Don’t Live for Your Obituary

36471758What a perfect book to start off my year! This collection of essays (or short blog entries) is an accumulation of John Scalzi’s most popular and best writing on his blog over a decade (2008-2018). I was very intrigued by the title Don’t Live for Your Obituary—even though the entry with this particular title is quite short, it encapsulates Scalzi’s main message to young aspiring writers, and to readers alike: do what you love, live for now, don’t focus on posterity. This message comes across clearly through different topics. For instance, Scalzi discusses finances, writing as a professional, self-publishing versus established publishing houses, ebooks versus physical books (taking a quick stab at Jonathan Franzen on the way), etc. In each topic Scalzi emphasizes just how important it is to write for fun because you enjoy it in your present moment, for people to discuss and enjoy now. Here are some lines that stayed with me:

“Relieve yourself of the illusion that you’re writing for the ages…you don’t get a vote…[you won’t know] the values and interests or views of the world that people might have a century from now.”

“Be relevant now”

“writers want to write rather than have to write”

“Either you want to write or you don’t, and thinking that you want to write really doesn’t mean anything.”

“Being a writer isn’t some grand, mystical state of being, it just means you put words together to amuse people, most of all yourself.”

“Writing is an act of setting down in words the things about which you have a concern”

(Regarding writers being assholes as portrayed in mainstream media):

“it’s correlation, not causation”

Scalzi is a good writer, and a successful one. As he gives examples for each topic and/or argument he uses his most popular works and explores why they were successful (with the privilege of hindsight) often referencing The Old Man’s War, and Redshirts. Again, topics range from finances, to digital platforms, to posterity, MFA programs, inspirational authors, making fun of some successful authors in good spirit, to even showing how one can still be a writer while being a stay-at-home dad (or mom). I particularly enjoyed his portion breaking down what it means to have 1000 devoted fans, and how authors like Dan Brown and E.L. James don’t do a disservice to authors as a whole, because they don’t take away from other authors, rather, they bring more readers in. This book is filled with wisdom for this day and age. I found it so much fun to read, and I feel like it caught me up on 10 years of Scalzi. What I loved most about it was that even though it was filled with advice from an experienced person it maintained a light sense of humor. I think this book is perfect for anyone who struggles with getting started, has anxiety because they live only in the future, or for those who are fans of Scalzi’s science fiction and want to hear his opinions. Reading this felt like I was sitting with Scalzi over a cup of coffee and he was just answering all my questions.

End of the Year | Reflection


First of all, if you are currently reading this, thank you! A many great thanks to readers who have stuck with me this year, and commented on, or read my reading experience. I really appreciate your bookish company and academic contributions. Also, thank you if you’ve recommended books, audiobooks, podcasts, or stories to me, because you contributed to my reading experience, and honestly, that is the greatest gift.

This year was a very strange year for me, mainly because it’s been a “transition” year. In March I officially started this review/reading journal blog which for the first time held me accountable for my personal reading reflections. I also started to get ARCs for reviews which was exciting at first, but became overwhelming very fast. The truth about early editions for review, is that, as exciting as it is to receive a present in exchange for an honest review, it doesn’t necessarily guarantee that it’s a good book. As an early reviewer I have no idea what the book will be like, and because I have promised to give a review, I can’t in all honesty review something unless I’ve fully read it. I chose not to post about any book I didn’t like, which is why you are unlikely to find my negative rants anywhere here (except for monthly wrap-ups). Nonetheless, it means I’ve given hours and hours of my time to books that I didn’t necessarily enjoy all that much. While I was compiling this end of year list, I realized that only one book I got for early review actually made it on the fiction list, which was Ex Libris.

In May I finished University (6 years and 2 degrees later) which led to four months of being on pins and needles trying to get a job in a library. After getting a job in September I then had to move houses three times which was really quite unnerving. Lugging books back and forth, trying to keep my reading going, and at the same time being released from “reading for school” in April to “reading for myself” was very confusing after six years. Sometimes I feel like maybe I enjoyed getting ARCs because they were like school assignments again and that has become my comfort zone. That said, my eye for which books I request as ARCs has also become better. I can see already that books I’m currently reading (to be released in 2018) are far more interesting and right up my alley regarding reading preference. I’m really enjoying Simon Garfield’s Timekeepers: How the World became Obsessed with Time, and Christian Davenport’s The Space Barons: Elon Musk, Jeff Bezos and the Quest to Colonize the Cosmos. Although I have not yet reviewed them, I can tell that they will become favourites. I have a long list of fiction as well, which I think I will enjoy much more than what I previously requested.

On my top lists I will count the books which I’ve personally read in 2017 (which were not necessarily published in 2017). I will also not count re-reads, which I obviously enjoyed before if I’ve returned to them. I did however start reading some books that I enjoyed so much but for some reason they coincided with a stressful time and I couldn’t accord them the attention they deserved, so I’ve temporarily put them aside (even though I predict 4-5 star ratings).

If the title of any of the books below is “clickable” it means I wrote an in-depth review/reflection on it (if you want to read it).

Reading Statistics 


  • I read a total of  111 books
  • Of these books (42 of them) or 38% were written by female authors, (5) 4% by mixed (particularly short story collections) and (64 books) 58% male authors.
  • Categories are: Nonfiction (34 books, 31%), Plays (2 books, 2%), Scifi and Fantasy (22 books, 20%), Academic (10 books, 9%), Poetry (14 books, 13%), Classics (12 books, 11%), General Contemporary Fiction 15%. See pie chart
  • Of these initially, 70 of them were bought from Indigo, Amazon, and second hand bookstores. 36 of them were free (friends, ARCs, presents), and only 5 of them were from the library….which we should all realize it’s really shameful (I’m a librarian). Bad Andreea! You can already guess my new year’s resolutions.
  • From these books 42 were Digital (Kindle/Overdrive), 69 of them were physical copies, and 18 of them were Audiobooks.
  • From the whole 32/111 were ARCs (Advance Reader Copies).
  • There are a few cross-overs, and I definitely bought WAY more than 70 books this year. By cross-overs I mean: although 18 were Audiobooks from Audible (which I bought), there’s a chance I also bought the physical copy to follow along and annotate. I also bought books that I haven’t read yet (many, MANY of them). Also, sometimes a book was free like an ARC, library loan, or from Overdrive, and I loved it so much I bought a copy anyway. The things I listed in the breakdown were in the “initial encounter” with the book.
  • According to my Audible App this year alone I listened to a total of 61 Hours, or 2 days and 13 hours. (The total since 2014 is 8 days, 2 hrs, and 48 min so this year was definitely my best Audible year so far). I am only 56 hours away from “Scholar” Listening Level. I must add that this year I listened to a lot of podcasts from Castbox, and several audiobooks from Overdrive which have not been counted into my Audible app, so I probably listened to a lot more.
  • But Andreea, you may say, the year is not over yet. True. I know my schedule ahead for the next two weeks, and I’m currently in the middle of three really large books. I don’t think I’m going to finish them all this year, just based on my plans for the next two weeks, so I will not be counting them towards the 2017 calculations…also there’s no way I’m redoing all these calculations. It took a while.

Books I re-read this year were (No Particular Order):

  1. Infinite Jest by David Foster Wallace
  2. Poor Folk by Fyodor Dostoyevsky
  3. Journey to the Centre of the Earth by Jules Verne
  4. Odd Type Writers, by Celia Blue Johnson
  5. Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson
  6. Rabbit Hole by David Lindsay-Abaire
  7. Walden by Henry David Thoreau
  8. The House of the Dead by Fyodor Dostoyevsky       

Top 5 Non-Fiction (In Order of How much I enjoyed them) 

  1. bookLore by Aaron Mahnke. I spend two continuous months with Mahnke by means of his audiobook, podast, and text. He made the autumn season glorious for me, and this whole experience was just perfect. I gave him five stars. My long review is linked in the title. Definitely my #1 Non-Fiction Read.
  2. The Readers’ Advisory Service in North American Public Libraries, 1870-2005: A History and Critical Analysis by Juris Dilevko. This book was perhaps the most comprehensive “history of the library” book I’ve yet encountered, and I really enjoyed it.
  3. The Hermit’s Cookbook: Monks, Food, and Fasting in the Middle Ages by Andrew Jotischky. Exactly what it sounds like: an academic book on monks and food. I loved it.
  4. The Witches: Salem 1692 by Stacy Schiff. A comprehensive, well-researched non-fiction work on the history of the Salem Witch Trials.
  5. Dark Angel: Mary Ann Cotton by Martin Connolly. The historical account of the “first” female serial killer in Britain.

Bonus: (book I’m currently reading and not really counting in the statistics above, but am REALLY enjoying)

Vampyres: Genesis and Resurrection: From Count Dracula to Vampirella by Christopher Frayling. This work is half non-fiction history of Vampires in literature and mainstream culture, and half anthology of fictional works containing vampires. It is very well put together, and I am enjoying all the non-fiction bits just as much as the fiction.

