I spent a few days fully immersed in these two books by Peter Wohlleben. They are both books in the “nature” section, obviously, but they are written in the style of Thoreau’s Walden, which I referred to earlier as my ‘comfort classic.’ I absolutely loved being in the company of Wohlleben and I very much look forward to his next book which will be released this year. I believe it’s called The Weather Detective: Rediscovering Nature’s Secret Signs, which will be published in June. It sounds a lot like Tristan Gooley’s The Lost Art of Reading Nature’s Signs, (a book I also loved) but hopefully it will add a new perspective to the conversation.
The first book written was The Hidden Life of Trees, and it sold quite rapidly. In a way it is rather meaningful because it changed the way we look at trees. He humanizes them by explaining the many ways in which they communicate with each other. I learned so much from this book, and it makes me want to start every conversation with “did you know that trees…” It made me want to learn a lot more about mushrooms and fungi in general. The way he depicted mushrooms as a social network between trees, carrying messages from a tree to another, was absolutely fascinating. The ways trees contain anti-freezing materials by self-lubricating with the essential oils in their branch tips, or the ways they contribute to bee life with their sap and sweet needles, or the function of the roots for a myriad of smaller ecosystems beneath the ground. The fun facts in this book are countless. This book heavily inspired, and informed (and featured Wohlleben in) the documentary Intelligent Trees.
The second book, The Secret Life of Animals was published in 2016 and was recently translated into English from the German, in late 2017. In this book Wohlleben observes the life of the animals on his farm and those in the nearby forests and notes his observations. This book made me want to learn more about ravens, as they appear to be rather fascinating creatures. I particularly enjoyed how much of this book focused on squirrels and their behavior. Squirrels carry their young around their neck, they plant hundreds of trees by accidentally forgetting where they buried their acorns, and they adopt the young of another squirrel if that other squirrel didn’t make it. There was a chapter on the fun animals have for fun’s sake, rather than solely completing a behavior for survival purposes.
Again, both books are wonderful, and they have a cozy feeling to them. It honestly feels as if you are sitting by the fireplace with a grandfather-figure and he’s telling you about the forest, the trees, and the animals he has including his shy horses, his bees, and every other woodland creature. There’s something very Disney’s Bambi and Snow White about the atmosphere of these two books. Although these books are not very science-heavy, Wohlleben draws on studies and research conducted on the animals given each topic, but does not heavily rely on scientific evidence. Many times it really feels like we are learning things only about his own personal animal friends, and we are relying on Wohlleben’s observations. If you are looking for scientific books these are not it, but they certainly are reminiscent of something Thoreau would write. They are not preachy (regarding veganism), but they certainly invoke empathy and understanding regarding the fauna and flora around us. These books deepened my observation skills when walking. I see birds and trees differently now on a walk to and from places, and they forced me to pay attention to more than I would have noticed before. These books are very pleasant, accessible to a wide audience, and cozy. Ideal for nature lovers. Here are some pictures of trees I took after taking a walk recently (on my lunch break at work):
Books I read for Early Review
Literary Titans Revisited ed. Anne Urbancic
This work is a transcript of sixteen interviews conducted in the late 1960s by Earle Toppings with great Canadian literary figures. I received a copy for review from the editor and I think this is a great new primary source upon which to rely when conducting research in Canadian literature. Full review HERE.
The Biophilia Effect by Clemens G. Arvay
This book is a beautifully written work about humans’ connection to nature and the effect nature has on our body and our chemistry. Arvay follows medical studies showing how significant it is to live among trees and to be as close to nature as possible. This book will be coming out in January 2018. Full Review HERE.
Books I read for myself
Odd Type Writers by Celia Blue Johnson
This book covers the quirks of famous authors. It covers anything from the time of day they wrote, their word counts, or the colour of ink they preferred to use. I enjoyed it a lot and I thought it deserved a longer explanation immediately after I read it, so I wrote a review, even if it was a book I read for myself. Full review HERE.
The Artist’s Way by Julia Cameron
This book was really not for me. I was surprised to see Martin Scorsese give a blurb on the back, so I picked it up. A trend on YouTube for lifestyle vloggers is to promote “morning pages” where you should brain-dump words on three pages each morning to clear your head and make space for creativity. This book is where the idea came from and then just spread online. Other than that, I didn’t find many other useful tips. A lot of the things here are journal starter sentences like “when I was a kid I missed out on…” and you’re supposed to treat it like a self-help/therapy workshop to journal your ideas. A lot of the pages here were either the author talking about her extravagant and adventurous life, or lists and lists of affirmations for yourself along the lines of “creativity is God’s gift to us.” It’s a lovely sentiment, and I think many of the ideas could have been easily summarized and made into a pamphlet (and that includes the affirmations). This book is 231 pages of the repetition (in different ways) of the three essential points I mentioned above. To be fair though, she does title the book “The Artist’s Way…a SPIRITUAL PATH to higher creativity” so I guess that one’s on me.
The Warden by Anthony Trollope
I never had the chance to study Trollope in undergrad so I thought I’d give the Barchester Series a try. The series is six books long and begins with The Warden. I read the first twenty pages and realized how lost I was because I didn’t understand Anglican terminology. I put together this Anglican Terminology PDF and printed it out (attached it to the book) and resumed reading. For the most part it’s a bunch of English men who are part of the parish discussing wages and minutiae around their roles, as a young doctor moves into town and decides to open a hospital. The text is mostly heated debate in town over where finances should go. Reading it I didn’t feel ‘entertained’ or even that into it, but as I put it down over the course of the month I kept thinking of that transition stage where those same Anglican terms I had to look up were dominant, and those were the main jobs that would be paid in society. There was a shift that occurred when medicine as we know it today started to be incorporated into actual health-care facilities, and a lot of these jobs were threatened and over time disappeared or became a lot less paid. I think I’ll give book two of the Barchester Chronicles a try because I’ve been told it’s much better but if it doesn’t hold up I think I will stop with Trollope there.
To a God Unknown by John Steinbeck
This book is about a man named Joseph whose father passes away and who begins to have a connection with land. So much so, that he strongly believes a tree up on a hill overlooking his newly-acquired land IS his father. There are fleshly desires, discord among brothers, and a character named Juanito who is from Mexico and not only is a worker-friend of Joseph’s but he does certain things in this novel that push the plot forward. Yes, “California,” “Bible Themes,” and “Saucy relationships” are the plot of A Steinbeck novel, but this one felt different than his other works. I read online that he spent longer writing this novel than any of his other larger works, and I think that struggle shows because it didn’t flow. I had most issues with the character of Juanito and I think they were accentuated by the current political situation between the things being said by the ‘leader’ of the United States towards and about Mexican citizens. His portrayal, way of talking, and overall presence felt like a caricature. I wanted to see more of the connection to nature, I wanted more from the presence of the tree. The tree was alluded to and discussed the same way we see the green flashing light in The Great Gatsby, but here it was such an important part of the plot that I wanted more from it. It’s evident how Steinbeck wanted to illustrate roots and the inability to leave a piece of land as if it was a person. That theme and the tree, as well as allusions to Biblical Joseph were all executed nicely, but the conversation and character development were truly lacking. The exchanges made between Juanito and Joseph almost put me to sleep, the conversation in general was so lacking and not believable…I don’t think people would ever talk that way. I thought about it, and I’m willing to forgive Steinbeck simply because it’s his third work. His first two works flopped when they came out and I think he was still working on his craft at this point. This is my second Steinbeck this year, and I will certainly keep going.
This Victorian Life by Sarah A. Chrisman
This is a work of non-fiction and a sort of experiment. Sarah A. Chrisman and her husband decided to adopt a Victorian lifestyle all the way down to the details. They both had advanced degrees and a life in this world, but decided to take things slowly, step away from technology and start living like Victorians with all the details. I said ‘details’ a lot but that is what is mostly discussed. The minutiae of corsets and other clothing articles, the stationary for letter writing and creating the draft of this book, the cooking methods…absolutely every little thing was slowly changed in their household to mimic a Victorian household. Chrisman kept writing how liberating it was so have things slow down and not be so caught up in this modern world of constant distraction and instant gratification.
