Done! I challenged myself to read all five nominees for best novel in the Shirley Jackson Awards 2017 within a month and I officially finished them. Here are the links and names of the five novels I read for this challenge:
- The Bone Mother by David Demchuk
- Ill Will by Dan Chaon
- The Changeling by Victor LaValle
- The Hole by Hye-Young Pyun
- The Night Ocean by Paul La Farge
I enjoyed all these works very much and I’m glad I took on this little project for a few weeks. Looking at some numbers and stats, my instinct says the winner will be The Changeling by Victor LaValle. My personal favourite was The Night Ocean by Paul La Farge. The Bone Mother sent me on an adventure looking at really cool Romanian photographs from a hundred years ago. The Hole was the first Korean book I’ve read in translation, so that was something new for me. Ill Will tested my ability to solve a mystery and interact with text presented in a new and interesting way, and forced me to learn about Satanic cults in the United States. Each one of these books brought something very different to this challenge. Of course, I have been wrong many times before, and all I can say is that I’m very excited to see who they will select as this year’s winner. There’s nothing as pleasant as making wrong predictions on the internet! All I can say is that whoever they choose there is no wrong choice here. The 2017 Shirley Jackson Awards will be presented on Sunday, July 15, 2018, at Readercon 29, Conference on Imaginative Literature, in Quincy, Massachusetts. If you have been following this with me, or reading my reviews for this challenge thank you very much for sticking with me and for your time!
The Changeling by Victor LaValle is the fourth book I’m reading for the Shirley Jackson Awards 2017 nominees. If I had to put my money down, based on what I’ve read so far and looking at its stats, I would say that this book has the strongest chance to be the winner. That said, I have not finished all five yet (still have one left). Also, The Changeling has just won the 2018 Locus Award for Best Horror novel.
This novel has “two starts” but for good reason. The first is Apollo Kagwa’s parents’ love story and the beginnings of Apollo. Apollo is mixed and from a low-income family. His father mysteriously disappears but continues to appear to Apollo in dreams/nightmares. Apollo grows up and becomes very involved in dealing/collecting/selling rare books and is himself an avid reader. As things progress he too falls in love (the second start) with Emma and together they have a baby boy. At this point the novel takes a term from slightly creepy and mysterious to supernatural stellar writing. I liked the way the Goodreads synopsis puts it without spoilers: “Before Apollo can do anything to help, Emma commits a horrific act—beyond any parent’s comprehension—and vanishes, seemingly into thin air. Thus begins Apollo’s odyssey through a world he only thought he understood to find a wife and child who are nothing like he’d imagined.” That…is putting it mildly. This novel is a roller-coaster ride, and it somehow does it by creeping up on you. You start slowly and you’re being fed one odd thing at a time, until you find yourself so deep you forget how you got here in the first place. I had to consult the synopsis because by the end I wasn’t sure what would be considered a spoiler.
What I particularly loved about LaValle’s writing was the way he brought the dark fairy tale to the city: New York. As a passionate Lore fan and reading these kinds of stories with supernatural elements, I can’t help but notice they are almost always set in an isolated town, in a rural part of a very abandoned state, or in some very small place with few inhabitants. Dropping this dark fairy tale in New York while simultaneously poking at the very contemporary “here and now” elements of parenting, social networks, and media is something that I never considered could come together so well in one cohesive narrative. LaValle challenges the spaces one thought of as ‘safe’ due to their bright lights and overpopulation and turns this concept it on its head. Parallel to these writing techniques, unstable setting, and atmosphere LaValle still places at this novel’s core the essence of what makes us human in exploring our strengths and weaknesses when it comes to family, love, parenting, and how our origins, or ‘where we come from’ or the literal ghosts of our past can influence our present. I really enjoyed this book, and even though it took me a lot longer to read this one than the others it was worth the effort. I recommend this if you like Aaron Mahnke’s Lore and Cabinet of Curiosities, dark fairy tales, gothic atmospheres, and of course…Shirley Jackson.
The Bone Mother is the first novel I’m reading for the project I’m currently working on: reading the nominees for the Shirley Jackson Award. The Bone Mother has already hit a very good spot with me and I enjoyed it immensely. I think in many ways it’s like Miss Peregrine’s Home for Peculiar Children for adults, and has a resemblance to Lore. As I mentioned before I’m from Romania, but I have been educated and raised in Canada. This book is written by Canadian author David Demchuk and it draws its inspiration from photographs made by Romanian photographer Costică Acsinte between 1935-1945, and Eastern European folklore, so in many ways it felt very familiar and close to home. This novel was also long-listed for the Scotiabank Giller Prize, which is very impressive as it is his debut novel.