Top 10 Fiction (In Order of How much I enjoyed them) 

  1. 18892522The Collector by John Fowles
  2. Ex Libris Stories of Librarians, Libraries, and Lore
  3. The Name of the Wind by Patrick Rothfuss 
  4. The Dumb House by John Burnside
  5. Jamaica Inn by Daphne Du Maurier
  6. Central Station by Lavie Tidhar
  7. Rendezvous with Rama by Arthur C. Clarke
  8. The Light Between Oceans by M.L Stedman
  9. Big Little Lies by Liane Moriarty
  10. Lincoln in the Bardo by George Saunders

Things I learned about Myself:

  • I am really bad at maintaining a TBR or participating in Read-alongs. I didn’t read 2/4 books I announced I would for Victober, and I didn’t read 3/4 books I announced I would read for Nonfiction November. I hardly contributed conversations on the Reddit Thread for Infinite Jest, even though it was the only reason I re-read it. I still read Victorian Literature in October, and Nonfiction in November….I just didn’t stick to the list I had prepared. I got very easily distracted by different books. I also find it very hard to read on someone else’s schedule. I tried participating in a few “Goodreads book clubs” and I ended up being unable to do it at either too slow, or too fast a pace (depending on the book).
  • I am very much a “mood reader.” This is the reason I buy a lot of my books, even though I’m a librarian. I like to have the foundational texts always around because some days I feel like Tolkien, the next I may feel like it’s a Sherlock kind of day….and I need to have them on hand.
  • Some books really upset me (for pretentiousness) and bored me while I was reading them but then I found I couldn’t stop thinking about them after I put them down (Lincoln in the Bardo and Infinite Jest were such examples)

Posts I enjoyed Writing 

In the meantime I may still squeeze in a few posts until the year is out, including of course my NEW YEAR RESOLUTIONS in terms of what I hope to achieve with my reading goals next year. I hope you all have a wonderful time in these last two weeks before the New Year! Happy Holidays, and thanks again for reading 🙂


Journey to the Centre of the Earth

9781509827886journey to the centre of the earth_2_jpg_247_400A few days ago, I came across the Macmillan Collector’s Library editions of various classics. I think I’ll try to get all my future classics in this edition. They are small and portable, a pleasure to hold, have gilded edges, and are accompanied by the most beautiful illustrations. It was upon this occasion that I returned to this sci-fi classic (as I did not yet have it in my personal collection). I read Jules Verne’s Journey to the Centre of the Earth (1864) a really long time ago, and I think I was much too young to appreciate it. This time, I was able to compare it to contemporary science fiction and tease out its ‘Vernian’ elements.

The illustrations in this edition are those completed by Édouard Riou, who worked with Jules Verne on six of his novels and created illustrations for all of them. His illustrations were then engraved by Pannemaker, Gauchard, Maurand (1867).

Simplified Plot: Axel (the narrator) a young man, visits his uncle, Professor Otto Lidenbrock, who is an eccentric academic and adventurer. Lidenbrock has recently purchased a manuscript with Runic inscriptions which he and Axel decipher to be a cryptogram indicating  how one can reach the centre of the Earth. Axel is in love with Lidenbrock’s goddaughter Gräuben, who promises to wait for him and marry him if he returns. The two leave and find themselves a guide, Hans Bjelke, who helps them reach their goal. The journey leads them from Germany, to Denmark. In Copenhagen they take a boat for several days which gets them to Iceland where “the centre’s” entryway is located. Walking through the inside tunnels of a volcano the explorers find fossils, interesting rock formations, water, and many other wonders.


Runic Cryptogram

The reason I’m writing on classics here, is not really for “a review” as they obviously do not need one, but I would like to use this platform to keep track of things I found interesting.

On Women

While the main three characters on an adventure are men, Verne wrote the character of Gräuben in a very interesting way. Gräuben and Axel have been dating for a while because she immediately assumes he came to visit her again. Even though she cares deeply for him, and wants to marry him, Gräuben doesn’t oppose him going on such a journey, which at this point no one really thinks of as dangerous, rather, they look at it as a potentially foolish undertaking. She doesn’t seem controlling, but she still cares deeply. I also like that in the 1800s, Verne portrays a young relationship as a mutual courship, rather than an obligation. We get right away that Otto Lidenbrock is the ‘old guy who is kind of a misogynist and doesn’t understand women,’ but we also see the narrator and/or Axel does not really stand for that. Lidenbrock says:

“Ah! women and young girls, how incomprehensible are your feminine hearts! When you are not the timidest, you are the bravest of creatures. Reason has nothing to do with your actions.”

To which Axel narrates:

“I was disconcerted, and, if I must tell the whole truth, I was ashamed.”

Verne uses Gräuben as a plot device often encountered in adventure stories: the “I’ll wait for you” girl. The way Rosie Cotton is “the girl back home” for Samwise Gamgee in Lord of the Rings, and Penelope for Odysseus, Verne gives Axel a reason, and yearning to return to Hamburg. I think this device is really useful because it doesn’t allow the protagonists to give up hope if things get really bad, or to get too comfortable if the new place is too exciting that they might want to stay there forever.

The Vernian Element

Something that stood out to me reading this sci-fi classic, particularly after diving into many contemporary sci-fi works this year, was how much Verne wanted for everything to make sense, and for it to be believable. Verne didn’t drop you in a random world and hope you pick up clues as you go along, he explained everything with the utmost details in such a way that a skeptic would have scientific and/or academic proof that what he is narrating might actually be true. Then I remembered what Peter S. Beagle mentioned in his introduction to New Voices in Fantasy. He wrote:

“Jules Verne, who always considered himself a scientist, was distinctly put out by the work of the younger writer H.G. Wells. ‘Il a invente!’ the author of From the Earth to the Moon sniffed at the author of The War of the Worlds. ‘He makes things up!’”

Having seen the action-packed adaptation of Journey to the Centre of the Earth, I forgot how calm and academic Verne’s prose is. It made me feel safe, and  I actually understood what was happening (which was comforting). The first few chapters are full of details on the manuscript and runes. He makes sense of the way Otto and Axel decipher the code. Then, once they embark on this journey everything is planned out realistically. I even looked up how long it takes to get to Iceland from Copenhagen by boat, and it was exactly as long as Verne said it was. The man did his research properly. Once they descend below the Volcano, Verne uses many details from Charles Lyell’s Principles of Geology Vol 1. and 2, (which heavily inspired Charles Darwin as he himself read volume one on his Beagle Voyage). There are passages upon passages describing the sediments, the rocks, the way they look, feel, or smell. He takes you on a sensory journey along with the three protagonists.


Illustration by Riou

There were also reminders throughout of the kinds of walkers and adventurers from back in the day, when walking miles daily was no big deal. I have to go out of my way to get at least 7,000 steps on my Fitbit every day. The things they do, and the distances they go by on horse, where Hans chooses to walk–and the character of Hans the guide altogether, was absolutely fascinating. He’s kind of a Thoreauvian or Native figure who knows the land and could walk forever. He is connected to all the elements in ways Otto and Axel are not. He can pick up signals from the land, and signs from the sky, wind, animals. I think this time around, Hans’s character was by far my favorite. I also could appreciate a lot of the references. For instance, upon their descend there are references to Virgil’s Aeneid, and Dante’s Inferno, which I probably wouldn’t have picked up on in high school.

I really enjoyed this work, if you haven’t read it, by all means give it a go! I must admit that my favourite Verne remains 20,000 Leagues Under the Sea. I still have to read a lot of his other works.



The Seven Beauties of Science Fiction by Istavan Csicsery-Ronay, Jr. a Summary, Discussion, and Review

“…science fiction is more than a literary genre or a social passion. It is a way of organizing the mind to include the contemporary world…SF is an art that delights in vision, intelligence, and the infinite possibilities of change.”

5925031My overall impression of this book was that it was trying so hard to be exclusive and elite that it almost became nonsensical. Yes, I understand that it contributes to a larger conversation. However, if you look at Joanna Russ’s discourse on feminist science fiction, or Sterling’s, LeGuin’s, and Atwood’s nonfiction writing as a writer-critic, or even Auerbach, Marx, and Bakhtin (all names with whom Csicsery-Ronay Jr claims to be ‘in conversation’) they are still trying to reach the public and actually have a discourse. When you purposely make yourself so inaccessible, you might as well be ranting in a dark room, in solitary confinement. It was clear to me that he wanted to fit into the ‘philosophy’ department more than the literary analysis and criticism department, or the literary studies in general. In some sections, he over-complicates topics that are so simple with his verbose and restrictive writing style. For instance, in the section on fictive neology, the entire passage sounds like an anthropology paper on humans as an overview. “Languages have an inherent potential for development through their interaction with the discourses of other cultures and their own internal elaboration.” Yeah…we know. You’d find yourself reading pages upon pages of just common sense knowledge told in a restrictive style. I also found this work to be limited by the few sci-fi works that Csicsery-Ronay has read. While he references certain things here and there from a wider range, he goes into detailed discussion on only a few works (but almost the same ones in every chapter). You can tell he’s definitely (properly) read Solaris, the Kim Stanley Robinson books, few works by Ursula K. LeGuin (if not one) and some of the 19th century classics…but there are so many other works to consider (especially when this was published in 2008). I think he barely dips into science fiction works, extracts a very superficially well-known theme and then starts ranting about it in a way only Philosophy students would understand. This becomes crystal clear the moment you encounter chapters dedicated to Kant, Adorno, and Burke.  Sometimes he just name-drops titles without even discussing them, to get them to fit into his ‘totally-unrelated-to-sf’ thesis.

Those two frustrations aside, the book gets good once you get used to his use of language about mid-end of chapter one. Once he begins to engage with science fiction works (though few) I actually really enjoyed it.

The title for this work is inspired by the medieval Persian allegorical romance The Haft Paykar—a tale of mystical love and moral enlightenment, in which a prince falls in love with seven beauties and upon visiting each of them in a week, each bride tells him a new allegorical story. Istvan Csicsery-Ronay Jr. appropriates the seven beauties to the form of “categories” found in science fiction (which he calls science-fictionality)—of which one work may contain several.

This work is not expository or historical. It is a theoretical model of criticism and responding to a rich discourse about the genre. While there are many literary critical lenses through which to examine sf works (feminist, Marxist, etc) Csicsery-Ronay Jr. approaches sf as (what he ‘simply’ describes as):

“a product of the convergence of social-historical forces that has led to the current global hegemony of technoscience, and as an institution of ideological expression on one hand, and on the other, the ludic framework in a culture of game and play in which that hegemony is entertained, absorbed, and resisted.”