I read this book in preparation for Victober and I think it’s nice in a Walden-type experiment kind of way. The whole time though I kept thinking about ‘choice’ and ‘consent’ because I think that was vastly overlooked when Chrisman wrote this. The whole time she would say “I didn’t realize how great this was,” or “how hard it would be to thaw the frozen toilet water” etc. but it makes a HUGE difference that she knows she has a choice. Not just over herself as a woman, but having the knowledge she has autonomy over her own body, that she can say ‘no’ to certain marital pressures, that she has rights as a citizen…but also knowing that should she get sick she would go to a good sanitary hospital where she won’t die of consumption, she won’t die in childbirth, that there are methods to prevent that….I think all the difficulties, the REAL difficulties of the Victorian period weren’t captured. What made those novels dark or that time period different was largely highlighted by the frustrations women like Jane Eyre would have for lacking status, money, autonomy, (or in Bertha Mason’s case good healthcare). I couldn’t bring myself to care of Chrisman’s experiments with stationary, Thanksgiving recipes, and bicycles when she kept repeating “I was trying to live exactly like a Victorian” and “it’s all down to the details” when the reality is far from it. I am not trying to be harsh here because I did enjoy reading this very much, but that thought was at the back of my mind the whole time. Being aware that at times she reminds readers that she has a B.A, and her husband has a Masters degree in Library Science, that she typed the manuscript of this book for publishers, and other details as such, I remembered what she said in the introduction and that was: this is an experiment. The reason I mentioned Walden before is because Thoreau is often criticized for not being too far away from the town when at Walden Pond, and being pampered by the Emersons, so people read his ‘experiment’ with a grain of salt. I think in that same way I’ve been reading This Victorian Life. It certainly is a fun read so I recommend it. I can see how for two people who love something like the Victorian period together this could be fun a fun project, but again: knowing that they can at any point CHOOSE something different and the idea of having a choice in the first place…skips over all the real life anxieties of a true Victorian.
I also re-read Fifth Business by Robertson Davies. Perhaps one day I’ll write a proper analysis of it, but since it is not a first impression I don’t think I’ll critique it much right now. I am currently reading Neal Stephenson and Nicole Galland’s The Rise and Fall of D.O.D.O. I have been neglecting Ken Liu’s Grace of Kings since July and it’s not because I don’t love it, I actually can’t stop thinking about it, but for some reason I got caught up in other books. I think I need to give it the attention it deserves very soon. I also read some of the essays by Ursula K. Le Guin from The Wave in the Mind but I don’t have a strong opinion on any individual essay just yet. All I can say is that Le Guin is one of the most advanced and progressively-thinking writers out there.
“Everyone feels the need deep inside to be close to nature. We have roots, and they definitely did not grow in cement.” – Andres Danzer
“The biophilia effect stands for wilderness and the conception of nature, for natural beauty and aesthetics and breaking free and healing. That is what this book is about.”
Austrian writer Clemens G. Arvay wrote in this book every argument for why humans must co-exist with the natural realm. The term ‘biophilia’ originates from Greek, meaning: ‘love of life or living systems’ and was coined by psychotherapist and philosopher Erich Fromm. Edward O. Wilson introduced the “biophilia hypothesis” claiming that it is “the human urge to affiliate with other forms of life” and that is our deeply rooted connection with nature in the web of life.
Arvay explores in this book the history of ‘biophilia’ in literature and philosophy starting with the Abbess Hildegard Von Bingen (1098-1179) who wrote “there is a power in eternity, and it is green.”
Arvay continues by incorporating medical and scientific studies which show that people who live close to a forest have stress reduced by as much as 30% living the same lifestyle as those in the cities. He writes:
“Plants heal without having to be processed….they heal us through biological communication that our immune system and unconscious understand”
He dives deeper by explaining how plants, like insects, communicate using chemical substances and we are just another cohabitant in the ecosystem benefiting from this communication.
What I enjoyed about this book was how Arvay describes nature and how he backs up each statement with a study. I never thought about the symbiotic relationship between a mushroom and tree roots for instance, and how the mushroom in turn provides the tree with water and nutrients from the soil. Arvay also presents readers with several relaxation and visualization exercises. He teaches readers how to be hyperaware when walking through a forest and take in all of the forest’s energy while telling yourself “I am a part of the woods.”
He urges readers to:
“take this visual language of your soul seriously.”
Arvay doesn’t try to sell products, services, or anything other than to encourage a love for the forest and for people to go outside and benefit from what nature has to offer. He makes an argument for the forest by presenting the history we as humans have with it, how deeply rooted our ‘biophilia’ truly is, and how we need it now more than ever.
Arvay is an advocate for clean eating and has written other works in the past on forgotten vegetable varieties, regional small-scale agriculture, and connecting philosophy with nature. I personally enjoyed this book, and I would recommend it to anyone who enjoys reading nature books like Thoreau’s Walden, or Muir’s Essays on Wilderness.
August has so far been my worst reading month, and it wasn’t due to a “reading slump,” I was just caught up in too many things, the main one being: moving. When you hoard so many books… moving is difficult. Heavy box, after box, after box filled with books…followed by re-organizing. I am still not done organizing them. This is what I had the opportunity to read this month:
Books I Read For Early Review
Acadie written by Dave Hutchinson is a Tor.com novella which is part of the Summer of Space Opera. It was very short, but I enjoyed it. My full review HERE. Acadie is set in the future following protagonist Duke who has been summoned by a group of leading researchers who have created “Kids” a long time ago for the purpose of colonizing other planets. After several generations Kids evolved to be more and more human-like, but their creator Isabel Potter is bent on finding all of them and killing them.
Writings from the Golden Age of Russian Poetry by Konstantin Batyushkov, translated by Peter France. Batyushkov was a contemporary of Alexandr Pushkin’s and was highly admired by him. Batyushkov is studied in Russia as a great pillar of the Russian canon, but is not known so well in the West as his works have hardly been translated. My full review can be found HERE.
Books I Read For Myself
Cheek by Jowl by Ursula K. Le Guin
I had many thoughts on this book and highlighted a lot so I made an individual post/review about it. Full review HERE. In this collection, Le Guin questions why we consider “literary” literature as important, and who decides what that looks like. One quotation from the series that strikes to the core is this:
“I have been asking for thirty years why most critics are afraid of dragons while most children, and many adults, are not”
Earlier this year I reviewed New Voices of Fantasy, and in the introduction, Peter S. Beagle recalls speaking to Le Guin and her saying to him:
“all of us [fantasy writers] feel, to one degree or another, that mainstream fiction has been stealing our ideas—and even our classic clichés—for generations, and selling them back to us as ‘Magical Realism.’”
I think that sentiment comes across strongly in Cheek by Jowl. The dominant essay is on the role and presence of animals in fantasy and children’s literature. If you want to know more about it click on the full review link above.
Time Travel: A History by James Gleick
This book was highly anticipated reading for me. Time is one of the most interesting concepts to me and when I heard that there is a book focusing on time travel I ordered it right away. It is a lot shorter than I anticipated, but what surprised me was the content and structure of it. Gleick focuses on our relationship to time travel in fiction. He begins by explaining that before H.G. Wells wrote The Time Machine people didn’t discuss time as a linear concept, something one could go back or forward to. He briefly shows how Einstein’s creation of the fourth dimension in the scientific realm opened up way to a lot of science fiction stories. He then tells readers about the plots of several science fiction works. I wish more time had been spend discussing time with philosophical lines of thought or tapped into something interesting on the topic. I found that it was a bit frustrating just recapitulating the plot of several works that I’ve already read. I still enjoyed it a lot. Again, it was quite short, but all in all enjoyable.
Readers of Broken Wheel Recommend by Katarina Bivald
This book was recommended to me by a friend. With the news being so terrifying on a daily basis I needed a good, easy read that would put me in a pleasant mood. This was that book. When Sara arrives from Sweden to the United States to live for two months with her pen pal Amy she finds out that only a day before, Amy passed away. The town of Broken Wheel is very small, and Sara can’t drive away. Being too proud to admit to her parents that she should have traveled somewhere more crowded, and still in shock with Amy’s passing, Sara decides to stay in Broken Wheel. The book features letters Amy sent to Sara over time about her town, and about books. The more we learn about Sara the more we, the readers fall in love with her. She is Elizabeth Bennet, Matilda, Hermoine Granger, Jane Eyre and all the ‘reading woman character’ merged into one. Again, this is just an easy, pleasant read and it’s one of those ‘books about books’ similar to The Thirteenth Tale, The Storied Life of A.J. Fikry, Among Others, Mr Penumbra’s 24-hour Bookstore, and The Shadow of the Wind (to name a few). What I enjoyed most were the letters from Amy. After every chapter, a letter from the past that Amy sent to Sara is presented to us where we learn what Sara knows about the town, or what Amy told Sara about certain books before. I enjoyed this aspect because it was a reminder of the influence dead people can have on the living even when gone. Their voices continue to exist and we carry them with us in our experiences. Even Sara ponders about death in relationship to books–vessels of ideas. Or letters: written down mementos.
“That night Sara sat in Amy’s library for hours, thinking about how tragic it was that the written word was immortal while people were not, and grieving for her, the woman she had never met.”
Bivald’s description of books, reading spaces, and book-based friendships are really well constructed. I certainly enjoyed it.
