collection

Sherlock Holmes Library | Toronto

“I had already noticed the peculiarities of the typewriter, and wrote to the man himself at his business address, asking him if he would come here. As I expected, his reply was typewritten and revealed the same trivial but characteristic defects. The same post brought me a letter from Westhouse & Marbank, of Fenchurch Street, to say that the description tallied in every respect with that of the employee, James Windibank. Vila tout!” – Sherlock Holmes, “A Case of Identity”

IMG_20170723_153547Sir Arthur Conan Doyle’s chemistry and print culture knowledge embedded in his iconic character Sherlock Holmes comes from his medical background and hands on experience with the publishing world. The letters exchanged between Doyle and The Strand Magazine’s editor H. G. Smith validate just how detail-oriented Arthur Conan Doyle was when it came to the ways in which his stories were represented in the paper—from selecting his favourite illustrators, to showing concerns for how his work would be perceived by his readers.

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Official title of library is “Arthur Conan Doyle Collection”

In Canada, the largest collection of Doyle’s works can be found on the fifth floor of the Toronto Reference Library –part of the Toronto Public Library system. The idea of a special Doyle collection was conceived in 1969 when a local collector, Mr. Hugh Anson-Carwright sold 200 books from his collection of Sherlock Holmes to the Toronto Library. At the same time, another Torontonian, a “S. Tupper Bigelow, [had] a splendid collection of secondary material –books, pamphlets and magazines about the Sherlock Holmes stories.”[1] The library’s Literature Department purchased the large Doyle collection from Anson-Carwright, the Bigelow collection, and the smaller Mortlake collection. The Collection became accessible to the public in 1971 and continued to grow rapidly since. According to the collection’s current curator, the library back in 1969 could afford to make such purchases based on its allotted budget from donations made by Friends of the Library, benefactors, and/or Sherlock Holmes Specific groups—such as The Bootmakers of Toronto.

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Chess set featuring Sherlock Characters

Since then, the Toronto Reference Library has purchased secondary material such as “critical, biographical and bibliographic studies” and ephemera such as tickets, brochures and advertisements related to any Sherlock Holmes play, film, exhibit, in addition to literary works that are written by other writers but inspired by Sherlock Holmes (even House M.D featuring Hugh Laurie is such a secondary work because it’s inspired by Holmes).

The Collection itself is composed of Sir Arthur Conan Doyle’s letters to the press, specifically to Mr. Herbert Greenhough Smith—whom he always refers to in letters as “My dear Smith.” Doyle traveled across Canada in 1914 (staying mainly in Alberta at Jasper Park) where his wife kept a handwritten journal which is also currently in the TPL Special Collection. Doyle’s notes on fauna and flora (beasts, birds, fishers) of North America, which he saw on his subsequent trips in 1922-1923 on his American Lecture Tour, his notebook on coin collecting, and notes for a speech delivered in Canada, are all part of the manuscript collection at the Reference Library. Equally important are two rough drafts for his literary works intended for publication and/or performance of The Crown Diamond (a short Sherlock Holmes play) and The Marriage of Brigadier Gerrard.

Doyle’s manuscripts have been acquired over time by the library at various auctions in the ‘70s, by means of donations, and from private collectors. In London a significant portion of Doyle’s manuscripts was sold at an auction where the work became instantly scattered—“Christie’s held the sale in London at their King Street location on 19 May 2004.” The Toronto representative at the 2004 Christie’s auction was Doug Wrigglesworth (chair of the Friends of the ACD Collection of the Toronto Public Library and contributor to The Magic Door newsletter). When it comes to a collection like Doyle’s, due to such a large fan-base worldwide, his works are purchases by extremely wealthy collectors at times where libraries can barely stand a chance in the competition. Such collectors appear on mainstream book-selling websites like AbeBooks where they sell either hardcover first editions, or manuscripts for prices that are difficulty to match with a library budget.

The largest collections in North America—besides the Toronto Reference Library—of Sir Arthur Conan Doyle’s works and manuscripts are: The Newberry Library (Chicago, Illinois), The University of Minnesota Library (Minneapolis, Minnesota), and the Harry Ransom Humanities Research Center at the University of Texas. In the UK the Portsmouth Library, The British Library, Royal College of Surgeons, Edinburgh, and National Library of Scotland possess most of the largest European collections. There are several smaller libraries in both North America and Europe containing Doyle’s works and manuscripts yet they are not often frequented by scholars as much as the ones mentioned above. Doyle’s papers are extremely divided among institutions, libraries, and wealthy private collectors—making the TPL’s collection incomplete.

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The Sherlock Holmes Room on the 5th Floor, TPL Ref.