The author explains that he wanted to interact with sf works and read closely while trying to not to border on the banal by using popular works, nor slip into obscurity by addressing texts that deserve a wider audience. A great difficulty arises when he wanted to be inclusive of non-Anglo sf works, while the SF genre is predominantly an Anglo-American genre. These are the seven ‘beauties’ or categories he discusses at length (I am paraphrasing some from the way Csicsery-Ronay Jr introduced them, with some examples that were memorable to me):

  1. Fictive Neology: new worlds, variations and combinations based on the actual process of lexicogenesis (ways words are coined) experienced in social life. Imply linguistic-symbolic models of technological transformation. They engage audiences to use them as clues and triggers to construct the logic of science fictional worlds. In this chapter he looks at the way language is used to construct a novelty but also how the absence of it can also achieve the same results. For instance, he uses the example of Dr. Jekyll’s chemical compound of which we never get to know the name. “By refusing to give his novum a scientific name Stevenson kept his tale from engaging with the discourse of science.” He also examines ways in which Tolkien’s well-constructed Elvish gives the fantasy epic a scientific foundations, while other ‘languages’ referenced in sci-fi with few words here and there and a name do not. Parseltongue isn’t a language, Elivish and Klingon are (in a scientific way).
  2. Fictive Novums: coined by Darko Suvin, the term refers to a historically unprecedented and unpredictable ‘new thing’ that intervenes in the routine course of social life and changes the trajectory of history. According to Csicsery-Ronay Jr., every sf text supplies fictive novums and responses to them, and thus engages the sense of real inhabitants of technorevolutionary societies. Here we learn about negative apocalypse predictions, or we find that something we knew in the past or present to be true, in the future it won’t be so. For instance Kim Stanley Robinson’s “Vinland the dream” contains the idea that the Vikings’ landing in North America is a recent hoax. This chapter has a deeper study of Lem’s Solairs.
  3. Future History: most sf is set in the future, though it does not need to be. The genre relies on the techniques of realism. Maintaining a sense of connection between the present and future, sf constructs micromyths of the historical process, establishing the audience’s present as the future-oriented ‘prehistory of the future.’
  4. Imaginary Science: introducing technoscientific ideas and events among the value-bearing stories and metaphors of social life. “We make science of our metaphors.”
  5. The Science-fictional Sublime: here Csicsery-Ronay Jr. explores several branches of the sublime like the Kantian sublime of temporal and special infinitude of the mathematical, the sense of overwhelming physical power of the dynamic sublime, David E. Nye’s coined American technological sublime where it’s the sense of access to, and control of, the powers of nature that typified the Americanpopulace’s responses to the monumental engineering projects of the nineteenth century, and last the technoscientific sublime, popularized post-WWII which entails a sense of awe and dread in response to human technological projects that exceed the power of their human creators.
  6. The Science-Fictional grotesque: the inversion of the technosublimeàcollapse of ontological categories. This is the domain of monstrous aliens. The grotesque is implosive, accompanied by fascination and horror at the prospect of intimate category-violating phenomena discovered by human science.
  7. Technologiade: transforms popular cultural materials by reorienting their concerns toward its characteristic horizon: the transformation of human societies as a result of innovations attending technoscientific projects. This chapter is similar to Jung’s models of the archetype, only he appropriates it here for the Gothic vs. Adventure. What I found interesting in this chapter was the presentation or idea of the Gothic as a mere inversion of the adventure tale.

He writes:

“Where modern adventure narrates the projection of discovery and invention further and further away from the home base, the metropole and the ‘motherland,’ into exotic venues, the Gothic imagines the subject position of the victim of these cognitive interests…the field of values is reversed…the Gothic inverts the dream world of thrilling travels among wonders into nightmares of abduction, imprisonment, and victimization by barely controllable archaic passions.”

I recommend this  book to people interested in philosophical discourse, rather than people interested in the history, analysis, or in-depth study of science fiction literature/film.

Starlings by Jo Walton | Review

35909363Jo Walton is a Welsh-Canadian fantasy and science fiction author. She is the winner of the John W. Cambell Award for Best New Writer in 2002, The World Fantasy award for her novel Tooth and Claw in 2004, and most famously known for her Nebula and Hugo award winning novel Among Others (2011). Most recently, the Thessaly trilogy has been completed and published as an omnibus containing The Just City, The Philosopher Kings, and Necessity: A Novel.  Starlings is the first collection of Walton’s shorter works and it will be published by Tachyon Publications.

In the introduction to Starlings Jo Walton writes:

“For the longest time I didn’t know how to write short stories…I had published nine novels before I figured out short stories…so that career advice for writers isn’t necessarily the way it has to work. Funny that…Writers are different and write in different ways and there is no off-the-peg writing advice that works for everyone.”

Walton knows her craft so well that even on works she says she “never found easy,” or “recently figured out,” she still manages to amaze and inspire.

Starlings is a mix of short stories, poetry, and even a play. This work is an accumulation of all the side projects Walton has been working on for seventeen years. I am a big fan of seeing an author in different moods, and at different skill levels across several years within the covers of the same book. This work is playful and experimental. Each short story, play, or section is followed by an afterword by Walton where one often encounters the words “experiment,” “exercise,” or “challenge.” Reading this collection felt like watching a wizard at the cauldron having fun with new spells.

At several points short stories are really just “poems in disguise” as Walton puts it. Her use of language is highly atmospheric. There are imagined letters between Jane Austen and her sister Cassandra, an encounter with an alien told from the perspective on an 89 year-old woman whose memories are slipping, as well as poems containing myths, legends, and familiar characters. My absolute favourite short story in this collection is “On the Wall.” This story was previously published for Strange Horizons back in 2001 and it’s a retelling of Snow White, pre-Snow White (character) told from the point of view of the magic mirror. In this tale we come to know how the magic mirror came into existence, gained consciousness, and how it came to the possession of who we now know as the Evil Queen. The mirror’s voice stayed with me several days after reading this short story:

“I do not know how long it was before I learned to reflect people. People move so fast, and must always be doing…I learned not merely to reflect them but to see them and to understand their words and commands…what I liked best was hour upon hour of contemplation, truly taking in and understanding something.”

Even the mirror, with all its abilities and magical power, feels inadequate and incomplete.

“I am a failure. I can only see what is never what is to come”

I recommend this collection to anyone who enjoys fantasy, Jo Walton’s previous works, or wants to try shorter works before committing to longer ones. Many thanks to Tachyon for sending me a copy for review.


August Wrap-Up


August has so far been my worst reading month, and it wasn’t due to a “reading slump,” I  was just caught up in too many things, the main one being: moving. When you hoard so many books… moving is difficult. Heavy box, after box, after box filled with books…followed by re-organizing. I am still not done organizing them. This is what I had the opportunity to read this month:

Books I Read For Early Review

Acadie_coverAcadie written by Dave Hutchinson is a novella which is part of the Summer of Space Opera. It was very short, but I enjoyed it. My full review HEREAcadie is set in the future following protagonist Duke who has been summoned by a group of leading researchers who have created “Kids” a long time ago for the purpose of colonizing other planets. After several generations Kids evolved to be more and more human-like, but their creator Isabel Potter is bent on finding all of them and killing them.


34889267Writings from the Golden Age of Russian Poetry by Konstantin Batyushkov, translated by Peter France. Batyushkov was a contemporary of Alexandr Pushkin’s and was highly admired by him. Batyushkov is studied in Russia as a great pillar of the Russian canon, but is not known so well in the West as his works have hardly been translated. My full review can be found HERE.


Books I Read For Myself 

Cheek by Jowl by Ursula K. Le Guin

6380284I had many thoughts on this book and highlighted a lot so I made an individual post/review about it. Full review HERE. In this collection, Le Guin questions why we consider “literary” literature as important, and who decides what that looks like. One quotation from the series that strikes to the core is this:

“I have been asking for thirty years why most critics are afraid of dragons while most children, and many adults, are not”

Earlier this year I reviewed New Voices of Fantasy, and in the introduction, Peter S. Beagle recalls speaking to Le Guin and her saying to him:

“all of us [fantasy writers] feel, to one degree or another, that mainstream fiction has been stealing our ideas—and even our classic clichés—for generations, and selling them back to us as ‘Magical Realism.’”

I think that sentiment comes across strongly in Cheek by Jowl. The dominant essay is on the role and presence of animals in fantasy and children’s literature. If you want to know more about it click on the full review link above.

Time Travel: A History by James Gleick 

9780307908797This book was highly anticipated reading for me. Time is one of the most interesting concepts to me and when I heard that there is a book focusing on time travel I ordered it right away. It is a lot shorter than I anticipated, but what surprised me was the content and structure of it. Gleick focuses on our relationship to time travel in fiction. He begins by explaining that before H.G. Wells wrote The Time Machine people didn’t discuss time as a linear concept, something one could go back or forward to. He briefly shows how Einstein’s creation of the fourth dimension in the scientific realm opened up way to a lot of science fiction stories. He then tells readers about the plots of several science fiction works. I wish more time had been spend discussing time with philosophical lines of thought or tapped into something interesting on the topic. I found that it was a bit frustrating just recapitulating the plot of several works that I’ve already read. I still enjoyed it a lot. Again, it was quite short, but all in all enjoyable.

Readers of Broken Wheel Recommend by Katarina Bivald 

25573977This book was recommended to me by a friend. With the news being so terrifying on a daily basis I needed a good, easy read that would put me in a pleasant mood. This was that book. When Sara arrives from Sweden to the United States to live for two months with her pen pal Amy she finds out that only a day before, Amy passed away. The town of Broken Wheel is very small, and Sara can’t drive away. Being too proud to admit to her parents that she should have traveled somewhere more crowded, and still in shock with Amy’s passing, Sara decides to stay in Broken Wheel. The book features letters Amy sent to Sara over time about her town, and about books. The more we learn about Sara the more we, the readers fall in love with her. She is Elizabeth Bennet, Matilda, Hermoine Granger, Jane Eyre and all the ‘reading woman character’ merged into one. Again, this is just an easy, pleasant read and it’s one of those ‘books about books’ similar to The Thirteenth Tale, The Storied Life of A.J. Fikry, Among Others, Mr Penumbra’s 24-hour Bookstore, and The Shadow of the Wind (to name a few). What I enjoyed most were the letters from Amy. After every chapter, a letter from the past that Amy sent to Sara is presented to us where we learn what Sara knows about the town, or what Amy told Sara about certain books before. I enjoyed this aspect because it was a reminder of the influence dead people can have on the living even when gone. Their voices continue to exist and we carry them with us in our experiences. Even Sara ponders about death in relationship to books–vessels of ideas. Or letters: written down mementos.

“That night Sara sat in Amy’s library for hours, thinking about how tragic it was that the written word was immortal while people were not, and grieving for her, the woman she had never met.”

Bivald’s description of books, reading spaces, and book-based friendships are really well constructed. I certainly enjoyed it.