Upstream by Mary Oliver
This is a collection of essays written by the poetess Mary Oliver. This book was just a reaffirmation for me of how much it matters who writes the book when it comes to non-fiction or memoir/personal writings. Earlier in the year I discussed reading Spinster at same time as Travels with Charley and while the first had more depth, research, and stronger opinions with vastly more interesting subject matter, I couldn’t bring myself to care as much as I did for the latter because it was written by Steinbeck. I had the same experience here. I never read any poetry by Mary Oliver, so I picked this up as my first experience of her. After a few chapters I didn’t think much of it. I was ready to stop reading it. I then looked up Mary Oliver and read her poetry (or as much of it as I could find). Knowing a little about her, her creative corpus, and that she is a poet turned this essay collection around for me. The wording, the language, and her opinions on transcendental poets, Walt Whitman, and her relationship with nature became so interesting.
“You can fool a lot of yourself but you can’t fool the soul.”
Although I enjoyed it more after knowing Oliver’s poetry, I still wanted more from this collection. For instance, I found it unnecessary to get a biographical introduction of Emerson and Thoreau. I felt a bit spoon-fed at points. I wanted to get more of her impressions, and feelings about these poets’ work, or their relationship to nature, or how she herself relates to nature. I think this collection tried to sound academic and reflective while at the same time being personal and poetic and in the end didn’t manage to accomplish either. There are shorter anecdotes like a dog breaking free from his rope, or the adoption of a little bird with attempts to extract proverb-like endings like: “or maybe it’s about the wonderful things that may happen if you break the ropes that are holding you.” For the most part, when discussing other poets or writers, I felt like Oliver was just listing books and poems in a way that was “I read this and liked it” rather than diving deep and discussing it at length. The truth is I feel like I’ve read better nature books lately with essays and opinions that left me in awe. For me, anything by Tristan Gooley, or Andrea Wulf (recent) or things written by medieval monks and botanists like the abbess Hildegard Von Bingen, managed to inspire that love of nature and felt like reading a love letter to nature in a controlled academic way whilst still using personal anecdotes and poetic language than this collection has. Upstream has a few well-written lines that makes you want to highlight and keep from time to time, and those keep you going, but overall it wasn’t what I wanted to obtain from this collection.
Too Many Books at Once
Lastly, I’ve been dividing my reading between several books lately which I am trying to finish. The books are: The Lie Tree by Frances Hardinge, A Line Made by Walking by Sara Baume, still trying to finish the first book of the Dandelion Dynasty by Ken Liu, and then I went ahead and took out far too many books from the library… I am also currently working on an early review for another nature book called The Biophile Effect. It has been a busy month and I am a little disoriented by how many projects I’ve started and aware that I have finished far fewer.
In June I haven’t read as MANY books as before mainly because I am participating in a read-along of Infinite Jest with Ennet House (a reading group from Vancouver). More details can be found HERE. I did get a chance to read some other things too as the month progressed.
Books I Read For Early Review
Pillow Thoughts & The Road Between – two poetry collections by Australian Poetess Courtney Peppernell. Both works will be released on August 29 by Andrew McMeel.
Books I Read for Myself
“When She is Old and I am Famous” by Julie Orringer from her larger collection of short stories How to Breathe Underwater. I will be finishing this collection in July, but I read this particular short story in June and it’s wonderful. It’s about a young woman name Mira who is not very good looking or in shape and lives in the shadow of her Model-like, gorgeous cousin Aida.
“26 monkeys, also the abyss” by Kij Johnson from her larger Sci-fi/Fantasy short story collection At the Mouth of the River of Bees.
I will be working my way through the two collections above for the summer.
The Other Einstein by Marie Benedict
A few weeks ago I started watching National Geographic’s biopic of Einstein which is one season long called “Genius.” The show is based on the biography written by Walter Isaacson Einstein: His Life and Universe. For the first time I was introduced to Mileva Maric who was Einstein’s first wife and quite possibly one of my favourite historical women. She was brilliant, one of the first women at the physics academy in Zurich, and just an overall fierce feminist symbol. I fell in love with Mileva and I wanted to know more. I then discovered Marie Benedict’s book The Other Einstein. Because I have seen the show first, this book read like the first five episodes only from Mileva’s perspective. I went on Goodreads to see what other people thought of this book that came out in October of 2016. Every low rating seemed to be regarding Mileva’s preoccupation with her leg deformity and limp, with the fact that Einstein called her “dollie,” and that it was somehow women’s attempt to shame a brilliant man by making this unknown woman play a larger role than she did. Having been introduced to National Geographic and Walter Isaacson’s biography first, all these things were not shocking, nor a surprise, and certainly not Benedict’s invention with a feminist brush. All those things seem to have been true and Benedict did her research. I loved Mileva, and I love this book because it’s really good, and well-researched. It’s also heavily based on a true story, and it has pulled from the margins a woman that wasn’t that well known. So if you read this, keep in mind that the things that irk you, frustrate you, and annoy you about society in that time, about the academy, the gossip, or Einstein himself, was actually very close to reality and the “novelization” part comes simply from the invention and addition of dialogue.
Tolstoy and the Purple Chair by Nina Sankovich
Nina Sankovich’s sister Anne-Marie dies at the age of 45. The author deals with her sister’s death by throwing herself into a reading project: read one book per day for a year. I found that the author focused more on her life, her struggle, her personal biography and the relationships in her life more than on the books. I think some of the books she read deserved a little more reflection and thought than she accorded. It felt like she was sprinting through this reading list and didn’t even discuss or acknowledge half the books she read. After the conclusion we finally get a full list of all the books (and short stories) she read that year. I wanted to hear more about the books. I appreciated her personal heartfelt attachment and the way she tied in the novels to her life, but I think it would have worked better if that was an “introduction” or “chapter one” and then the rest of the book focused on her reading process, the thoughts she had on each book objectively and subjectively, a little context for the books, quotations she enjoyed. I wanted it to be more about the books is what I’m trying to say. Some reviewers on Goodreads called this “the memoir no one asked for” and while that is a bit harsh—as a reader I’m open to hearing everyone’s story—I think this promised to be a reading journal/experience rather than a ‘coping with grief’ kind of book and so it did become in the end the memoir no one asked for. I encountered a similar problem earlier in the year reading Spinster which instead of talking about spinsterhood ended up as a personal life story/memoir. Maybe we’re more interested in the memoirs and biographies of people we consider “important.” I did appreciate that she read diversely.
Our Numbered Days by Neil Hilborn
This collection plays with the idea of “numbered days” in more ways than one. It explores the theme of death in the form of thinking about death, considering suicide, and manic-depressive illness episodes where this can happen. It also looks at relationships in one’s life whether in love, parents, or friends and how those days are in a way limited or numbered. From time to time Minnesota and snow will make an appearance. The content of this collection is very well put together. There are various kinds of relationships, followed by kinds of mental illnesses, and concluding with a literal death of a grandmother. Every few poems one will begin with several quotations from other poets and well-known figures on each respective topic (time, death, heaven, hope). The poetry is very accessible and it tells things rather than alluding to them through clever use of language. In that respect I wanted more from this collection. However, the things it does tell are pretty memorable and some sentences strike deep. Also, I read this out loud and I found that in the way things were written (sentence-structure-wise) I was almost shouting. It comes across as a forceful rant or complaint bulldozing and demanding to be heard.
Hilborn explores the ways OCD affects romantic relationships, how depression ruins your days, how suicidal thoughts can be preventable by people in a position of privilege. In his poem “Joey” the poet compares himself to a friends who was going through something similar but who could not afford therapy:
“I can pinpoint the session / that brought me back to the world. That session cost seventy-five dollars. / Seventy-five dollars is two weeks of groceries…I wonder how many kids / like Joey wanted to die and were unlucky enough to actually pull it off.”
Here are some lines I enjoyed:
“Depression wasn’t an endless grey sky. It was no sky at all.”
“To Break Something but Being Too Weak; /The Sadness that Comes from Always knowing / exactly where you are.”
“I will lie here forever and sing to you all the things / I stopped myself from saying when we were alive.”
“Though he couldn’t name it, her favorite / color is Bakelite seafoam green”
Walden by Henry David Thoreau
Walden is one of my favourite classics and it’s one I return to often. I re-read it this month as my monthly classic mostly because it’s summer and nice out, but also because I haven’t been reading as much this month as the one before and with full enjoyment so I picked it up to get me out of the little slump. I also wanted to brush up on it so I could write an entry on why Walden is my “comfort classic.” Click HERE to read it.
The Marriage Plot by Jeffrey Eugenides
This book came up in conversation when I was discussing my read-along project of Infinite Jest. My friend said that one of the characters in the Marriage Plot was based on David Foster Wallace and it’s a “campus book,” so I had to read it. I love campus books as much as island books. The story follows a female protagonist who is an English major and has just graduated from University. I have only read about 50 pages of this book and all I’ve read about was graduation day, parents coming to visit, and some boy dilemmas. I am intrigued by this book and it’s reading quite smoothly but I will do a proper wrap-up at the end of July after I finish all of it.