If you happen to visit the special library you will come across a small room with a wooden desk, a lovely carpet, and walls lined from the ceiling to the floor with books that have to do with Sherlock Holmes retellings. The rooms have decorations like busts of Holmes, chess pieces shaped like Sherlock characters, and illustrations. The special collections I mentioned above have to be requested in advance from the librarians. If you do access them make sure to follow the instructions from the librarian on how to use them: no pen, clean hands, delicately and carefully.

Letters to Sherlock Holmes

51FcoYypJDL._SX298_BO1,204,203,200_While I was at the library exploring the collection, I was told this anecdote on tour, which I would like to share with you. As it turns out, over time, people from all over the world wrote letters to Sherlock Holmes at 221b Baker Street. Little did they know that in London at this address was the location of a bank. The bank received so many letters they hired a secretary to archive these letters, and at times, respond to them. Richard Lancelyn Green compiled some of the best and funniest letters in 1985 and published Letters to Sherlock Holmes. The book is available at the public library and for sale on bookseller websites. This is one of those books that makes you laugh out loud. There are people asking Holmes for his picture, for information on mysteries in their home towns, personal questions like: “I want to buy your violin, how much does it cost?” or “what kind of tobacco do you smoke?” There are letters from children asking him for math or chemistry homework help, people who truly believe he is real, or making inquiries for meeting him.

Here’s an example from one letter:

Dear Mr. Holmes

I often wondered how you met Dr. Watson, and what was your hardest mystery, and have you ever made love to any of your clients?

Sincerely yours, Robert Lawrence (Deer Park, NY, USA)

If you want to have a good time by yourself and laugh, I recommend you find this book and read it. It can be easily done in one sitting so there’s no pressure.

I hope you enjoyed this post. I was very happy when I discovered this library two years ago, so I wanted to know as much about it as possible. If you get a chance, do stop by because the librarians there are some of the most wonderful people you will ever meet, and the room is highly atmospheric. Just being there will make you want to run home and read all the Sherlock Holmes books.

P.S. Sherlock never says “elementary my dear Watson” in the books….but you should know this by now. Here’s a fun article on it.

 

 

[1] Toronto Reference Library. Arthur Conan Doyle Collection. Toronto: Toronto Reference Library, 2015. Print.

Glances of Life | Poetry Review

35251432This poetry collection is divided in three sections:

  1. Intrigue: the way we perceive the world around us, how we take beauty in, how we get to know everything around us
  2. Whimsy: sketches of life, things that make up our life and become particularly significant to our role such as playing baseball, or putting ointment on foot fungi.
  3. Reflection: a step back analyzing ideas and concepts

As is indicated by the cover of this collection the symbol of the butterfly is a running thread through all three sections. The author considers the butterfly when discussing beauty, flight, and transformation.

Aside from the aforementioned three-part division, most poems in this collection are so diverse one cannot categorize them as they are stand-alones.  For instance, in the first section there is a poem called “Shattered” which is a rhyming poem juxtaposing the fairy tale of Snow White with the contemporary ways in which we attempt to alter the perception of our beauty either through cosmetic surgery or digitally manipulated Facebook pictures. While it still looks at another kind of transformation similar to that of a butterfly, the writing style, rhythm, and composition of this poem makes it somewhat unique and apart from others in its section.

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Accompanying illustration of fireflies by Maria Rodriguez for poem: “Dusk”

In the poems where Anderson captures moments from life I was reminded of Sylvia Plath’s ‘moment’ poems like “Cut” or “Balloons” and yet his play on words is so fun that I couldn’t help but imagine that I was being serenaded by the Caterpillar from Lewis Carroll’s Alice’s Adventures in Wonderland.  For example he plays with the word IT in the poem “IT” as ‘it’ being an ominous presence, a something, or literally the digital IT department. There are other moments where he writes ‘fizzycists’ instead of physicists, or when he writes in the poem “i.”:

“they say it’s as easy as a π in the sky”

Anderson combines the mundane daily life snippets with the larger activity all around all-present in nature and the larger cosmos.

My favourite poems are “i,” “Shattered,” and the very first one “First Glance.” Here is “First Glance” in its entirety (spelling of words appear as such in the collection, they are not typos):

“Inananosecond / The Photons reflect / From your face and zip / Through the lens of my eye – / Your image summersaults on my retina / Where all comes into brilliant sharp focus / Then the rhodopsin in the colorful cones / And sensitive rods transforms to create / The impulse which crosses / Via the optic chiasm / To the visual cortex / Where all is parsed –/ And though I have / Never seen you / In the past / Somehow / I know / You are / Beautiful ”

(“First Glance,” Anderson)

I enjoyed the collection and would recommend it to anyone who loves poetry. It is appropriate for younger children as well if you would like to use this collection as a bonding moment, or a poetry study in a classroom.