Upstream by Mary Oliver

29358559This is a collection of essays written by the poetess Mary Oliver. This book was just a reaffirmation for me of how much it matters who writes the book when it comes to non-fiction or memoir/personal writings. Earlier in the year I discussed reading Spinster at same time as Travels with Charley and while the first had more depth, research, and stronger opinions with vastly more interesting subject matter, I couldn’t bring myself to care as much as I did for the latter because it was written by Steinbeck. I had the same experience here. I never read any poetry by Mary Oliver, so I picked this up as my first experience of her. After a few chapters I didn’t think much of it. I was ready to stop reading it. I then looked up Mary Oliver and read her poetry (or as much of it as I could find). Knowing a little about her, her creative corpus, and that she is a poet turned this essay collection around for me. The wording, the language, and her opinions on transcendental poets, Walt Whitman, and her relationship with nature became so interesting.

“You can fool a lot of yourself but you can’t fool the soul.”

Although I enjoyed it more after knowing Oliver’s poetry, I still wanted more from this collection. For instance, I found it unnecessary to get a biographical introduction of Emerson and Thoreau. I felt a bit spoon-fed at points. I wanted to get more of her impressions, and feelings about these poets’ work, or their relationship to nature, or how she herself relates to nature. I think this collection tried to sound academic and reflective while at the same time being personal and poetic and in the end didn’t manage to accomplish either. There are shorter anecdotes like a dog breaking free from his rope, or the adoption of a little bird with attempts to extract proverb-like endings like: “or maybe it’s about the wonderful things that may happen if you break the ropes that are holding you.” For the most part, when discussing other poets or writers, I felt like Oliver was just listing books and poems in a way that was “I read this and liked it” rather than diving deep and discussing it at length. The truth is I feel like I’ve read better nature books lately with essays and opinions that left me in awe. For me, anything by Tristan Gooley, or Andrea Wulf (recent) or things written by medieval monks and botanists like the abbess Hildegard Von Bingen, managed to inspire that love of nature and felt like reading a love letter to nature in a controlled academic way whilst still using personal anecdotes and poetic language than this collection has. Upstream has a few well-written lines that makes you want to highlight and keep from time to time, and those keep you going, but overall it wasn’t what I wanted to obtain from this collection.

Too Many Books at Once

Lastly, I’ve been dividing my reading between several books lately which I am trying to finish. The books are: The Lie Tree by Frances Hardinge, A Line Made by Walking by Sara Baume, still trying to finish the first book of the Dandelion Dynasty by Ken Liu, and then I went ahead and took out far too many books from the library… I am also currently working on an early review for another nature book called The Biophile Effect. It has been a busy month and I am a little disoriented by how many projects I’ve started and aware that I have finished far fewer.

Acadie by Dave Hutchinson | Review

Acadie_coverAcadie is part of the Summer of Space Opera hosted by, the last of the five to be published, scheduled for the 5th of September. Dave Hutchinson, the author, was born in Sheffield in 1960, studied at the University of Nottingham and became a journalist. He’s the author of five collections of short stories, and four novels.

Acadie is set in the future following protagonist Duke who has been summoned by a group of leading researchers who have created “Kids” a long time ago for the purpose of colonizing other planets. After several generations Kids evolved to be more and more human-like, but their creator Isabel Potter is bent on finding all of them and killing them. We find that:

“the Kids were superbrights, tall fragile children with towering IQs, and a penchant for terrible jokes.”

Conversations between the Kids resemble equations as they are hardwired to see all problems in doing a specific activity.

This novella is short but filled with humour and great character interactions. While it resembles “hard sci-fi” it has many moments of reflection and character development. As readers we get an insight into Duke’s history, opinions, and frustrations. I found it particularly interesting when Duke tells readers that after travelling in space for long enough “it’s all just stars and emptiness…all space looks the same.” The writers and engineers who work for Isabel Potter, the original creator of the Kids, are like a giant fandom group from Comic-Con dressed as LOTR and Star Trek fans or as Duke calls it: early 20th century media references. The ‘Writers’ in this novella have higher powers. Their ‘creations’ shape more than expected and they have abilities like conducting complete memory-wipe on another, should they choose to.

The last few pages contained a surprising ending (which I will obviously not spoil) but it added a different dimension to the novella. It can be easily read in one sitting and it’s very exciting. I think this is one of the reads I would add to “get out of a reading slump” kind of book lists because it’s short, well-written, and highly atmospheric.

Also, the cover design by Stephen Youll is absolutely beautiful. I’ve linked his website so you can take a look at all his extraordinary artwork.

July Wrap-Up

boarding pass

July was a good reading month for me. I enjoyed what I read immensely. It will become apparent from the list that what I read consisted mostly of science fiction. This year I seem to have been drawn more and more in this direction and I am enjoying it. Because I enjoyed most of these I had more thoughts on each work and wrote individual posts/reviews for most of the books listed below. This is just a monthly overview.

I also had a very auditory experience this month. I discovered a lot of podcasts so I spent a lot of time listening. Here are some of the ones I enjoyed and discovered this month: Serial, Uncanny, Clarkesworld, Escape Pod, Lore, The Sword and Laser, Welcome to Night Vale, and lastly, the one that JUST started so you can get on board now too if you want because it’s at the beginning is this sci-fi one called Steal the Stars launched by

Books I read for Early Review

35097384Artemis by Andy Weir. This is Weir’s second book after The Martian and it is just as great. This book is about the first village on the moon following a great female lead who is of Middle Eastern origin and her side profession is smuggling contraband on the moon. This book is scheduled for publication by Crown Publishing on November 14, 2017. It’s available for pre-order. My full review is HERE.



The Emerald Circus by Jane Yolen. This is an anthology of short stories that are retellings. It includes retellings of fairy tales, children’s literature, Arthurian legends, Robin Hood, Edgar Allan Poe, and Emily Dickinson. This book is scheduled for publication by Tachyon Publications on November 24, 2017. It’s available for pre-order. My full review is HERE.


Books I read for Myself

Short Stories

  • Points of Origin” by Marissa K. Lingen from – an elderly couple (80 years old) living alone on Mars, childless, find themselves with three grandchildren dropped at their doorstep since they had donated some genes to Earth many years ago. Soft sci-fi, but it gets at the heart.
  • In Libres” by Elizabeth Bear from Uncanny Magazine – our female protagonist needs one more source for her thesis on “the use of psychoactive plants in thaumaturgy” and enters the library with a Centaur friend who helps her. I loved this story so I had to re-read it. The librarian, the special collections…everything in this story is just great. This short story will be inserted in an anthology about Libraries in Sci-fi. See review for that HERE. There’s also a podcast with an audio of this story HERE.


Central Station by Lavie Tidhar 

25986774I read Central Station at the very beginning of the month in one sitting following the text and listening to the audiobook at the same time. This is a fix-up novel where Tidhar gathered stories published over the years and combined them in one cohesive novel. Central Station is set in the future, and is a port or in-between place where people come and go and stay only temporarily. It follows several characters. Each “chapter” or story is dedicated to a character and then they feature as secondary characters in other stories. Similar to the “tavern scene” in Star Wars you have various ‘races’ of people like data vampires (strigoi) to give one example. I wrote a more detailed review here. I absolutely loved this book and I kind of want to re-read it soon. I’m glad this was the first of the month because it set my month on a good path.

Also I should mention that a lot of credit goes to the cover art for being so spectacular that it compelled me to pick it up all day long until it was finished.

Rendezvous With Rama by Arthur C. Clarke

774928I started working on a project where I set out to read all the Arthur C. Clarke Winners since its first prize (in 1987). More on that project: HERE. As I was making the list I realized that I haven’t actually read anything by Arthur C. Clarke himself so I read Rendezvous with Rama, the novel for which he received the Hugo and Nebula Award. The summary in short is that the year is 2130 and as time has passed humans have created protocols to prevent asteroids from hitting the Earth. A giant asteroid comes in proximity and it’s intimidating and new. As scientist look for Greek or Roman god names they have decided to label it “Rama” after the Hindu God instead. A space team lead by Commander Norton explore the asteroid Rama with their ship Endeavour featured on the cover. I had to write a more detailed review because the book put me in a really great place, and I wanted to explore the reasons why.

Welcome to Night Vale by Joseph Fink and Jeffrey Cranor 

23129410What started out as a podcast has been turned into a novel. I now have the book, the audiobook, and have subscribed to the podcast. I highly recommend reading this while listening to the audiobook like I have because the voices, narration style, and musical accompaniment make this an experience. Night Vale is a town in the ‘American’ desert. Everything in Night Vale is very weird. If I had to describe it to someone from scratch I would say it’s a cross between Twin Peaks, The Twilight Zone, and maybe even Lost or Once Upon a Time. In this town there is a radio station that we get to tune in, and a series of strange characters. Every chapter focuses on one character but then they feature in future narratives. I wrote more on Welcome to Night Vale in detail HERE, because there was a lot to say. Long story short: I loved it.

Binti by Nnedi Okorafor

25667918Binti is about a young female protagonist from the ‘Himba’ tribe. The Himba are a people very much connected to the Earth and no one leaves their community or Earth in general. In their traditions they wear anklets and a red-hued clay called Otjize. Binti is the first to be so advanced and secretly apply to Oozma University that she must leave her tribe and people knowing that it would ruin her prospects in the community afterwards. She is immediately perceived as different even in the commute towards Oozma but the way she describes her tribe is really beautiful:

“My tribe is obsessed with innovation and technology, but it is small, private, and, as I said, we don’t like to leave Earth. We prefer to explore the universe by traveling inward, as opposed to outward.”

“The ship was packed with outward-looking people who loved mathematics, experimenting, learning, reading, inventing, studying, obsessing, revealing.”

The novella is very short, it’s just slightly longer than what I would call a “short story.” In a short time Okorafor interacts with spirituality, intelligence, honour, cultural differences, and does so in a delicate and elegant way. I really enjoyed this novella and I will most likely pick up the next two.  I really liked the combination of mathematics, harmonizing in an inward spiritual way, and the involvement of symbols like the Otjize and Earthing, the astroglobe, and the edan to which Binti refers to again and again reminding her of home. This novella is both a Hugo and Nebula Award Winner.