Book I hated and could not finish
I have never been this frustrated with an author as I am with Paulo Coelho. This is the most selfish book I’ve ever read in my life. It’s selfish in so many ways. First the plot: Coelho, bored with his life, is taking on an adventure with his publicist and decides to go on a train trip across Russia and be all mystical and spiritual. That’s it. Why is it selfish? First he is preying on his readers and taking advantage of them. He knows he did well with The Alchemist, he knows people look to him for advice the way they do to a life coach so he uses this “oriental mysticism” to absorb the reader and try to convince us that he is in fact enlightened. The first 10 pages were actually kind of amazing. It was like candy.
“I began my apprenticeship in magic…grownups have no time to dream…what am I doing here…there exists a parallel universe that impinges on the world in which we live”
and in conversation with his guru or spiritual guide who tells him
“you feel that nothing you have learned has put down roots, that while you’re capable of entering the magical universe, you cannot remain submerged in it”
How lovely right? The first ten pages made me want to highlight and take notes. But nothing he says is original, or interesting. It’s basic self-help book rewording. He uses this as an excuse to go “conquer his kingdom” because he’s special and needs travelling and experience. He then spews lines like “travel is never a matter of money but of courage.” Come on! Then he waves good bye to his wife in Brazil who is understanding about this whole thing for some reason, and lo’ and behold on his train trip he meets a 21 year old (did I mention he is 59) and he basically sleeps with her….but it’s okay apparently because he met her in a previous life. One reviewer on Goodreads wrote: “I don’t know how Coelho’s wife in Brazil can accept her womanizing husband and letting the whole world know about it.” I found this book to be selfish in that it’s a personal journal and he does things that are not so admirable but he paints them in a light of him being so enlightened for doing these things….and he keeps dropping every five lines how well his books are doing. It’s selfish to his readers because they buy his books and admire “his” ideas. It’s selfish to his wife. I would say it’s even selfish to the people he dragged along on this trip, and to that poor 21 year old. I also found that it painted people who are genuinely spiritual in a bad light. I pictured monks face-palming. It’s very self-absorbed… I wish he titled it “a journal entry from my trip and midlife crisis.” This is hardly a novel. I don’t generally review negatively because I research my books before reading them but this book really upset me because I expected something better.
This poetry collection is divided in three sections:
- Intrigue: the way we perceive the world around us, how we take beauty in, how we get to know everything around us
- Whimsy: sketches of life, things that make up our life and become particularly significant to our role such as playing baseball, or putting ointment on foot fungi.
- Reflection: a step back analyzing ideas and concepts
As is indicated by the cover of this collection the symbol of the butterfly is a running thread through all three sections. The author considers the butterfly when discussing beauty, flight, and transformation.
Aside from the aforementioned three-part division, most poems in this collection are so diverse one cannot categorize them as they are stand-alones. For instance, in the first section there is a poem called “Shattered” which is a rhyming poem juxtaposing the fairy tale of Snow White with the contemporary ways in which we attempt to alter the perception of our beauty either through cosmetic surgery or digitally manipulated Facebook pictures. While it still looks at another kind of transformation similar to that of a butterfly, the writing style, rhythm, and composition of this poem makes it somewhat unique and apart from others in its section.
In the poems where Anderson captures moments from life I was reminded of Sylvia Plath’s ‘moment’ poems like “Cut” or “Balloons” and yet his play on words is so fun that I couldn’t help but imagine that I was being serenaded by the Caterpillar from Lewis Carroll’s Alice’s Adventures in Wonderland. For example he plays with the word IT in the poem “IT” as ‘it’ being an ominous presence, a something, or literally the digital IT department. There are other moments where he writes ‘fizzycists’ instead of physicists, or when he writes in the poem “i.”:
“they say it’s as easy as a π in the sky”
Anderson combines the mundane daily life snippets with the larger activity all around all-present in nature and the larger cosmos.
My favourite poems are “i,” “Shattered,” and the very first one “First Glance.” Here is “First Glance” in its entirety (spelling of words appear as such in the collection, they are not typos):
“Inananosecond / The Photons reflect / From your face and zip / Through the lens of my eye – / Your image summersaults on my retina / Where all comes into brilliant sharp focus / Then the rhodopsin in the colorful cones / And sensitive rods transforms to create / The impulse which crosses / Via the optic chiasm / To the visual cortex / Where all is parsed –/ And though I have / Never seen you / In the past / Somehow / I know / You are / Beautiful ”
(“First Glance,” Anderson)
I enjoyed the collection and would recommend it to anyone who loves poetry. It is appropriate for younger children as well if you would like to use this collection as a bonding moment, or a poetry study in a classroom.
The poetry collection is also accompanied by several illustrations created by Maria Rodriguez.
J.B. Anderson is a Detroit poet with a B.A. in English Literature who has been practicing orthopedic medicine for 30 years. He published a children’s book called Hockey Cat in 2010 under a pseudonym.
“The mass of men lead lives of quiet desperation”
Thoreau lived at Walden Pond from July 4, 1845 to September 6, 1847. Walden was published in 1854.
For the last few years I’ve returned to Thoreau’s Walden many times. Sometimes I read it from beginning to end, sometimes I listen to the audiobook. Other times, I read only a chapter, or the things I’ve highlighted. Themes, excerpts, and the work as a whole especially come to mind when I visit my parents’ home and take a walk around the forest and the local pond. I am trying to figure out what is it about Walden that makes it what I call a “comfort classic”—a classic I re-read to make the world feel right again. This entry is really meant to read like a personal reading journey entry where I log notes and discuss them.
In the first section ‘economy’ Thoreau points out all that is wrong with society, which frankly has not changed, if anything it has only worsened (particularly discussing student debt from the Universities). He points out all that is wrong, and all that we should aspire to be. He writes:
“The mass of men lead lives of quiet desperation. What is called resignation is confirmed desperation.”
The mass is quiet, that is what makes it awful. They have the natural consequence but they do not know how to express this quiet desperation.
“What everybody echoes or in silence passes by as true to-day may turn out to be a falsehood to-morrow.”
“One may almost doubt if the wisest man has learned anything of absolute value by living.”
“Here is life, an experiment to a great extent untried by me”
“Are we compelled to live, reverencing our life, and denying the possibility of change.”
“To be a philosopher is not merely to have subtle thoughts, nor even to found a school, but so to love wisdom as to live according to its dictates, a life of simplicity, independence, magnanimity, and trust. It is to solve some of the problems of life, not only theoretically, but practically.”
Thoreau also mentions how impractical the anxiety to be fashionable is (in terms of clothes, household furnishings and objects).
Earlier I mentioned that certain things have worsened since (like fees, rent, etc). I wonder how Thoreau would react or write about (in the middle class West) people spending the majority of their time on the Internet indoors.
“It would be well, perhaps, if we were to spend more of our days and nights without any obstruction between us and the celestial bodies…birds do not sing in caves, nor do doves cherish their innocence in dovecots…many a man is harassed to death to pay the rent of a larger and more luxurious box.”
There is something in Walden, particularly in the beginning that strongly reminds me of things I’ve seen or heard recently but figured Thoreau said it first. Most of the discussion of your things owning you was strongly ringing of Fight Club (not the book but the movie).
I think what I like about his writing is that he goes from contemplative and philosophical writing to the mundane and every day speech all in the same sentence. Thoreau wrestles with social constructions that have ones seemed natural and a part of our existence.
I like imagining Thoreau walking, and thinking, and just tapping into some of his thoughts on literature and what he sees, to me, is a very idealized pastoral scene so Walden has become my comfort classic.
If you were to compare what some of today’s styles and trends are: eating organic, growing your own food, travelling and reconnecting with nature, hiking, etc. This sort of ‘hippy’ or ‘bohemian’ lifestyle is often divorced from the intellectual now. I realize that Thoreau did all these things back in the 1840s and combined it with the intellect. His chapters on “reading,” and “where I lived and what I lived for” are imbued with literary references and discussions. It is akin to books like Ex Libris or the genre we all love so much recently ‘books about books.’
“A written word is the choicest of relics. It is something at once more intimate with us and more universal than any other work of art. It is the work of art nearest to life itself.”
His every thought is an allusion or a reference to a literary work from antiquity to his contemporaries. Through the voices of other literary giants and describing the sounds around the pond, Thoreau shows how you can be surrounded while completely alone in a contemplative state.
Every section of Walden has its own charm. There are so many YouTube channels for instance focusing on cooking, growing your own things, and budgeting. Thoreau writes about all those things explaining in detail how he did it. I sometimes imagine 19th century readers reading this the same way millions of us subscribe to channels online now. I enjoyed reading about his budget, savings, and spending when it came to building the house and investing in clothing, food, and farm supplies. It’s both personal and distant, it’s doable and also impossible. Most importantly it brings me to a good place mentally because I think about nature, and what the natural realm means.
Summer is here! Not only is the weather just right for traveling and having adventures of your own, but it’s also a great time to read books that inspire wanderlust. The list contains several books I read and thoroughly enjoyed along with some that fellow librarians, family, and friends have recommended. Hopefully there will be at least one title in the list that is right for you.