The poetry collection is also accompanied by several illustrations created by Maria Rodriguez.

J.B. Anderson is a Detroit poet with a B.A. in English Literature who has been practicing orthopedic medicine for 30 years. He published a children’s book called Hockey Cat in 2010 under a pseudonym.

The collection was published on May 30 by Dog Ear Publishing.

Pillow Thoughts & The Road Between | Courtney Peppernell | Poetry Review

I was recently introduced to Courtney Pepernell’s works through Instagram and I requested her two poetry books that will be released later this year from Andrew McMeel Publishing: Pillow Thoughts and The Road Between—both collections will be released on August 29. Courtney Peppernell is an LGBTQ author from Sydney, Australia focusing on Young Adult novels and Poetry Collections. Keeping Long Island is her third title release, and the first under her new book brand, Pepper Books. Pepper Books is a publishing house that has just been started this year and will focus on Poetry and LGBT communities.

Pillow Thoughts

35489042This collection was first self-published on October 4th, 2016 and has recently been picked up by Andrew McMeel. Pillow Thoughts is about love. It sort of took me by surprise when I noticed that it rhymes in a ‘fun Dr. Seuss’ kind of way but the subject matter itself is deep and honest. If I had to compare I would say it’s a combination of John Keats and Dr. Seuss. It sets up this sort of innocent, whimsical-humour-seriousness from the beginning with this poem:

Before we begin, I’d like to share a story.

Once upon a time there was a jellyfish. We’ll call it

You.

You became lost sometimes

You could be a little unsure

You tried very hard.

But sometimes it didn’t feel like enough.

I hate to spoil the ending

But you is fine

You is still here.

You is going to make it.

The references to “you is” as a trending internet meme-culture joke is preceeded by a quotation from the Chainsmokers. This lightness of “the here and now” touched with recognizable references makes Peppernell very relatable and accessible as a young emerging poet.

Throughout her collection these references occur. Peppernell places before us lines and images we’ve seen repeatedly on online forums. For instance, she alludes to the famously known Albert Camus quotation changing it slightly:

“you promised you’d never take a road that I could not follow”

The poems in this collection go through love, heartbreak, and the various kinds of dynamics that exist in a relationship between young people. Based on the language used and the style of choice I think this book is ideal for preteens and teenagers. At its core this collection has a message which to me is: you will experience all this and you will hit some serious downfalls, however you will be okay. Everything will be okay in the end.

The Road Between

35489039This collection is exploring growth, mapping the metaphorical geographical spaces in one’s life. I.e. the caves you hide in when you are afraid.

I enjoyed this collection more than the one mentioned above because it deals with various aspects of one’s life where love is a part of it rather than its center.

This collection is also filled with proverb-like sentences like:

“you are not defined by the stage you are at in life. Just because you are unsure of where you are heading doesn’t mean you don’t know who you are inside.”

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The Cave

I read some reviews of Pillow Talk shaming Peppernell’s use of language and simplicity. I think we need to look at poems like Peppernell’s as: us the readers getting a glimpse into an individual’s growth and healing journey. Peppernell uses poetry as a way to understand herself growing up different. There are many “in the closet” references throughout her poetry, or hiding in a cave for comfort. I think it was more important for Peppernell to write this collection than it is for us to read it and/or judge it. As a reader and poetry lover I find it difficult to review things that are so personal. I wish Peppenell did more with the language, and played around with the structure. I also think some poems shouldn’t have been incorporated in the collection as they distract from the whole. However, I am happy these collections exist and I’m very excited to see what Peppernell will release in her newly created LGBT-focused poetry publishing house. Overall I enjoyed The Road Between more than Pillow Thoughts and both strongly reminded me of Rupi Kaur’s Milk and Honey, so if you enjoyed that collection perhaps give Peppernell a try.

Again if I were to recommend this to readers I would direct this to a younger audience perhaps ages 12-16.

Up Against Beyond | Poetry | Review

“Holt has little interest in plain speech that is not, simultaneously, slippery. One thinks one has the meaning, the image, of the verse, and then it is gone — as fleeting as the moment of reading.” – George Elliott Clarke

34713994Jason Holt is a Canadian poet who lives in Nova Scotia and teaches at Acadia University. He received his Ph.D. in philosophy from Western University in 1998. His books include Blindsight and the Nature of Consciousness, which was shortlisted for the 2005 CPA Book Prize and various academic works like Leonard Cohen and Philosophy, as well as Philosophy of Sport—a topic he teaches at Acadia in the Kinesiology department. His full academic bibliography can be found here. Up Against Beyond includes poetry selected from his six previous poetry book. This collection includes poems ranging from 1994 to 2017.  His use of language in his work Inversed (2014) received praise from Toronto’s poet Laureate George Elliott Clarke—one of my favourite professors at the University of Toronto—in an article titled “Linguistic Masquerades to Savour.”