Unmentionable by Therese Oneill

29467289Unmentionable by Therese Oneill is so funny and well-written but reading it I just felt incredibly sad. It had nothing to do with the author, but realizing how gruesome fashion and cultural expectations, as well as beauty standards have been for women even in the “progressive” West. As a reader I’ve looked at the Victorian period as a very classy, elegant, clean, polished time. I read novels from that period like candy and think how classy those people were, and what I would give to have those habits, and manners. Unmentionable woke me up. There are so many things we haven’t considered and rarely see in literature and film from this time period. Getting dressed in a corset that crushes your innards is just the beginning. Oneill explores the ways women back then handled pregnancy, periods, baths, clothing, flirting etiquette, marriage, and all cultural standards with such high expectations. She often makes a point of differentiating between high class and lower class women and looks at the injustices towards both (thought different, still pressing). The truth is we never picture Jane Eyre going to the washroom where there was no running water in the house with professional flushable toilets, or lying in bed with menstrual cramps. The content of this book is excellent, and I wish it was an introductory required reading before Victorian Literature courses because it really puts everything in perspective. The way it’s written however makes it very light and pleasant, because it’s put in such a way that is funny like “wasn’t this so silly, glad we don’t still do it.” The humour is ever-present. Some captioned photos make references to contemporary songs like “omg Becky look at her strut” (you know the song). The book also deals with mental illness and the way it was (or wasn’t) treated: ideas of hysteria, treatment for it, and mental breakdown from pure exhaustion. I really enjoyed this work, and I’m glad it has been written. I enjoyed the pictures, the adds, and humour though sometimes I found things a bit too sad to laugh. It is a pretty serious topic and I wish the language was slightly more academic at times, because it deserves that kind of attention. It did make me consider how fortunate I am to be born in this century.

The Cherry Blossom Rarely Smiles by Ioana Nitobe Lee

34181899I came across Ioana Nitobe Lee watching a Romanian talk show and she intrigued me right away. When she was a student of foreign languages in Romania, particularly fascinated with Japan, she met Ken who was Japanese royalty (an imperial prince). Ken was simultaneously fascinated by Romania and the music, language, and culture. Upon his visit Ken fell in love with Ioana and asked her to marry him. Together they left for Japan. What Ioana did not anticipate was how formal and ceremonial everything was. There was a long ceremony just for using the washroom, including changing one’s shoes several times. She had to wash herself at least twice a day, and have staff help and watch her every move. Isolated from her family and missing Romanian traditions, Ioana felt trapped. There were many cultural differences, but also class differences and Ioana went from simple Romanian citizen to Japanese royalty without warning. When she did return to Romania many people asked her to recount the tales of such differences which is why she wrote this book. This is a memoir. I read the English copy and I was a bit disappointed because this book deserves serious editorial work (it is self published). However, keeping in mind that this woman knows so many languages and she published this work alone, it remains impressive. Scattered throughout are many Romanian sayings, proverbs, or direct quotations (translations) from Romanian poets and writers. This put me in a very good place. No matter how choppy the English gets, she reminds you that she studied a lot, knows a lot, and is well-read. I found it problematic at times that she sort of sees her whole identity defined by her marriage to a Japanese prince. A simple Google search of her pretty much has “married to a Japanese prince” as a banner in all her excerpts. I was more fascinated by HER, as a person. I liked her knowledge tidbits, her memories from home, the literary quotations that stayed with her for life. I’m glad that she captured some of her essence in this book.

How to Be a Person in the World by Heather Havrilesky

27065373This sort of thing isn’t my cup of tea, I’m not sure why I picked it up. The title intrigued me. I also saw people comparing it to Cheryl Strayed’s book Tiny Beautiful Things so I gave it a try. Heather Havrilesky is a columnist and answers people’s personal questions at “Ask Polly”…basically Carrie Bradshaw in Sex and the City. I had one running thought reading this book which is: people in the West seem very preoccupied with the thought of being alone, the fear of being alone, or relationship drama (triangles, cheating, falling out of love, etc). This relationship preoccupation was pointed out during the French Revolution in Choderlos de Laclos’s Dangerous Liaisons and some theorize it started the revolution for pointing out to the working classes that the rich and wealthy had so much time and money they focused on trivial things like having side-affairs and seduction contests. Similarly, this book is very much a ‘Western,’ ‘well-off,’ daresay ‘white people problems.’ I do see its merit for existing out in the world and that is to remind the people who do despair over small problems in their life and obsess with such problems to remind them that they are not alone. It’s the same merit I see in shows like Dr. Phil. It may not be literary, poetically written, or applicable to all people…but it picks out an average middle-class problem/preoccupation and reminds readers that if they had a similar thought or problem chipping away at their happiness and self-worth, that they are not alone, and that they should learn to love themselves and be good people. It’s an easy read, I did it one sitting and it’s somewhat entertaining…in a schadenfreude kind of way. It was a 2 star read for me.


I have also been reading Ken Liu’s The Grace of Kings which is Book One of the Dandelion Dynasty. I read only 122 pages out of 618 and I am enjoying it very much so far. I am also reading a non-fiction book on the history of Time Travel (in literature) by James Gleick. Both these books will be wrapped up and finished in August. Some of the books above, including the newly mentioned Ken Liu I got to enjoy alternating between the book and the audiobook. According to my Audible app, this month I listened to 11 Hours. I will be away for this weekend and I don’t see myself finishing anything new.

Artemis by Andy Weir | Book Review

35097384Earlier this year I read The Martian by Andy Weir. Artemis is Weir’s second novel and it will be released by Crown/Archetype on November 14 this year. Weir is both blessed and cursed with The Martian being his debut novel. On one hand we all know his name and look forward to every project, and on the other, every work will be compared to The Martian which is a high standard, considering the blockbuster success that followed.

Jasmine Bashara (Jazz) is the protagonist of Artemis. She is a young, ambitious, daring woman of Saudi Arabian descent. She lives on the moon. Set in the near future, Artemis focuses on the first village that humans will have on the moon and how humans will most likely interact with it. The geography of this village is laid out on the first pages as having five domes each named after a famous astronomer. Only the wealthy can really afford to own property on the moon with a luxurious apartment, and the rest are mere employees and household staff. The five domes are mostly underground and the entire village functions as a ‘Vegas-like’ amusement location. Jazz is one of the lower class citizens and aspires to one day afford a roomier place on the moon. Her side project is smuggling contraband on the moon for rich people like Trond, who has a big request of Jazz driving the plot.


The set-up of the village on the moon

I enjoyed immensely the ways in which this moon village comes to life. There are Earth tourists getting a field guide coming and going, the whole place runs like a resort, there is smuggling and crime, and like all places the moon has its own currency known as Slugs (ğ). In this projected future the moon is reserved for the privileged and is an honor not bestowed on many. The financial situation driving Jazz to do certain things, the description of her headquarters, the occasional ‘space-related’ incidents bring Artemis to life. There are also projected inventions which amused me like the self-cleaning, reusable, self-sterilizing condom.

The book has so far received a criticism of which I am wary and I must address. The early reviews criticize Weir for not being capable of writing a female character. According to some she sounds like a 15 year old boy, or sounds exactly like Watney in The Martian with no added dimensions or changes. I felt similarly near the beginning of the novel and there are moments where she sits a certain way and a male character will say “do women know they look sexy when they sit like that” and she’d say “yeah of course that’s why we do it” and this is just one of many examples, but then I realized that I can’t pinpoint one female character in literature with this much male-like confidence. If Jazz is just what a woman with the confidence of a man looks like then you know what… I like it! She’s the female equivalent of Rothfuss’s Kvothe. She’s confident, attractive, good at what she does, and she’s not shy about it. Also, if you think about it, the moment a character is raised a lifetime on the moon surrounded by a particular kind of person, I think it’s understandable why her personality evolves this way. Why should a woman or a different background origin differentiate her talking ways, her ambitions, or her personality? I think it makes perfect sense for Jazz to be written this way given the context and her upbringing.

As for the writing, there is a secondary reason why Artemis won’t come close to The Martian, and Weir addressed it himself in an interview. He says:

“… for The Martian, I was doing it as a serial, and I posted a chapter at a time to my website, and I could get feedback from the readers right on the spot. But for Artemis, it’s more traditional. I had a publishing deal from day one. The feedback, I got from my editor, my agent, and some close friends and family members. I couldn’t post it online for a few thousand readers.”

He admits that he misses the fact-checking and feedback provided by a wider audience of readers pre-novel publication. I’ll link the entire interview here because Weir has a good sense of self-awareness when it comes to his work and he is quite humble.

Overall I enjoyed Artemis, and I look forward to sharing it with my friends come November.


Welcome to Night Vale | Review

23129410This book has been an experience for me in the last week: I read the text while listening to the audiobook, and listened to the Podcast when colouring, walking, or doing other activities.

The book is written by Joseph Fink and Jeffrey Cranor and is published by Harper Perennial.

Night Vale is a town in the middle of the ‘American’ desert that is overall peculiar. All its inhabitants are very strange. The main story follows a single mom (of a shape-shifting boy) Diane, and a pawnshop owner named Jackie. A mysterious man in a tan jacket arrives leaving behind a note with only two words on it “King City.” The memories of this man fade and all Jackie is left with is “King City.” It’s a mystery/thriller that feels very much like Twin Peaks, but with the storytelling style of The Twilight Zone. The strangeness of each character is fantastical similar to Stranger Things where it’s sci-fi but told in a realistic way, highlighting human mundane problems using the supernatural. Between the narratives there are passages that look like transcripts from the town radio show. The radio passages unite the narratives because the news applies to all citizens of Night Vale and as a reader one can get a better sense of what goes on in town and what all the characters talk about communally.


Podcast Cover

I understand that the Podcast is wildly popular and has achieved great success between 2015 and 2016. I did not get a chance to finish the Podcast so I will write my impressions of the book/audiobook.

First: if you can get the audiobook I recommend it strongly. In fact, if you must choose between the printed text and the audio, choose the audio. There are several reasons why it works better in audio format. The first reason is that in Night Vale there is a radio broadcast and the narrator who reads the radio host voice Cecil is also the one who does it in the podcast. The second reason is that this is not a ‘literary’ book, but a highly atmospheric one. The musical accompaniment and sound effects from the audiobook help enhance the setting and atmosphere. It reminded me of so many things (like the shows mentioned above) and reading it I just got an overall feeling of eeriness and mystery. The plot itself is not that exciting and the characters are not that deep, but somehow it works and it works well.