For full list downloadable and printable PDF click HERE <–
For other recommendations based on reader preferences check out this Goodreads LIST
The titles below are clickable and it will link you to The Book Depository if you would like to purchase a copy. The public library should also have at least one copy of each one of these books. You can also access the Online eBook for free using your library card using OverDrive.
No Baggage by Clara Bensen
A Walk in the Woods by Bill Bryson
In a Sunburn Country by Bill Bryson
The Good Girl’s Guide to Getting Lost by Rachel Friedman
A Walk Across America by Peter Jenkins
On the Road by Jack Kerouac
The Dharma Bums by Jack Kerouac
Into the Wild by Jon Krakauer
Into Thin Air by Jon Krakauer
The Longest Way Home by Andrew McCarthy
Vagabonding by Rolf Potts
Between a Rock and a Hard Place by Aron Ralston
Walking the Amazon by Ed Stafford
Travels with Charley by John Steinbeck
Wild by Cheryl Strayed
Honeymoon with My Brother by Franz Wisner
I would also like to share with you another great resource if you like adventure and that is “World Travelers United” blog. You can also find them on Facebook and Instagram. Just looking at the photos inspires wanderlust! Hope you enjoy the reading list and if you would like to recommend others please comment below!
Books I read for Reviews (with links)
- Drinks with Dead Poets by Glyn Maxwell. A poet/professor wakes in a town where he must teach a syllabus on dead poets, and the dead poets come to life (To be published in August of 2017)
- Matter & Desire by Andreas Weber. Academic text exploring the relationship between our existence and nature through erotic experience (To be published August 3, 2017)
- The Man Who Loved Libraries by Andrew Larsen. This is a very short children’s book about Andrew Carnegie (to be published August 15)
- Thin Places by Lesley Choyce. Free verse poem telling the story of Declan Lynch who can hear voices and follows them. (To be published July 29, 2017)
- The Excursionist by J.D. Sumner. This is a travel satire with a very grumpy main character (published May 17)
- The New Voices of Fantasy edited by Peter S. Beagle. A collection of new fantasy short stories (to be published August 18, 2017)
- Scion of the Fox by S.M Beiko. Young adult book with magic, battles, family traditions and history, and is very much entwined with the natural realm (out for publication October 17, 2017)
- Ewan Pendle and the White Wraith by Shaun Hume. Pleasant children’s adventure about Ewan Pendle who receives a special education. (published)
- How to Read Nature by Tristan Gooley – book on navigating through nature and reviving the connection between ourselves and the natural realm (out for publication August 22, 2017)
- Of Men and Women by Pearl S. Buck – short essays comparing the American household to that of China, published/written in 1941, currently being republished in a newer, updated eBook edition (out for publication June 27, 2017)
- Ex Libris – Anthology of Sci-fi and Fantasy short stories with Librarians, Libraries, and Lore (out for publication July 11, 2017)
- The Cloud Versus Grand Unification Theory by Chris Banks – poetry collection (out for publication Sept 5, 2017)
- Hunger by Roxane Gay – a memoir; a history of Roxane Gay’s body and experience with weight gain (out for publication June 13, 2017)
- Up Against Beyond by Jason Holt –Poetry collection (out for publication July 20, 2017)
- Iain M. Banks by Paul Kincaid –academic book, short biography, close analysis/reading of Iain M. Banks and his works published both as ‘Iain M. Banks’ and ‘Iain Banks’ (out for publication May 30, 2017)
Books I read for Myself
I had a great reading month mostly because I had all the time in the world: no work, no school, no exams.
According to my Audible App I also spent about 8 Hours listening. The listening included a variety of dramatizations of classics, or some audiobooks for the things listed below where I would follow along in the text while listening to an audiobook.
I read two short stories:
“The Machine Stops” – by E.M. Forster which already made it onto my ‘favourites’ list. The story is written in 1909 but it’s highly prophetic and describes a time where people are glued to conversation machines and lose touch with the organic. It’s like a “pre-WALLE” critique of our attachment to screens.
“The Pit and the Pendulum” by Edgar Allan Poe. This story took me a while to get into, mainly because I wasn’t sure what was happening for the first few pages. A man wakes up tied, in a pit, where a pendulum swings above him (one of those with a blade) and he doesn’t know why. He spends the story figuring it out. It didn’t really strike me in any way and it’s not as memorable as “The Black Cat.”
The Tenant of Wildfell Hall by Anne Bronte
I then read my monthly classic. This month I chose The Tenant of Wildfell Hall. Again, this didn’t sit with me quite as well as Jane Eyre or Wuthering Heights. What I’m saying is: I can see why it’s important, I can engage in conversation about many aspects of it BUT reading it wasn’t a very exciting experience. Anne looked at domestic abuse and the ways women would put up physical barriers like Wildfell Hall itself. I liked the many perspectives in this work but I had one major issue with this novel and that was the characterization of Gilbert Markham, the first narrator. Gilbert as a first narrator to me was so feminine that I had a hard time imagining this man as a (straight) man. Everything he said was something I could never picturing a man caring about like the way a woman’s eyebrows look like, or the fabric of their clothing. It sucks that in my head I kept comparing Markham to manly Rochester and Heathcliff but one cannot help but lump the Brontes together. I would have no problems with bending gender norms and stereotypes but I think in this case Anne Bronte just didn’t know how to capture a masculine voice. I did enjoy that Helen was a painter and the descriptions of her paintings got to me in a very heartwarming way. Helen’s character is very interesting.
Sleeping Giants by Sylvain Neuvel
I am not sure how to describe the synopsis without spoilers. I’m going to briefly borrow parts from the synopsis at the back. Rose Franklin falls through the earth when she is a child and ends up in the palm of a giant metal hand. She spends her life studying physics and gets involved with a military/science team in search for other remaining parts of these giant metal giants which are scattered worldwide. The book is written in interview format. Interviews are conducted with Rose connecting her personal experience to the expeditions, with Kara Resnik (a military leader on this mission), and with other members involved in this investigation. I sort of imagined it as someone from the Pentagon interviewing all the people involved or around anything relating to these robot parts showing up all over. There are romances hidden, mysterious components to the robots or “giants” and it’s definitely not boring. I read this book with the text in hand and with the audiobook. It is an experience I recommend mainly because audible has different voices for the different characters and you really experience their presence. Lastly, I couldn’t help but be reminded of A Monster Calls, The Iron Giant, and most of all the giant guardians that are dormant in Disney’s Atlantis: The Lost Empire. I don’t know if anyone remembers those but as a kid I watched Atlantis so many times and the moment when the giants pop out from the ground to protect the city is a scene forever ingrained in my memory. I don’t know if I’m alone in making this association.
River of Teeth by Sarah Gailey
This is a small novella that just got published by Tor.com. In the early 20th century America had a plan to import hippos to supplement the meat shortage. The plan was scrapped but Sarah Gailey re-imagines an alternate 1890s where hippos are present in the U.S. It’s a weird hybrid of fantasy and a westerner. This is the story of Winslow Houndstooth who rides his hippo. Every rider in this book has a hippo. Tor.com published an article introducing every hippo by name here. The novella is only 170 pages and a very easy read. The cover art is done by Richard Anderson and designed by Christine Foltzer. I’ll put together a better review for this on Goodreads later tonight.
Concluding Thoughts and Announcement
My favourite reads this month were Drinks with Dead Poets by Glyn Maxwell and Ex Libris: Libraries, Librarians, and Lore. I’ve also been reading Age of Myth by Michael J. Sullivan which I have not yet finished so it will be featured in next month’s wrap-up.
BIG ANNOUNCEMENT! Along with Ennet House I will be reading Infinite Jest from June 1 to September 18 (along other books of course). If you would like to participate there is still time to get the book and join our community. More details on this HERE. Everyone is welcome!
“love is the principle of a fulfilling equilibrium between the individual and the whole”
Matter and Desire is not a book about navigating in nature, an analysis of the natural realm, nor a biology book in any way shape or form. I read this text as a love letter to nature. Andreas Weber is a German academic, and scholar who holds degrees in Marine Biology and Cultural Studies. In this text he explores the ways in which humanity, unity with the larger ecosystem, and love as experience connect with nature and all things around us. In the foreword John Elder writes:
“He [Weber] focuses throughout on the ways in which sensory contact with our fellow creatures, as well as with air and water, light and gravity, can deepen our capacity to identify with all of life.”
Weber connects our psychology and experience of nature with ecology, as well as acknowledging writers before him who have managed to do so successfully—like John Muir for instance. In fact, Weber brings together philosophers and writers from Antiquity to present merging their writings with contemporary anthropocenic discussions, exploring how our human identity ties in to nature.