This ‘novel’ isn’t quite a novel in the traditional sense. It is a series of stories, each prefaced by a black and white photograph from Acsinte’s collection, with a new name in the title. The names are both Romanian and Ukrainian/Russian. The tales focus on three villages on the border of Ukraine and Romania, neighbouring “The Thimble Factory.” Images of thimbles are present throughout the book, and we quickly learn that those who inhabit these villages must work five years at the thimble factory. There are narratives surrounding those working in the thimble factory which are more snippets of daily life, interspersed with fables and folkloric anecdotes featuring the supernatural like Strigoi (Romanian myth, troubled spirits of the dead rising from the grave, sometimes similar to vampire folklore) and Rusalkas (Russian myth, water spirit). At the center of it all is the fear of the Night Police who take people in the dead of night, and the most frightening figure at the center of the forest, not belonging to any village: the Bone Mother—she cooks and eats people who fail the tasks she gives them.
There are some phenomenal features to this work. The first is its juxtaposition of ‘regular’ folk next to these ‘supernatural’ beings as co-existing in the same spaces, while narrating it in a simplified, casual tone. The Bone Mother is never trying to scare you, but presents some narratives side by side of a history that may or may not have been. The way Demchuk also incorporates queer narratives gives the reader the impression that he is trying to look at various angles on the story of marginalized groups contrasting historical superstitions with contemporary oppression. There is also the juxtaposition of post-industrialism influence: the thimble factory, existing as a machine in the garden of folklore. The Bone Mother reminded me very much of a branch of literary theory contrasting naturalism with technology in literature. A work that comes to mind is the academic book by Leo Marx called The Machine in the Garden which explores the ways North America started out with such promise on untouched land with possibility, yet entered it with full industrial, assembly-line force, and how this is reflected in literature when the pastoral ideal clashes with technological advance. The way Demchuk presents these ideas in fiction is subtle but ever-present. Overall The Bone Mother very well written and had an innovative take on Eastern European folklore.
My only “problem” with this novel is that it’s not a novel. I thought the stories would combine as one, or that we would be introduced to some characters and then it would merge in novel-form. It maintained its short anecdote format, separated by images, that it was a little frustrating at times not knowing if it will merge or not. The short story format worked for what it is, however I’m wondering how it will rank against the other four nominees, and if this format would hold it back. What helped me a lot with this was getting the audiobook from Audible and following along in the text because they had different voice actors for each character and it brought them to life as diverse voices, with heavy Eastern European accents. Considering this is also a debut work, I think we can look forward to more from Demchuk and the book has done quite well so far making it on the list of two literary prizes already. This was a strong start!
Scion of the Fox is a YA Fantasy Novel following Roan, who is an orphan with few memories of her parents. Roan is a lone-soul in an empowering way—to be honest it’s someone I would have loved to have as a friend in high school. She enjoys her time alone, she is a big fan of Wuthering Heights, and she sometimes talks to a stone menagerie made up of animals. Her grandmother, Cecilia, is a mysterious Fae-like, world-traveler (who kind of reminded me of Moana’s grandmother). Roan’s grandmother falls into a deep coma, whilst traveling, and her final wishes among being brought to Winnipeg no matter what state she is in, also included being preserved ‘alive’ until she expires on her own, and that her next of kin must reside in her home. I don’t want to spoil too much but I will say that this book is very much in tune with nature, mysticism, and spirituality. Roan cheats death as she is aided by a fox spirit and this leads to a series of fantastical events. The fox, and the moths are reoccurring symbols throughout this book. I thought this book was well-written and it got my attention immediately. The main character is well-rounded and likable, and I must add that it’s refreshing to read a YA novel that does not have a romantic relationship (or lack of) at its core. It deals with ancestry, battles, family traditions and history, and is very much entwined with the natural realm. This book is heavy with symbolism and I love the ‘Canadianness’ of it. I don’t generally read YA fantasy but this book got my attention and I thoroughly enjoyed it. I look forward to the next two books as this is the first in a trilogy.
I would recommend it to anyone who likes young adult fiction and the elements listed above. On Goodreads the synopsis portion compares this book to American Gods and Princess Mononoke which I think is an apt comparison. Other words that come to mind is ‘fae-like,’ ‘gothic,’ and ‘sublime’ sprinkled with ‘Canadian.’
The author, S.M. Beiko (Samantha Mary) is from Winnipeg Manitoba. Her first novel, a young adult fantasy set in rural Manitoba called The Lake and the Library, was nominated for the Manitoba Book Award for Best First Book, as well as the 2014 Aurora Award. Scion of the Fox is the first book in what will be a trilogy. ECW press will release one book per year. This first book will be out on October 17, 2017 and is currently available for pre-order.