If I had to choose between its three existing formats as a narrative I would say the Podcast is the best. Although I haven’t heard it through to the end, I can tell from the few episodes that it is this narrative’s best format. The novelization incorporates some characters from the Podcast but not necessarily the best ones. There are several parts with lulls where the novel lost my interest but it does pick up again.

That said, overall I loved this book and the experience of it. I look forward to finishing all the Podcast episodes.

The book is filled with lines that left me in awe and some that just made me laugh out loud. Here are some examples of lines I found funny and some I found beautiful.

Humour extracted from Cecil’s Broadcast:

“coming up after this break, some exclusive clips from my recent three-hour interview with myself, in which I interrogated myself on my motivations, where I am in life, why I’m not in a different place in life, whose fault that is, and why I said that one embarrassing thing once.”

“If you see one of these False Police, act right away by shrugging and thinking What am I gonna do? And then seeing if anything funny is on Twitter”

“if the School Board could not promise to prevent children from learning about dangerous activities like drug use and library science at recess…”

“if you see hooded figures in the Dog Park, no you didn’t.”

Beautiful Lines

“Later she understood databases, having become the person she’d lied about being…”

“How does a person discover whether they are shy if they never have the time to meet new people?”

“There is nothing more lonely than an action taken quietly on your own, and nothing more comforting than doing that same quiet action in parallel with fellow humans doing the same action, everyone alone next to each other.”

“She left the shower as most people leave showers, clean and a little lonely”

“A person’s life is only what they do.”

Hopefully I captured some of Night Vale’s charm. I definitely recommend the Podcast, and the book/audiobook. This work will have a sequel coming out on October 17 this year with the title: It Devours! from the same authors.

The Audiobook is available through the public library with Overdrive. The ebook is also on Overdrive, and  the public library should have the printed copy in its system.

There are also two volumes of the Welcome to Night Vale podcast SCRIPTS:

  1. Mostly Void, Partially Stars
  2. The Great Glowing Coils of the Universe



Rendezvous with Rama | Review

774928I set myself up for a project (which has no time limit on it so it could take a while) where I try to read all of the winners of the Arthur C. Clarke Award. More on that project: HERE. I realized going through the list that I haven’t read anything by Arthur C. Clarke himself so I decided to read Rendezvous with Rama–winner of the Hugo and Nebula Award.

By the year 2130 humans have already been travelling in space to various planets, and after a disastrous event of asteroids hitting the Earth they created many protocols and safety systems to prevent future celestial objects from hitting our planet. When a large celestial object is “at the gates” Commander Norton and a committee of space military advisers go explore this celestial object which is spherical in shape. We are told:


“by our standards, Rama is enormous–yet it is still a very tiny planet…its ecology could survive for only about a thousand year.”

They try to map it by giving several points names of cities on Earth, and the ‘asteroid’ is given the name of Hindu God Rama because:

“long ago, the astronomers had exhausted Green and Roman mythology; now they were working through the Hindu pantheon.”

The greatest chunk of this book involves the various encounters with Rama and its cylindrical sea. The silence, the darkness, and the attempts to understand it. We see most things through the eyes of Commander Norton. Some of the writing is actually quite funny. For instance, Norton thinks:

“when Rama shot through some other star system, it might have visitors again. He would like to give them a good impression of Earth.”


“you know Jerry Kirchoff, my exec, who’s got such a library of real books that he can’t afford to emigrate from Earth? Well, Jerry…” (:D)

I loved this work so much. I was trying to analyse what sets it apart from less heavy sci-fi and I think what made this book wholesome for me were the many historical references and deep roots. It rounded the characters and gave the story line a sturdy foundation. For instance, when the Commander is hypothesizing what Rama could be he considers that he has once heard of the excavation of a tomb from an Egyptian pharaoh, King Tut and how Rama too, could be a tomb. He contemplates the possibility of that by discussing King Tut for a little while. Moments like these made Rama real for me as a reader. Another time, we find that Norton is a big fan of Captain James Cook who had sailed the world between 1768 and 1771. He read all the Journals and knew everything about him:

“it still seemed incredible that one man could have done so much with such primitive equipment…it was Norton’s private dream, which he knew he would never achieve, to retrace at least one of Cook’s voyages around the world.”

Norton became so interesting to me the moment he had a dream and was a well-read person with historical heroes. The historical details sprinkled in this futuristic novel make it dynamic, and it works.

There were some things that upset me in the projected future. I decided to let it slide because it’s a great book and it was written in the early ’70s. The main one is that Norton, like other people who are making all these important space decisions and meetings, has two wives and two separate families. One is on Mars, one on Earth (they travel fast). The way women are discussed ever so briefly are like these interchangeable things who have enough on their hands because Norton or whichever man impregnated them. There is one team leader doctor/biologist Surgeon-Commander Laura Ernst and she has some influence, and I think it was here where I kind of let the whole “2-wives” thing slide and trying to keep 1970s as a context.

There are several interviews conducted by Strange Horizons on impressions of Rendezvous with Rama, looking back on it, and Karen Burnham says:

“So wow, this was really refreshing! A mixed-gender, mixed-race, comfortable-with-polygamy team and society with some solid world building involving asteroid threats. I liked it much more than I thought I would.”

I gathered from this comment that this was as “mixed-gender” as sci-fi got at the time.

Full Strange Horizons interview: CLICK HERE.

All in all, this is a great book, great science fiction classic, and I strongly recommend it. I especially recommend it to those interested in science fiction and fantasy and want to read the foundational texts or “classics” in the genre. Heinlein, Clarke, Herbert, and Asimov are the four main pillars.


Central Station | Book Review

25986774Lavie Tidhar’s Sci-fi Novel Central Station is one of the six on the shortlist for the Arthur C. Clarke Award, was a finalist for the Locus Awards, and only two weeks ago has been awarded the John W. Campbell Memorial Award for best science fiction of the year.

The composition of Central Station is known as a ‘fix-up’ novel, meaning that several stories that have been published in the past (in this case ranging between 2011-2015) have been brought together along several new added chapters to form one cohesive narrative.

In its essence Central Station is an in-between place, similar to an airport and/or port located between Jewish Tel Aviv and Arab Jaffa. We learn that trades and cargo play a huge role in this distant future, even on a spiritual level:

“Cargo came from everywhere. In space, cargo was a religion all by itself. It came from Earth, shipped up to orbit, to the massive habitat called Gateway. It came from Lunar Port, and it came from the Belt, from Ceres and Vesta where the wealth of the Belt poured.”

The location is the core of the novel because it’s the only thing all the characters have in common. In the prologue an author sits down and writes of a civilization in the future imagining and reminiscing of the past (which is still quite distant from us and what we know). The term often used is the “imagined past.” It reminded me of one of those notebooks that certain hotels or locations make you sign every time you visit. It’s as if all these species of ‘people’ from the future (from all over the Solar System) get to sign their names at Central Station and tell their story.

Every chapter focuses on one character and is told from a different perspective, and the same character will re-appear in future stories as a secondary character. What is astounding is that even though all these species of the future are so different they seem to be a lot more tolerant of each other and understanding than humans are now. They look to us and our history the way we look at Cavemen. There are a few characters that dominate the naraative, mainly Miriam (Mama Jones), Boris, Caramel, and Kranky.

What amazes me is that Tidhar managed to create entities so different from us and somehow breathe air into their lungs and humanize them giving them relatable cravings and vices. The story I found most fascinating was that of a creature called “Strigoi” which we follow in chapter five, by name of ‘Caramel.’ Strigois are data vampires and absorb everything one knows. We follow how Caramel herself became a Strigoi and what her feelings were being at Central Station:

“she had never imagined the Conversation as she experienced it just then –the nearness and yet the distance of it, the compressedness of it all. Billions of humans, uncounted billions of digitals and machines, all talking, chattering, sharing at once. Images, text, voice, recordings, all-immersive memcordist media, gamesworlds spill-over—it came on her at once, and she reeled against it.”

When she meets Boris and Miriam at Central Station her parasite-like nature is viewed by Miriam as a disease, something Caramel can’t help similar to the ways we look at depression or Schizophrenia. There is a sort of dangerous aspect about being a Strigoi but also involuntary on their part. For Boris, Caramel is a sexualized entity. He is

“aroused by her difference…all the while knowing his own weakness, admitting to his sexual infatuation with her, this human kink that made them lust for Strigoi, for the thing that could harm them.”

To me this story is representative of the whole. Tidhar takes something so distant from us and makes it relatable. As readers we empathize with the non-human and that is the result of great craftsmanship and storytelling. I absolutely love this book and I will read it again soon.

Also, the cover art for this novel is so beautiful. This is the work of Sarah Anne Langton. 

I recommend this novel to anyone who enjoys science fiction. To learn more about Lavie Tidhar and his other works click HERE.

I received a digital copy of this novel from Tachyon Publications in exchange for an honest review (thank you Tachyon!) however I bought my own copy and an audible version. I hope it’s come through that I genuinely enjoyed this work. It brought me to a good place and I will take a look at Tidhar’s backlist and forward to his future publications.


Arthur C. Clarke Winners | Reading List


Seeing as there are not that many books which have won the Arthur C. Clarke Award I would like to take on this project and try to read all the winners. I created a Downloadable PDF as well with this entire list below in case you want to print it and complete the challenge in the near future. The “check” option can be used for taking them out of the library, buying them, or reading them (it’s up to you). I linked every novel to The Book Depository option if you would like to read more into each individual book or add it to your reading lists.

The Arthur C. Clarke Award is the most prestigious award in Britain for Science Fiction. According to their website: “The annual award is given for the best science fiction novel first published in the United Kingdom during the previous year.” This is my little mini-project but all are welcome to do it! I just created the resource pdf to make it a bit easier. There are people WAY more skilled than me at discussing this award. I strongly recommend (my personal favourite booktuber) Kalanadi. <–  there’s no way I could keep up with her, and her reviews are phenomenal.