Weber begins his book by defining ‘eros’ as he will use it in the entire text as well as a brief history of the word itself. He writes:
“The Eros of matter counterbalances the physicists’ basic assumption that ‘entropy’ in the universe is constantly increasing, meaning that everything in the cosmos is trending toward a uniform condition of the lowest thinkable level of energy. Fires burn out. Life-forms die. Our bodies break down. Even the sun will collapse someday.”
He brings together all the components of this experience: touch, desire, and death as well as separating the contextual experience of nature in terms of relativity between ‘I,’ ‘you,’ and ‘we.’ Weber also explores the poetic imagination, poetic materialism, philosophy, psychology, and freedom and the ways they fit into the discussion of desire and nature, as well as the many conversations sparked by each separate field.
This entire text is so well written and almost every line is quotable. Here’s an example:
“the feeling of the soul in ascent is the feeling that the desire for aliveness that fills the cosmos to the point of overflowing is being realized.”
Weber also includes in each section of his work an anecdote from his personal experience and relates it to the topic discussed in a theoretical way examining how it applies.
This work is a love letter to nature, and it is first and foremost an academic text. I would recommend this to readers who enjoy Carl Jung, Thoreau, Octavio Paz, Albert Camus, Jean-Paul Sartre, John Muir, Sigmund Freud, and Classical Mythology, as well as new emerging discussions about the Anthropocene. This work is demanding of its readers but it is worth the effort because it’s extremely rewarding. Every line is so well written and beautiful. This will no doubt become a crucial text on nature in future literary discussions.
Scion of the Fox is a YA Fantasy Novel following Roan, who is an orphan with few memories of her parents. Roan is a lone-soul in an empowering way—to be honest it’s someone I would have loved to have as a friend in high school. She enjoys her time alone, she is a big fan of Wuthering Heights, and she sometimes talks to a stone menagerie made up of animals. Her grandmother, Cecilia, is a mysterious Fae-like, world-traveler (who kind of reminded me of Moana’s grandmother). Roan’s grandmother falls into a deep coma, whilst traveling, and her final wishes among being brought to Winnipeg no matter what state she is in, also included being preserved ‘alive’ until she expires on her own, and that her next of kin must reside in her home. I don’t want to spoil too much but I will say that this book is very much in tune with nature, mysticism, and spirituality. Roan cheats death as she is aided by a fox spirit and this leads to a series of fantastical events. The fox, and the moths are reoccurring symbols throughout this book. I thought this book was well-written and it got my attention immediately. The main character is well-rounded and likable, and I must add that it’s refreshing to read a YA novel that does not have a romantic relationship (or lack of) at its core. It deals with ancestry, battles, family traditions and history, and is very much entwined with the natural realm. This book is heavy with symbolism and I love the ‘Canadianness’ of it. I don’t generally read YA fantasy but this book got my attention and I thoroughly enjoyed it. I look forward to the next two books as this is the first in a trilogy.
I would recommend it to anyone who likes young adult fiction and the elements listed above. On Goodreads the synopsis portion compares this book to American Gods and Princess Mononoke which I think is an apt comparison. Other words that come to mind is ‘fae-like,’ ‘gothic,’ and ‘sublime’ sprinkled with ‘Canadian.’
The author, S.M. Beiko (Samantha Mary) is from Winnipeg Manitoba. Her first novel, a young adult fantasy set in rural Manitoba called The Lake and the Library, was nominated for the Manitoba Book Award for Best First Book, as well as the 2014 Aurora Award. Scion of the Fox is the first book in what will be a trilogy. ECW press will release one book per year. This first book will be out on October 17, 2017 and is currently available for pre-order.
This year I started my reading journey with an attempt to learn more about nature. I ended up picking Tristan Gooley’s book The Lost Art of Reading Nature’s Signs, for which I wrote a very passionate review at the beginning of April. I also got a hold of Gooley’s book How to Read Water which has been on my TBR for a while but I got the chance to browse through it. Naturally I requested How to Read Nature as soon as I was notified that it will be published this year on August 22. I came to this book with knowledge of Gooley’s previous works and having watched a few lectures of his on YouTube. Gooley is a natural navigator and teaches classes on navigating through nature. This book read like being in one of his classes and receiving an introduction to the course. His previous works are much more detailed and go in-depth for each topic like navigating the sky, understanding fungi, trees, reading water (which has its own 400 page book) etc. I think this book will become the best place to start with Gooley’s works and an important starting place for readers of nature books.
This book very much resembles a course syllabus and gives readers a glimpse into each topic with exercises attached. Gooley focuses in this book on building a relationship with nature and the ways in which every person can begin to do so in a world that is very much detached from the natural realm. It’s almost as if Gooley is a relationship therapist here to fix the miscommunication between us and nature. He writes:
“a connection with nature allows us to see the roots that sustain and explain everything around us.”
He focuses on Maslow’s pyramid of needs and points to how lacking our society is in its foundation: physical needs. We take better care of everything else on the pyramid and neglect the most important one of all.
I learned a lot from this book about colour and time. Tristan Gooley spends a long time in this book focusing on the senses, colours, and timekeeping. One small example is the way he talks about plants:
“plants react to colours…if we are dressed in blue we can change the way a plant grows, while if we wear red we will influence its timekeeping”
What I particularly enjoyed is that the book is accompanied by images and exercises (which go hand in hand) helping the reader act on each section and practice. At the end of the book Gooley also provides readers with a bibliography of other nature books they can read on the topics he covers in this book. My reading list just grew ten-fold.
Okay, let me paint you a picture:
You know that friend you have—you know the one—the individual who peaced out a few times to go find themselves in the East by being spiritual in Buddhist monasteries for a few weeks, the one who smokes pot and talks about the peace at parties, the one who thinks about attending protests, is probably vegan, and every time you’re with them they listen to Kurt Cobain, and Jimi Hendrix, and somehow is also insanely pretentious because they drop references to Charles Bukowski, any of the confessional poets, Virginia Woolf’s The Waves, Wordsworth, the pot-lord David Foster Wallace (who they suggest is far too pretentious and unreadable, but they themselves sounds like), the Great Gatsby, and who deep down thinks they’re Jack Kerouac?
If you miss that friend (who you love very much and wish you could have their courage and go with them) because they probably left you again to have another adventure without you (because you suck for reducing them to a stereotype in book reviews), then just read this poetry collection. It’s a textual embodiment of that person.
The weird thing is, that while that hipster friend who has become a trope right now is already a cliché, I think Chris Banks is actually an original because he was born in 1970. He actually did those things BEFORE they were cool. So let’s get into the collection:
This book really is for everyone, as the dedication suggests. It’s filled with references, which most avid readers or English majors will pick up on.
My personal favourite is the simplest one, devoid of any of the things listed above, which has the most honesty. It’s called “Fossil”
“To match in words
Some extinct creature
Left in mud long ago
To be that permanent
And still not there.”
The collection is divided in four parts:
- All Night Arcade
- The Cloud versus Grand Unification Theory
- Selfie with Ten Thousand Things
- Finders Keepers
The poem which starts this collection is called “Progress” and is representative of the kind of ‘protest-poetry’ that Banks offers:
“Gene-targeting and molecular cloning. The shrine /Of the genome has broken into—Glo Fish /…Insulin-producing bacteria / are grown in large fermentation tanks to provide / medicine for diabetics / …demand / Big Pharma give us an alturistm patch, one to create / more empathy in politicians, say, or nasal spray, / to make children more resistant to fear-mongering, / and body shaming.”
The collection is filled with contemporary references like ‘selfies,’ society-accepted norms that mean nothing in the large scheme of things, and criticisms of capitalist-driven-corporations, and their lack of empathy, eco-love, or humanity.
There are some knock-out lines scattered throughout this collection like:
“most poems I read feel like I’m walking / through someone’s private zoo.”
– “Roadside Attractions”
Overall the collection is good, and it’s worth a try. It doesn’t take too long to read. I do wish that the collection had a well-written introduction to the poems and a better outline of Chris Banks as a poet. I wish there was more context.
This month has been very hectic. The first two weeks I was writing final essays, wrapping up my Masters degree. I did get some good reading in this month. I was pleasantly surprised by the poetry collections I got a hold of this month because they really nourished the soul. Overall it was a good reading month. Here’s what I read starting from the most recent:
The Poetry of Impermanence, Mindfulness, and Joy – Edited by John Brehm
This collection is an amalgamation of poems from various authors who are a source of wisdom in both the East and the West. The collection brings together a spiritual community that remains connected in that they wrote of essential human truths universally experienced. The collection includes poets like Frost, Whitman, Shakespeare, Kerouac from the West as well as poets from the East like Han Shan, Wei Ying-Wu, and Li Po. I wrote a full review here.
