It’s like entering an entirely different new world. It is a bit pricey and sometimes one can find discounts as I mentioned, but if this is your niche, it’s worth it.
FREE (Through Library and Public Domain)
OneClickDigital: This audiobook program is a hybrid of the two above. It is a system connected to the public library. You can download the app on your phone or tablet, or get an online account and connect to it using your library card. It has books that are a mix of new and old but it won’t have brand new releases right away in form of audio. OneClickDigital also has eBooks in addition to eAudiobooks. Because it works through the library system you must “check out” an audiobook meaning, once downloaded, it will remain on your phone for a limited amount of time, as if it was a library book. Nothing stops you from checking it out again. It’s a good balance of book selections and it’s free, so long as you have a library card.
OverDrive: OverDrive works like OneClickDigital through the public library. I found that OverDrive is connected to more public libraries than OneClickDigital and has wider selections.
Librivox.org: This was my introduction to the audiobook world back in high school. This organization runs on volunteers from all over the world reading and recording books on demand. Because it’s free and volunteer-run, it can only cover books that are in the public domain (not under copyright). It’s basically the ‘project Gutenberg’ of audiobooks. The pros are: free audiobooks. However, the cons are: most books won’t include new releases or even relatively new ones (like 10-20 years old), and because it’s a volunteer-run audiobook program, sometimes you will get haptics, coughing, different volumes of recording, static, etc. For instance, some books that are longer like Ulysses will get various volunteers from all over the world and one chapter will sound awful, one will sound great, one will have a lot of background noise, some accents won’t be understandable, etc. I personally liked this ‘con’ because it felt like I was being read to by a friend and I enjoyed those human errors. However, sometimes it’s a bit frustrating like when reading a play because every character is played by a person who is not in the same room and every line is very choppy and has a delay.
Other Resources for Audiobooks:
Bookstores like: Chapters/Indigo (Canada), Barnes and Noble (US), Blackwells (UK) have physical CDs.
Used bookstores like BMV often have discounted prices for the same CDs only they are of older books.
Typing “audiobook” on YouTube often leads to free chapters
Tor.com often has free audiobooks for individual short stories featured on their website. These are most likely to be Science Fiction and Fantasy.
OpenCulture has over 900 free audiobooks in various formats, but like librivox they are in the public domain and can only have books out of copyright
Escape Pod – Science Fiction podcast with frequent readings
If you would like to explore some short stories in Sci-Fi and Fantasy here are five great resources. There are podcasts, audiobooks (of short stories), and free short fiction for you to peruse. I find that starting out in Science Fiction and Fantasy as a reader can be quite overwhelming and by exploring various authors’ short stories is a good way to be introduced to the various kinds of literature and know which authors you would like to commit to for longer works (especially when a lot of them have whole series). These five resources have helped me a lot:
I also found great opportunities to join reading communities in the sci-fi/fantasy world. On Goodreads alone, searching for “SFF” in “groups” will lead you to many sub-groups of people reading and discussing: SFF Goodreads