Check Year Novel Author
2017 The Underground Railroad  Colson Whitehead
2016 Children of Time Adrian Tchaikovsky
X 2015 Station Eleven Emily St. John Mandel
2014 Ancillary Justice Ann Leckie
2013 Dark Eden Chris Beckett
2012 The Testament of Jessie Lamb Jane Rogers
2011 Zoo City Lauren Beukes
2010 The City & The City China Miéville
2009 Song of Time Ian R. MacLeod
2008 Black Man Richard Morgan
2007 Nova Swing M. John Harrison
2006 Air Geoff Ryman
2005 Iron Council China Miéville
2004 Quicksilver Neal Stephenson
2003 The Separation Christopher Priest
2002 Bold As Love Gwyneth Jones
2001 Perdido Street Station China Miéville
2000 Distraction Bruce Sterling
1999 Dreaming in Smoke Tricia Sullivan
1998 The Sparrow Mary Doria Russell
1997 The Calcutta Chromosome Amitav Ghosh
1996 Fairyland Paul J. McAuley
1995 Fools Pat Cadigan
1994 Vurt Jeff Noon
1993 Body of Glass Marge Piercy
1992 Synners Pat Cadigan
1991 Take Back Plenty Colin Greenland
1990 The Child Garden Geoff Ryman
1989 Unquenchable Fire Rachel Pollack
1988 The Sea and Summer George Turner
 X 1987 The Handmaid’s Tale Margaret Atwood


May Wrap-Up | 2017


Books I read for Reviews (with links)

  • Drinks with Dead Poets by Glyn Maxwell. A poet/professor wakes in a town where he must teach a syllabus on dead poets, and the dead poets come to life (To be published in August of 2017)
  • Matter & Desire by Andreas Weber. Academic text exploring the relationship between our existence and nature through erotic experience (To be published August 3, 2017)
  • The Man Who Loved Libraries by Andrew Larsen. This is a very short children’s book about Andrew Carnegie (to be published August 15)
  • Thin Places by Lesley Choyce. Free verse poem telling the story of Declan Lynch who can hear voices and follows them. (To be published July 29, 2017)
  • The Excursionist by J.D. Sumner. This is a travel satire with a very grumpy main character (published May 17)
  • The New Voices of Fantasy edited by Peter S. Beagle. A collection of new fantasy short stories (to be published August 18, 2017)
  • Scion of the Fox by S.M Beiko. Young adult book with magic, battles, family traditions and history, and is very much entwined with the natural realm (out for publication October 17, 2017)
  • Ewan Pendle and the White Wraith by Shaun Hume. Pleasant children’s adventure about Ewan Pendle who receives a special education. (published)
  • How to Read Nature by Tristan Gooley – book on navigating through nature and reviving the connection between ourselves and the natural realm (out for publication August 22, 2017)
  • Of Men and Women by Pearl S. Buck – short essays comparing the American household to that of China, published/written in 1941, currently being republished in a newer, updated eBook edition (out for publication June 27, 2017)
  • Ex Libris – Anthology of Sci-fi and Fantasy short stories with Librarians, Libraries, and Lore (out for publication July 11, 2017)
  • The Cloud Versus Grand Unification Theory by Chris Banks – poetry collection (out for publication Sept 5, 2017)
  • Hunger by Roxane Gay – a memoir; a history of Roxane Gay’s body and experience with weight gain (out for publication June 13, 2017)
  • Up Against Beyond by Jason Holt –Poetry collection (out for publication July 20, 2017)
  • Iain M. Banks by Paul Kincaid –academic book, short biography, close analysis/reading of Iain M. Banks and his works published both as ‘Iain M. Banks’ and ‘Iain Banks’ (out for publication May 30, 2017)

Books I read for Myself

I had a great reading month mostly because I had all the time in the world: no work, no school, no exams.

According to my Audible App I also spent about 8 Hours listening. The listening included a variety of dramatizations of classics, or some audiobooks for the things listed below where I would follow along in the text while listening to an audiobook.

I read two short stories:

“The Machine Stops” – by E.M. Forster which already made it onto my ‘favourites’ list. The story is written in 1909 but it’s highly prophetic and describes a time where people are glued to conversation machines and lose touch with the organic. It’s like a “pre-WALLE” critique of our attachment to screens.

“The Pit and the Pendulum” by Edgar Allan Poe. This story took me a while to get into, mainly because I wasn’t sure what was happening for the first few pages. A man wakes up tied, in a pit, where a pendulum swings above him (one of those with a blade) and he doesn’t know why. He spends the story figuring it out. It didn’t really strike me in any way and it’s not as memorable as “The Black Cat.”

The Tenant of Wildfell Hall by Anne Bronte

9200000000656014I then read my monthly classic. This month I chose The Tenant of Wildfell Hall. Again, this didn’t sit with me quite as well as Jane Eyre or Wuthering Heights. What I’m saying is: I can see why it’s important, I can engage in conversation about many aspects of it BUT reading it wasn’t a very exciting experience. Anne looked at domestic abuse and the ways women would put up physical barriers like Wildfell Hall itself. I liked the many perspectives in this work but I had one major issue with this novel and that was the characterization of Gilbert Markham, the first narrator. Gilbert as a first narrator to me was so feminine that I had a hard time imagining this man as a (straight) man. Everything he said was something I could never picturing a man caring about like the way a woman’s eyebrows look like, or the fabric of their clothing. It sucks that in my head I kept comparing Markham to manly Rochester and Heathcliff but one cannot help but lump the Brontes together. I would have no problems with bending gender norms and stereotypes but I think in this case Anne Bronte just didn’t know how to capture a masculine voice. I did enjoy that Helen was a painter and the descriptions of her paintings got to me in a very heartwarming way. Helen’s character is very interesting.

Sleeping Giants by Sylvain Neuvel

sleepinggiantsI am not sure how to describe the synopsis without spoilers. I’m going to briefly borrow parts from the synopsis at the back. Rose Franklin falls through the earth when she is a child and ends up in the palm of a giant metal hand. She spends her life studying physics and gets involved with a military/science team in search for other remaining parts of these giant metal giants which are scattered worldwide. The book is written in interview format. Interviews are conducted with Rose connecting her personal experience to the expeditions, with Kara Resnik (a military leader on this mission), and with other members involved in this investigation. I sort of imagined it as someone from the Pentagon interviewing all the people involved or around anything relating to these robot parts showing up all over. There are romances hidden, mysterious components to the robots or “giants” and it’s definitely not boring. I read this book with the text in hand and with the audiobook. It is an experience I recommend mainly because audible has different voices for the different characters and you really experience their presence. Lastly, I couldn’t help but be reminded of A Monster Calls, The Iron Giant, and most of all the giant guardians that are dormant in Disney’s Atlantis: The Lost Empire. I don’t know if anyone remembers those but as a kid I watched Atlantis so many times and the moment when the giants pop out from the ground to protect the city is a scene forever ingrained in my memory. I don’t know if I’m alone in making this association.


River of Teeth by Sarah Gailey

river-of-teethThis is a small novella that just got published by In the early 20th century America had a plan to import hippos to supplement the meat shortage. The plan was scrapped but Sarah Gailey re-imagines an alternate 1890s where hippos are present in the U.S. It’s a weird hybrid of fantasy and a westerner. This is the story of Winslow Houndstooth who rides his hippo. Every rider in this book has a hippo. published an article introducing every hippo by name here. The novella is only 170 pages and a very easy read. The cover art is done by Richard Anderson and designed by Christine Foltzer. I’ll put together a better review for this on Goodreads later tonight.

Concluding Thoughts and Announcement

My favourite reads this month were Drinks with Dead Poets by Glyn Maxwell and Ex Libris: Libraries, Librarians, and Lore. I’ve also been reading Age of Myth by Michael J. Sullivan which I have not yet finished so it will be featured in next month’s wrap-up.

announcement-clipart-cliparti1_announcement-clipart_09BIG ANNOUNCEMENT! Along with Ennet House I will be reading Infinite Jest from June 1 to September 18 (along other books of course). If you would like to participate there is still time to get the book and join our community. More details on this HERE. Everyone is welcome!

Iain M. Banks by Paul Kincaid | Book Review

32828220This book is a part of the Modern Masters of Science Fiction series published by the University of Illinois Press. Earlier works included Gerry Canavan’s book on Octavia E. Bulter (2016), Jad Smith’s close reading of Alfred Bester (2016), and many others. This work on Banks is scheduled for publication on May 30 and is currently available for pre-order on Amazon.

This book is an academic work, and I can say with confidence that Paul Kincaid is Iain M. Banks’s biggest fan. This book has been written with so much passion. Kincaid writes an in-depth analysis as a product of very detailed close reading. Kincaid is a life-long critic of science fiction. He has reviewed hundreds of science fiction works, been featured in sci-fi magazines, and has contributed to critical anthologies. In addition, he has been the administrator for the Arthur C. Clarke Award from 1995 to 2006 following up this prestigious position with an anthology he edited on each of the first 18 award winners, The Arthur C. Clarke Award: A Critical Anthology (anth 2006).

This non-fiction book is divided in five sections (or long chapters). It begins with an introduction to Banks and a biographical piece on him—which is quite necessary considering thus far no biography of Banks exists. What particularly pulled at my heart strings and got my immediate attention was that Kincaid started with Banks’s public post after finding out he has a late stage of gall bladder cancer giving him a limited time.

The biographical chapter is followed by three comprehensive chapters on the history, theory, and philosophy of Banks’s works. Kincaid situates Banks in both the science fiction community as well as in a larger cultural spectrum. He takes apart the Culture Series and examines the ways Banks was influenced by historical and political events, and how he in turn influenced others. Kincaid brings in works by other theorists, other writers (H.G. Wells, T.S. Eliot, and J.R.R. Tolkien among them) who have influenced Banks, and subsequently the ways his own works predicted 9/11 and the dominant fear/anxieties after.  Lastly, Kincaid examines the aftermath of Banks’s death in 2013 and his last work written: The Quarry, which was published posthumously, and the new and emerging sci-fi writers, that he himself influenced, like China Miéville.