The Slow Regard of Silent Things – Patrick Rothfuss
Earlier in the month I finished the first book and while I am saving the second volume for later on in the year, I thought I would give the novella a chance: The Slow Regard of Silent Things. I read a few reviews and people seem to be very angry at this novella for its lack of plot and character depth. I too expected a history of Auri. I hoped we would find out what happened to her, how she ended up in the Underthing, maybe some secrets she knows from overhearing conversations. I had to connect some dots from the first book. First I remembered that Elodin told Kvothe that he had known Auri for many years around the University and that she herself had been a student studying Alchemy. Also Elodin with Auri are both mentally unstable characters so it’s subtly hinted that Auri may have also been affected by the Naming of things. Reading this novella is almost like a play or a very concentrated experience of what it’s like to be Auri. We don’t get a history, we don’t get much plot, or even much character development, but you get ‘a day in the life’ of Auri in case you wondered as a reader what she does all day.
In the novella she moves around the Underthing and has a lighted object or bio-luminescent creature that she has named Foxen. She observes objects and rooms. I think this concentrated experience is in a way appropriate for Auri because it still keeps her a mysterious figure but it captures the isolation and loneliness of the most hermetic character in the series. Her experience of life is certainly going to be different and perhaps less exciting than Kvothe’s—who experiences more things than anyone else in the entire first book.
This is my theory: she messed up something in Alchemy and out of that she got Foxen and became unstable, but Foxen keeps her alive somehow—which is why Elodin could have known her for years and she still looks young. Foxen is tied to her existence and daily habits/routine. That’s what I got out of this novella. I look forward to moving on to the second book The Wise Man’s Fear.
The novella is also accompanied by the beautiful illustrations of Nate Taylor.
The Hour Wasp by Jay Sheets
I received an ARC for early review from April Gloaming Publishing. The Hour Wasp is a poetry collection written by Jay Sheets and illustrated by Robyn Leigh Lear. This is a debut collection for Sheets and I read this on a lovely Sunday afternoon in the Month of April. If you’d like to know more about this collection you can read my full review. The book will be published on May 28.
This is What a Librarian Looks Like by Kyle Cassidy
I received a copy of this book as an ARC from Hachette, Black Dog & Leventhal for early review. The book will be officially published on May 16. This book is a combination of library history, author interviews on what the library means to them, and over 200 photographs of individual librarians across America with a little excerpt on them. Interviews include Neil Gaiman, Amanda Palmer, Nancy Pearl, Cory Doctorow, and George R. R. Martin, among others. The purpose of this book is to promote and celebrate libraries and the role of librarians in our society, particularly now when the funds of libraries are threatened by Trump’s proposed “skinny budget.”
Invisible Planets Translated by Ken Liu
This is a short story anthology of contemporary Chinese Science Fiction in translation. I wrote an individual Review for this collection. Invisible Planets is a 2016 TOR publication. The thirteen short stories had been previously featured in short story publications like Clarkesworld, Uncanny, and Tor.com. The short stories are written by Chen Qiufan, Xia Jia, Ma Boyong, Hao Jingfang, Tang Fei, Cheng Jingbo, and Liu Cixin. All the stories are translated by Ken Liu. Each author’s stories are preceded by a brief biographical note on the author.
Shards of Honor by Lois McMaster Bujold
I then half-read, half-listened to (on Audible) Lois McMaster Bujold’s second book in the Vorkosigan Saga Shards of Honor because she suggested starting with Shards of Honor and follow it with Barrayar. I will say in advance that this is definitely what is called a hard sci-fi book. There is a lot of military speech and military tactics. The main character whose point of view we follow is Cordelia Naismith’s, she is the captain of a Betan Astronomical ship. I love the way Bujold characterised Cordelia because she is strong and has a backbone. The work begins with the Betan base camp being attacked and Cordelia remaining behind with only one other person from her camp and Captain Aral Vorkosigan of Barrayar. A romance ensues between Cordelia and Vorkosigan but it’s very subtle in terms of ‘cheesiness,’ because as I mentioned this is a strong character and a hard sci-fi book. This may sound weird but Cordelia and
Vorkosigan reminded me of Commander Rourke and Helga Sinclair from Disney’s Atlantis: The Lost Empire. The relationship is complicated, there is a mutiny, and a lot going on that I can’t explain without spoiling it. I am willing to give the rest of series a try but not in a row. It’s an easy and pleasant listen/read and very exciting so it doesn’t require too much effort but it’s not a series I can binge.
Peter Darling by Austin Chant
This book is a retelling of Peter and Wendy only it reads more like a sequel or continuation. In this retelling Peter is trans and was born as Wendy. He returns to Neverland ten years after leaving and choosing to grow up as Wendy. I have written a full review on this book. There is a romance aspect between Peter and Hook, however most of this novel deals with issues of identity, losing and finding oneself, and fighting to reclaim one’s spaces.
The Whydah: A Pirate Ship Feared, Wrecked & Found by Martin W. Sandler
This is a book about the Pirate ship: Whydah. I received this book from Early Reviewers in exchange for an honest review: Full Review. In short, the first half of the book Sandler begins by following our main Captain pirate: Samuel Bellamy and the ship he hijacks: The Whydah. He explains the Articles of Agreement (among pirates), fun facts about the origins of The Jolly Roger, details of torture methods on board, punishments, as well as the good parts of pirate atmosphere on the ship, and facing the wrath of the sea as well as critical weather conditions. The second half of the book focuses on the wreck of The Whydah and the importance of each artifact which was retrieved in 1984. The details of each artifact, its history, and importance are absolutely fascinating and throughout Sandler debunks many pirate myths.
The Name of the Wind by Patrick Rothfuss
This book is written by Patrick Rothfuss and was published in March 2007 by DAW Books, Inc. That year he won the Quill Award.
The Name of the Wind is about Kvothe—a young, red-haired man who tells his life story to Chronicler (a scribe whose life he saves and who is ultimately writing the ‘true history’ of Kvothe) and Bast—a young man who is absolutely enchanted by his master Kvothe and is eagerly listening to his life story. There are few interruptions but overall, The Name of the Wind is a bildungsroman. We follow Kvothe from his childhood where he is raised by a guild of actors, follow him through several years on the Tarbean streets where he lives in absolute poverty, and eventually through his University education where he studies Sympathy (among other subjects). Finance and poverty drive Kvothe’s plot as he must always make another strategic move to earn a day’s living, or another semester’s tuition. By the end of this book you’ll feel like you understand their economic system and all about ‘jots’ and ‘talents.’ The characters he meets at University and in town are diverse and very interesting, though no character is as flushed out and dimensional as Kvothe himself. His main talent on top of his studies is being a skilled lute musician. What is particularly strange to me, is the “magic” system. It’s very difficult to explain because it exists, it’s ‘different,’ and somehow it’s not very present. At the university, students study Arcanist’s arts which include Sympathy, Sygaldry, Alchemy, and Naming and then there’s a sort of Fae-world kind of magic. Some professors study things that make them fall into madness like “learning the name of the wind.” The description of classes sound a lot like courses in our world (including tuition), and a little bit like alchemy. The use and presence of ‘magic’ is really subtle and sometimes I wonder if it’s even there. There are mysterious figures like Auri, the Chandrion, and the professor who is held up in what resembles the University’s ‘asylum.’ Things like ‘forbidden stories’ and the effects of ‘sympathy’ used outside of the University give off a ‘magic’ element, but when as the story is told I sometimes forget that this is a different realm at all. There is also a romance woven in, but it is not overpowering. This book is 722 pages, so being brief in describing what it’s about is complicated without giving too much away.
What I love most about this work is how it is told. The storytelling and world building makes me feel like I’m listening to one of Scheherazade’s stories. What really accomplishes that for me is the many ‘stories within stories.’ There is a man at a tavern telling stories, there are songs being sung resembling medieval songs and filled with mythology and …well…stories. There are tutors, actors, guilds, dealers, clans, a hierarchy of class systems, and languages. All these components added while discussing the growth of Kvothe as a character give the reader a full experience of this world. It’s all in the details, like on page 300 where Kvothe and Wilem discus Siaru idioms:
“it means ‘don’t let it make you crazy’ but it translated literally as: ‘don’t put a spoon in your eye over it.’”
My favourite of all though has to be THE ARCHIVES. Descriptions of books in this novel are phenomenal. The presence of codices, and archives are everywhere. The descriptions of books, the presence of them, the contents, the things they help characters achieve just make this book so perfect. I highly recommend this to anyone who enjoys fantasy, books, schools, and bildungsromans. Here are a few of my favourite lines:
“You’d be surprised at the sorts of things hidden away in children’s songs” (39)
“I hope they spent those last few hours well. I hope they didn’t waste them on mindless tasks: kindling the evening fire and cutting vegetables for dinner. I hope they sang together, as they so often did. I hope they retired to our wagon and spent time in each other’s arms. I hope they lay near each other afterward and spoke softly of small things. I hope they were together, busy with loving each other, until the end came.” (124)
“The door of forgetting. Some wounds are too deep to heal, or too deep to heal quickly. In addition, many memories are simply painful, and there is no healing to be done. The saying ‘time heals all wounds’ is false. Time heals most wounds. The rest are hidden behind this door…there are times when reality is nothing but pain, and to escape that pain the mind must leave reality behind.” (135)
“[Skarpi] – I only know one story. But oftentimes small pieces seem to be stories themselves…it’s growing all around us…sometimes the story is growing in squalid backstreet bars” (202).
