space travel

The Freeze-Frame Revolution

36510759Peter Watts’s The Freeze-Frame Revolution is an addition to a longer series including The Island (2009) for which Watts received the Hugo Award for best novelette in 2010, Hotshot (2014), and Giants (2014). The Freeze-Frame Revolution will be published in June of 2018 by Tachyon Publications. These works are certainly part of what would be categorized as “hard sci-fi” for Watts does not spoon-feed his readers, nor spends too much time explaining. He drops his characters in some unusual circumstances, and tries to convey ideas about technology, life, the universe, and the limitations of humanity. It is simultaneously focused on macro scale settings and ideas and on micro details with few characters in a rather condensed space of 185 pages. Given these limitations I think Watts was very successful.

The novel/novella follows Sunday who is part of a large crew (in the tens of thousands) and was trained for this mission, to build a web of wormhole gates through space, making interstellar travel more accessible. Eriophora is their spaceship, and simultaneously used for creating ‘gates’ or wormholes through which they can continue to travel. Of the tens of thousands involved, only a handful of people are awake at a time while everyone else is still suspended in unconsciousness. The gate-building ship is controlled by Artificial Intelligence: the Chimp—who decides who he will wake, and what information it will provide to the awakened ones. The people are awakened only for a few days at a time when they are, which leaves very little room to accomplish anything.

As in most hard sci-fi character development isn’t a priority, and the reader will be left with a lot of questions about the characters, the ‘world,’ and sometimes even the plot. This novella will also leave you with a lot of questions but with the knowledge that there is a certain suspenseful beauty in leaving them unanswered.

The travelling through space and gates has been happening for millions of years, and people have been maybe awake a total of few full conscious years where they have scattered memories here and there from the few times they have been awakened at several time intervals (thousands of years apart). The people grow uneasy about their ‘leader’ and AI: The Chimp and plot against him, which is quite the task when they are only awake one day of every thousand. There are also problems relating to the AI’s relationship to the ship, because they are essentially one and the same. The “consciousness” of the ship is also their home (at least that’s how I read it). We are told for instance:

Eriophora’s riddled with blind spots: shadows in crawlways and corners, in the spaces behind looming machinery where no one had any reason to put a camera. There are even places—near powerlines whose massive currents swamp the milliamp signals that connect artificial brains to natural ones—where Chimp is blind to our cortical links.”

The thought that Chimp can automatically know what happens on every surveilled location on the ship makes the ship itself unreliable which gives the reader a sense of uneasiness at all times.

I really liked the ways in which Watts presents some ‘dilemmas’ or concerns for the characters which resemble our daily struggles with online personas, and simulated experiences, particularly with the ability to “plug in.” I do have a tendency to read into social criticisms as hidden between the lines of every work, but in all seriousness Watts wrote a book here that is really fun and sprinkled with philosophical questions. Here’s an example:

 “’I suppose I’m thinking that maybe there’s more to life than living like a troglodyte for a few days every couple thousand years, knowing that I’m never gonna see an honest-to-God forest again that doesn’t look like, like’– She glanced around—’nightmare someone shat out in lieu of therapy.’

‘Honestly, I don’t understand. Any time you want a—a green forest, just plug in…you can experience things nobody ever did back on Earth, any time you want.’

‘It’s not real.’

‘You can’t tell the difference.’

‘I know the difference.’”

It’s hard to omit these dark philosophical moments from the overall suspense and tension—particularly since the main mission itself: creating a wormhole gate network, has lost meaning for the people involved. I enjoyed very much the dark aspects of this novella. The ways in which Watts has this meaninglessness looming over every one little action of the characters, and the atmospheric tension he creates with the ship, and the crypt, coffin-like places the majority of crew members lie in made this work worthwhile and rewarding.

It’s a work of great talent, and I hope that soon all of his connected works, or “Sunflower Cycle” will be published in a single volume together. Peter Watts has created a sci-fi work of art where every word is refined, and has a purpose. I highly recommend this work to lovers of science fiction.

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Acadie by Dave Hutchinson | Review

Acadie_coverAcadie is part of the Summer of Space Opera hosted by Tor.com, the last of the five to be published, scheduled for the 5th of September. Dave Hutchinson, the author, was born in Sheffield in 1960, studied at the University of Nottingham and became a journalist. He’s the author of five collections of short stories, and four novels.

Acadie is set in the future following protagonist Duke who has been summoned by a group of leading researchers who have created “Kids” a long time ago for the purpose of colonizing other planets. After several generations Kids evolved to be more and more human-like, but their creator Isabel Potter is bent on finding all of them and killing them. We find that:

“the Kids were superbrights, tall fragile children with towering IQs, and a penchant for terrible jokes.”

Conversations between the Kids resemble equations as they are hardwired to see all problems in doing a specific activity.

This novella is short but filled with humour and great character interactions. While it resembles “hard sci-fi” it has many moments of reflection and character development. As readers we get an insight into Duke’s history, opinions, and frustrations. I found it particularly interesting when Duke tells readers that after travelling in space for long enough “it’s all just stars and emptiness…all space looks the same.” The writers and engineers who work for Isabel Potter, the original creator of the Kids, are like a giant fandom group from Comic-Con dressed as LOTR and Star Trek fans or as Duke calls it: early 20th century media references. The ‘Writers’ in this novella have higher powers. Their ‘creations’ shape more than expected and they have abilities like conducting complete memory-wipe on another, should they choose to.

The last few pages contained a surprising ending (which I will obviously not spoil) but it added a different dimension to the novella. It can be easily read in one sitting and it’s very exciting. I think this is one of the reads I would add to “get out of a reading slump” kind of book lists because it’s short, well-written, and highly atmospheric.

Also, the cover design by Stephen Youll is absolutely beautiful. I’ve linked his website so you can take a look at all his extraordinary artwork.