Up Against Beyond, as a collection, contains a total of 121 poems and is divided in eight sections.

  1. (1994) Poems selected from Fine in Kafka’s Burrow
  2. (1999) from Memos to No One
  3. (2003) from A Hair’s Breadth of Abandon
  4. (2005) from Relics from an Open Vault
  5. (2009) from Longstern Poems
  6. (2012) from “A Brace of Sonnets”
  7. (2014) from Inversed
  8. New Poems

Holt’s poetry is hyper-self-aware and  playful with an intense sense of humour. For instance, the first new poem listed in section eight starts with:

“this is a poem/ I don’t/ title my poems/ not because/ I’m pretentious/ although/ I am pretentious…”

It’s the kind of poem that knows exactly what the reader expects to find from a Ph.D. University professor, and yet, it turns it on its head making fun of itself before the reader gets a chance to. Other poems sound like a proverb: “too many/ books/ Spoil/The prof” where the reader is left alone wondering what to make of it.

However, many of his other poems are so memorable and quotable told in a more sombre and philosophical tone, with the elegance one expects from a poet. Holt rewards readers and gives them the poetry they deserve. One of my favourite poems is this one (from which the title of the collection is derived):

“the only place to go

is up against beyond

what other challenge worthy

what other meaning

less than war

more than game

between covers of book or bed”

Most of Holt’s poetry is brief. The one proverb-like being indicative of that as it is in itself a single poem, alone on the page and each individual line is often one or two words with few exceptions. Clarke referred to Holt’s poems as “whimsical parades of terms and phrases” where one must puzzle his/her way through as a reader, akin to figuring out a Rubik’s cube, which is perhaps the best attitude to have, entering this collection.

What I particularly enjoyed about this collection is that excerpts are taken from the poet’s life spanning 23 years. We get to see a poet in various moods, and various spaces, using language as a tool for each occasion. I would recommend this work for anyone interested in reading new poetic voices and particularly those who are open to experimental poems. This collection also has a brief trailer on YouTube.

Many thanks to Anaphora Literary Press and Anna Faktorovich for sending me an ARC for early review. This poetry collection will be published on July 20, 2017 and is currently available for pre-order on Amazon.

The Poetry of Impermanence, Mindfulness, and Joy | Review

This work will be published on June 6, and is available for pre-order on Amazon.

This collection is an amalgamation of poems from various authors who are a source of wisdom in both the East and the West. The collection brings together a spiritual community that remains connected in that they wrote of essential human truths universally experienced no matter of background, sex, or religion. John Brehm writes in the introduction:

“no poem can last for long unless it speaks, even if obliquely, to some essential human concern.”

Wisdom Publications is a non-profit charitable organization and the leading publisher of classic and contemporary Buddhist books and practical works on mindfulness. Their main goal is to cultivate Buddhist voices the world over, and preserving and sharing Buddhist literary culture.

John Brehm, the editor, won the Brittingham Prize in 2004 for his own poetry collection Sea of Faith. His goal for this collection is to present readers with:

“poets who strip themselves of all self-centered stories and desires, speaking out of pure consciousness and placing themselves on equal footing with all beings…like insects [Issa]…or fallen trees [Neruda]”

The collection is divided in three sections:

  1. Impermanence
  2. Mindfulness
  3. Joy

The inclusion of Western poets like Philip Larkin, Robert Frost, William Shakespeare, or even Jack Kerouac may come as a surprise, but the purpose of this collection is to show:

“how beautifully the Dharma manifests even in poems by poets who were not practicing Buddhists or knew little or nothing about Buddhism.”

Brehm uses the term Dharma broadly speaking, selecting poems which demonstrated:

“the way things are, universal law, or the truth of things, who force the reader to pay attention in a world filled with distractions”

I enjoyed the ways in which Brehm shows that at the end of the day, no matter what part of the world one is from, at the core of the fundamental truths that unite us all we are experiencing the same things. Love, joy, and impermanence in a transitory life are all universally true and not particular to any single corner of the world. I was very grateful to read this collection and be reminded of that, particularly with the news circulating the past few weeks (this whole year really). It’s a reminder that we are not alone and that regarding the things that make us fundamentally human the world is really not that divided.

I recommend this collection to anyone who enjoys poetry, spirituality, and is looking for a source of hope.

Many thanks to Wisdom Publications for sending me a copy for review.