The Hour Wasp will be published on May 28, 2017 and is currently available for pre-order on Amazon.
This poetry collection is written by Jay Sheets and illustrated by Robyn Leigh Lear. This is Sheets’s debut collection, and it’s published by April Gloaming Publishing.
Lance Umenhofer, Author of And the Soft Wind Blows, writes in the introduction to this collection that Jay Sheets is setting out to create a
“guidebook for those times in the dark, for those times the great world might decide to leave us behind, to drop us off in the void and carry on ahead without us, those times in which we are dead weight”
This collection reads like the description of a dream in free verse. It’s almost as if someone tried to make poetry out of a surrealist painting. The natural realm is ever-present and there are references to scenes from nature though some appear as a vision like “a caterpillar in the centre of a heart-shaped bone.” There are references to oracles, fishbones, poetic enlightenment like in Cædmon’s hymn, jinn maps, henna-wrapped hands, and natural phenomenons. I couldn’t help but be reminded of Shakespeare’s A Midsummer Night’s Dream, Ovid’s Metamorphosis, or the Finnish Kalevala, but with the writing style of someone like e.e. cummings. Reading this collection was akin to what I’ve always imagined a shaman’s vision looks like or the birth of a myth. There is also a constant reference to ‘her’ as if he’s talking about a specific woman or enigma.
The book is divided in three sections
- [o the dark places we will go] – where Sheets sets the atmosphere to his collection by his use of imagery. Here are a few of my favourite lines from this section:
“my fingers damp in a ruined dream hold tiny mirrors to her ashen face”
“…her fingers exhume vellum word-coffins”
“to the places you bottled your herbs &
preserved your rosewater tinctures tubed
chemical potions… magnetic precipitations
now spiderwebbed in the cabinet & like
worldly things [lace & pewter] idle elements
calcify : coral floats…”
- The Second part of this poem is the most dominant, it’s called [blue haunts black]
My reading of this section was that in the same atmosphere of part one, we as readers enter the night realm, and it is here where the dream-like description I mentioned above is most prominent.
- The Third section is called [the sky is white] which resembles morning, an aubade, and awakening. A rebirth.
“i hugged myself as a child & told
Myself that everything was perfect in the petrichor
The smell of pure innocence & earth & earthly
Innocence that stays in the clothes i only wear
on good days…”
In addition to such beautiful poetry the reader is also accompanied by the illustrations of Robyn Leigh Lear which set the mood even more-so.
I enjoyed this collection and I would recommend it to anyone who enjoys poetry and is interested in discovering new voices.
“When I was very young and the urge to be someplace else was on me, I was assured by mature people that maturity would cure this itch…I fear the disease is incurable.”
Have you ever thought “I love Steinbeck! I wish I could hang out with him!” If you have, then: READ. THIS. BOOK. This journal/travelogue work is John Steinbeck’s account of his travels across the United States in the 1960s, with his dog Charley, in a trailer that he names the Rocinante (after Don Quixote’s horse). He describes what he sees, records interactions with different people he meets on the way, and this book is filled with reflective notes on what he thought of certain situation and how they relate to other instances in life or giving his opinion on his immediate reaction. There are a few literary references, and there instances of simple humour (i.e. getting stopped at the Canadian border for “dog reasons”).
I kept thinking that if anyone other than Steinbeck wrote the same travelogue it wouldn’t be that interesting. Although it’s not as high of a thrill as later written travelogues which are now quite popular, this book is interesting BECAUSE it’s Steinbeck. It seems a lot more relaxed than reading Krakauer’s Into The Wild for instance, or Cheryl Strayed’s Wild. I recommend it to anyone who enjoys travel literature, travelogues, journals/diaries, and those who love Steinbeck and his work because in the end it just feels like you’re hanging out with him and his dog. Interestingly enough, in 2014 Bill Steigerwald dedicated a lot of time to “exposing” Steinbeck as a fraud for this book and labelled this travelogue as a “fictionalized non-fiction” in his book Dogging Steinbeck. He elaborates on his issues with Steinbeck’s work in his blog.
Regardless, I enjoyed Steinbeck’s work and I thought I would share with you some of my favourite lines:
We find after years of struggle that we do not take a trip; a trip takes us (page 4)
I saw in their eyes something I was to see over and over in every part of the nation—a burning desire to go, to move, to get under way, anyplace, away from any Here. They spoke quietly of how they wanted to go someday, to move about, free and unanchored, not toward something but away from something (page 10)
It was like starting to write a novel. When I face the desolate impossibility of writing fie hundred pages a sick sense of failure falls on me and I know I can never do it. This happens every time. then gradually I write one page and then another. One day’s work is all I can permit myself to contemplate and I eliminate the possibility of ever finishing (page 23)
Humans had perhaps a million years to get used to fire as a thing and as an idea. Between the time a man got his fingers burned on a lighting-struck tree until another man carried some inside a cave and found it kept him warm, maybe a hundred thousand years, and from there to the blast furnaces of Detroit – how long?…for man has to have feelings and then words before he can come close to thought and, in the past at least, that has taken a long time (page 32)
I was born lost and take no pleasure in being found (page 70)
Edition of book I read is the Bantam Pathfinder Edition and Viking Press, 1961.
“I do not go walking with the purpose of staying within a world of perfect safety and comfort. Personally, I would rather die walking than die of boredom reading about how to walk safely.” –Tristan Gooley, xi
I don’t remember how I came across Tristan Gooley. It must have been through YouTube or an online reference, but somehow I was led to buy this book and his second work on Kindle. I’ve always wanted to be able to navigate through the natural realm and know exactly where I’m going. This idea kept coming back every time I remembered My Side of the Mountain, Hatchet, Robinson Crusoe, John Locke’s character on LOST, or Ron Swanson of Parks and Rec. I re-read Walden a few times and enjoyed that Nature-savvy protagonist so much and realized that as much as I like hearing about nature and surviving in it, I myself know nothing about it. I knew how to use several teas and herbs, some essential oils, but that’s pretty much it. The trigger was reading Into the Wild by Jon Krakauer where for the first time I realized that my idealized and romanticized notion of nature has a dark side. So I turned to Gooley.
This book is a ‘how-to’ manual but told with the storytelling skills of Thoreau. He takes breaks through the instructions to share anecdotes or personal stories of how that specific skill has helped him in navigating or explains how it would have come in handy to know before. Some of his stories really keep you on the edge of your seat.
“Sense and thought, observation and deduction, this simple two-step process is the key to transforming a walk from mind-numbing to synapse-tingling.”
The first four chapters focus on getting grounded and sorted (the latter used in this book as an acronym: Shape Overall character Routes Tracks Edges Detail). He discusses the ground, soil, trees, and plants as ways to find your bearings during the day. Chapters 5 and 6 focus on Mosses, Algae, Fungi, and Lichens (my personal favourite) as well as rocks and wildflowers (to a botanist or geologist this may be elementary but here we are learning how to navigate using clues from them). Lastly, chapters 7 through 11 focus on navigating the sky and weather. He writes about constellations to look out for, alignments, the sun, moon, and general sky details that can help you navigate if you are lost at night.
After reading this I found myself sounding like a know-it-all scout:
“did you know that grey soil is usually wetter than the red to yellow shades and is often a symptom of leaching?”
“did you know that where there is limestone we also sometimes find holes, caves, and stone pillars?”
This book made me feel like Sherlock Holmes outside. And here is where things get interesting. What makes Gooley different for me, is that he takes into consideration the things we have like GPS, and the metropolis, and synthesizes the two with nature. This way you don’t feel like you’re reading an 1800s manual, rather it feels very present and in tune with our days, our hobbies, and the tools we have at our disposal. For instance, chapter one begins with the explanation of smelling smoke on a cold morning (in the city!). I always thought something was on fire, but Gooley then explains that it’s the effect of temperature inversion and that “the smoke from factories and home fires gets trapped near the ground and spreads along under the warmer layer, giving the air a musty whiff of smoke.”
This book for me is a solid 5 stars in the non-fiction realm because it delivers what it promises in the title and it’s told with such great skill. There are sprinkles of science (i.e. Latin Linnaean terminology and classification) but it’s carefully placed among many practical, ‘how-to’ passages, and personal anecdotes. Gooley has five other books out: The Natural Navigator, The Natural Explorer, How to Connect with Nature, The Walker’s Guide to Outdoor Clues and Signs and How to Read Water.
The book is printed by The Experiment in New York, and the illustrations within the book as well as the front cover are done by Neil Gower. Gooley can be found at naturalnavigator.com