The last section of this book is an extended interview via email correspondence between Iain M. Banks and Jude Roberts who was working on a Ph.D. thesis. The interview occurred between April-June of 2010 and even though a copy of it appeared in Strange Horizons in 2014, this copy is an extended version. In this interview Banks gives his opinion of writers he enjoyed growing up, theorists, women sci-fi writers who influenced him, and the general reception and process of writing his own works.

What I particularly enjoyed about this work was that Kincaid left no stone unturned. Every article, epitaph, critical essay, previous academic work, and/or interview that exists with or about Iain M. Banks, has been acknowledged in this work in one form or another.

I would highly recommend this book on Iain M. Banks (and Iain Banks as Kincaid discusses the difference between the two publication names of the author) to academic universities with courses in Science Fiction as a thorough and comprehensive study of Banks’s work. I would also recommend this book to fans of Banks, particularly those who have read a majority of his works. If you want to know more about Banks and how others have interpreted his works I would also recommend this book, with the suggestion that you read at least The Wasp Factory and Consider Phlebas, as those two works are the most discussed two in this academic book.

Many thanks to the University of Illinois Press for sending me an ARC of this book for review.

How to Get Out of a Reading Slump


A few words of kindness before the list:

First of all: if not reading is something you call “a slump” and it’s something that makes you feel sad, not yourself, and guilty—then clearly my friend, you are a reader. That in itself is an encouraging thought because only a reader can feel those emotions when not reading. So don’t despair, and don’t feel hopeless because there are many ways to get back into doing what you love most. Sometimes it’s really not your fault. Maybe you had several bad reading experiences in a row. Maybe life events took over. Either way, guilt is not something you should associate with this tragedy that has befallen you (the reading slump). The following methods are taken out of my personal experiences. If there are ways I left out I encourage you to comment and contribute suggestions that have helped you with your reading experience.

Step One: Get Inspired by Others

  1. In my experience nothing has been more inspiring than Booktube. Book lovers sharing their reading experience, their book hauls, and TBRs on YouTube. Over time I felt like each one of them was my friend. When you find someone whose reading tastes are so similar to yours it’s like a book is recommending a person; then in turn, when that person recommends a new book you have not read, you know you can trust

These are some people who have completely inspired me to get back into reading in the past:

Following these people often leads to Buddy-reads on Goodreads, Reading along with a booktuber a specific book (like Books and Things is currently reading Our Mutual Friend six chapters at a time) and other online book groups that keep alive the reading momentum through encouragement and support.

  1. The only thing better than hearing/seeing reading communities talk about books with enthusiasm is to watch some of your favourite authors talk about their books or with other authors. For me personally watching Neil Gaiman, Brandon Sanderson, Markus Zusak, David Mitchell, and Robin Hobb discuss some of their books at Google Talks, classes, or reader events have brought back the “feels” for what I enjoyed in books in the first place.
  1. Join Bookstagram. Instagram for Books. When pictures of new books, classics, and pretty covers show up on your daily social media you feel a surge of energy that draws you to pick up a book. You can follow other people’s, or start one of your own. I found that even when all you have to work with is a pretty book cover, readers still communicate with each other in encouraging ways. The greatest part is that you get to know readers from all over the world that way. You get to see what’s popular in Australia, the UK, North America, etc.

Step Two: Proactive Steps You can Take Alone

  1. library-clipartGo to the Library. I know this sounds strange, but as a book lover (like all you reading this) I have been drawn to buying books. Buying, collecting….hoarding. The pile of “to be read” has grown and grown. I get used to the covers and over time I end up with far more unread books than read ones. Going to the library gives me an activity that ties into my reading experience. I get to meet people, interact with other human beings, and take a walk. The time limitations force me to actually finish the book (and I would recommend taking out just one book at a time). Walking through a library also results in stumbling across books you might have never heard of and taking a chance on them. There’s also no pressure because they are free so if you don’t like them, you can return them (no strings attached).
  1. Audiobooks. For me this has been a huge one. I used audiobooks as a crutch through undergrad (studying English Lit) because I had so many books to get through a week and I needed my mind to stay focused. I would listen to an audiobook AND follow along in the text for highlighting/note-taking. I divided my reading based on audio TIME rather than pages. After my degree was done, I fell into a reading slump as I forgot what it was like to read for fun and not for homework. I got back into audiobooks as a means of having company. I would listen while commuting, while shelving books, and while doing other things in my room. There are some books (believe it or not) that only exist in audiobook format and not in print yet, like Kel Kade’s Free the Darkness for instance. I read George Saunders’s Lincoln in the Bardo on a single train ride to Montreal, and Daphne Du Maurier’s Jamaica Inn on the ride back with the help of well-done audiobooks and then picked up so much reading momentum for the weeks to follow. I wrote an entire post on Audiobook Resources (some are free and connect through your library card).
  1. IMG_20170501_144759

    Example of a page from Wagamese’s book Embers

    Start Small. The very first book I read this year was Richard Wagamese’s Embers. It’s one of my favourite books now. The truth is, it’s not really a novel, or a non-fiction book. It’s Wagamese’s (Ojibway writer) morning reflections. Every page has pictures with a paragraph on something to meditate on like: silence, nature, etc. Because I was interested in the topic, and because it was short, I felt the need to finish it and having finished it, I felt good about myself. I felt great having closed that back cover. It felt like an achievement. Perhaps for you that is the same book, or a different small books, or even a collection of short stories, or poetry. Finishing something will automatically make you feel good and you will pick up momentum.

  1. Return to topics that make you excited. For some this may be re-reading a Harry Potter book, or a classic that got you on this path, or adventure travelogues, or nature guides. I have three topics that get me so pumped I can’t even explain why: islands, dragons, and pirates. This year I worked on an early review of The Whydah (a sunken pirate ship). At first it felt like an assignment/homework but because it was a topic of interest to me I got so excited I wanted to read more books on ships and pirates. Everyone has those topics that get them so excited (I kid you not one of my friends has read every book about Tuberculosis because that’s her favourite topic). Return to one of yours.
  1. Although_Of_CourseRead the Bio of your Champion (or interviews with them). If a person interests you/inspires you, then read their biography. Weirdly enough reading biographies sometimes doesn’t even feel like reading because it’s you finding out more about a person you already love. Some of these people for me are: David Foster Wallace, Walt Disney, Jane Austen, George Sand, George Eliot, Vincent Van Gogh, The Brontes, J.R.R. Tolkien (and the Inklings), Octavia E. Butler, Terry Pratchett, Neil Gaiman, and H.G. Wells. I always return to their biographies when I feel down. It just feels like you’re in good company rather than going through an assignment.

Final note of encouragement: whenever my friends have talked to me about a reading slump they almost always have been giving themselves “assignments” like “read the top Nobel winners,” or “read only classics,” “read only the Nebula/Hugo awards…” etc. and when that happens you start looking at your reading list like it’s a homework assignment so you do what’s familiar to student problems: procrastinate. Take it one book at a time, and think of it as YOUR personal sacred time, your healing time, your YOU time. You don’t owe anyone a thesis, a report, or an explanation for what you are reading. If it makes you happy and gets you onto reading again, then read what makes YOU feel right.

Websites for Sci-Fi and Fantasy Short Stories

magsIf you would like to explore some short stories in Sci-Fi and Fantasy here are five great resources. There are podcasts, audiobooks (of short stories), and free short fiction for you to peruse. I find that starting out in Science Fiction and Fantasy as a reader can be quite overwhelming and by exploring various authors’ short stories is a good way to be introduced to the various kinds of literature and know which authors you would like to commit to for longer works (especially when a lot of them have whole series). These five resources have helped me a lot:

  2. Uncanny Magazine
  3. Clarkesword
  4. Apex Magazine
  5. Samovar (in translation)

I also found great opportunities to join reading communities in the sci-fi/fantasy world. On Goodreads alone, searching for “SFF” in “groups” will lead you to many sub-groups of people reading and discussing: SFF Goodreads

At The Speed of Light – Simon Morden | Book Review

AtsoLcover3.5 I’ve received an Early Reviewers copy of Simon Morden’s 2017 novella At the Speed of Light from LibraryThing. This is a NewCon Press novella that is about 115 pages and can be read in one sitting. The main character, Corbyn, is slipping through two levels of consciousness as he fully awakens realizing that he had fallen asleep at the wheel of his spaceship with the foot on the accelerator traveling for years at the speed of light. His state brings him on the outskirts of space, outside of the bounds of human knowledge or the universe and along he finds different kinds of consciousness/characters. I was hooked in the beginning stages pre-awakening as Morden explored certain anxieties of the human condition. The discussion of anxiety dreams, derealisation, and questioning reality altogether is a topic that highly fascinates me. The novella however takes a very ‘hard sci-fi’ turn halfway through which threw me off especially in terminology. I’ll give you examples: “cross-referenced hibernation,’ ‘pre-defined range of stimuli,’ ‘semi-crystalline matrix,’ and ‘astrogation data.’ Maybe I’m a little bit too early on in my science-fiction reading journey to judge this novella too harshly, but I would have really liked to understand what those things meant. The novella would have done much better (for me) if it had more reflections, tapped into what made humans human that is different/unique, and it could have worked wonderfully through Corbyn’s character having been more 3-Dimentional. I realized halfway through that I didn’t care that much about the protagonist because nothing humanizing about him was shared.

There are some nice lines like:

“not as close as his superstructure, not as far as infinity” or “are dreams that you don’t remember less real?”

Good question. It reminded me of Neil Gaiman’s “…tales and dreams are the shadow-truths that will endure.” The first 30 pages and the last two pages tap into Corbyn’s philosophical side, particularly on what it is that makes the human consciousness and I think I preferred that to the engineering manual that was everything in between. I will re-read this in the future after I read more sci-fi and see if I feel the same way. I would recommend this to people who know they like sci-fi and technology, with a machine/mechanical orientation and not character-driven. I am also fascinated by Simon Morden; his background in Geophysics contributed greatly to his work and I look forward to reading his longer works particularly his Metrozone series that is set in post-apocalyptic London, for which he recently received the Philip K. Dick Award (2011).

The cover on this novella is fantastic. There are four NewCon Press novellas released and the artist worked on all of them. The name however was not released online.