Given the amount of time I spend in complete silence at the library, podcasts have become a crucial part of my life. I listened to all of Lore, Welcome to Night Vale, The Black Tapes, Serial, and S-Town. My only wish as an avid Booktube watcher was to one day be able to listen to some of my favourite booktubers without a screen and take them with me in silent places. Wish granted! Stephanie from That’s What She Read and Rachel from The Shades of Orange have teamed up to create one of the most wonderful podcasts I’ve ever had the pleasure to listen to. I subscribed to it when it was only announced, and I’m so happy I stuck by it. They are already 19 scheduled episodes in (with a few bonus ones). The podcast is called “Books in the Freezer.” There is an episode in Friends where Joey puts all the books that scare him or make him sad in the freezer. Stephanie and Rachel have adopted that concept and took it a step further. The podcast focuses mainly on horror, supernatural/dark fiction, and thrillers. The two readers have an eye for good literature, and skilled writers who can create suspense in just the right way. If a book is really frightening they will label it as a book to “put in the freezer,” however, if the book is just slightly scary and not too haunting, they will label it as “a fridge book,” and if it’s really mild “room temperature.” This scale is absolutely brilliant!
Each week, Books in the Freezer will have a topic like: “Small Towns with Big Secrets” or “Survival Horror.” In the episode both Stephanie and Rachel take turns recommending books on this topic as well as television series, movies, podcasts, or any kind of medium which fits the genre and would enrich a fan’s knowledge of the topic of the week. From time to time Books in the Freezer will have a guest speaker like Olive from A Book Olive, or conduct an interview with an author. If you find ‘horror’ to be a genre you stay away from, or think it would be intimidating, I would still recommend you listen to this podcast. I myself don’t often reach for horror books, but some of these have gotten my attention. There’s more to some books than just elements of fear that make them outstanding, and listening to Stephanie and Rachel discuss those elements at length has really widened my perspective on this genre. As a librarian, I listen to this podcast to educate myself on a genre I don’t know too much about and if you want to keep informed without spending hours upon hours reading these books, then this podcast might be what you need. I have thoroughly enjoyed every episode and each time I come out with at least two books I add to my reading list. You should also be on the lookout for references made about The Office. It’s become the podcast’s ‘easter egg.’ I thought I would review this podcast, not only because I enjoy it so much but I thought I would share this with you in case you are searching for something new, or you want to spend time with two intelligent people discussing literature. I can say it is MOST definitely worth your time! After each episode the list of books discussed is linked in this website.
The Hole by Hye-Young Pyun is the third book I read for my Shirley Jackson Awards 2017 challenge (See more here). Pyun is from Korea and this novel has been translated into English by Sora Kim-Russell. The novel has been marketed as a psychological thriller about loneliness. Even before being translated or nominated for this prize Hye-Young Pyun has been compared Shirley Jackson and Yoko Ogawa “for her blending of the everyday with the gothic and the grotesque.”
The novel is short but very intense. As I mentioned earlier, it is the shortest novel on the list of nominees this year. The novel follows Oghi, a university professor who has recently been in a car accident with his wife. His wife passes away on impact during the crash, and he survives it, but is fully paralyzed and must have a caretaker. His caretaker is his “next of kin” which is surprisingly enough: his mother in law. There must be some difference in cultures here because I don’t see this happening in the West. We are told the narrative from Oghi’s perspective and the lack of mobility, the grief, and the flashbacks all accumulate to a very tense and suspenseful read, as you feel just as paralyzed as Oghi. Oghi’s tense relationship with his wife and mother-in-law pre-accident makes this story extra creepy and gives the reader a sense of uneasiness, but also the present due to his incapacitated state, and visions of the ghost of his wife. His mother-in-law is as strange as the plot and situation, she is a widow, just lost her daughter, but struggles with her half-Japanese identity. At this point I felt a little disjointedness from the narrative because I felt like something was missing—there’s a gap in my knowledge of understanding certain things relating to Japanese-Korean relationships and I missed out on a lot of the mother-in-law’s characterization.
What I absolutely admired about Hye-Young Pyun’s writing was the way she weaved the theme of “the hole” through this novel. According to her publisher: “The title of the novel is a play on words: a transliteration of the English word “hole,” 홀 (hol) is a Korean prefix meaning “alone” and most readily refers to one who is widowed.” The hole here is used as both fixating on the fact that both Oghi and his mother-in-law are alone and widowed, and also on the hole within, the hole of experiencing complete loneliness and despair. One reviewer on Goodreads noted that even Oghi’s profession and his thoughts towards the Babylonian Map of the World, dated to the 5th century BC has a hole at its center. Even visually, as you progress through the novel, each chapter is prefaced by a “black hole” which gets progressively larger before it engulfs the reader completely. I took a picture because it looks really cool.
Pyun’s ability to play with so many elements, themes, and characters in such a small space while simultaneously keeping the reader on edge is really admirable. Again, I think maybe some things got lost in translation, or maybe the translation enhanced it, I don’t know. It’s a little difficult to compare as this is the only novel on the nomination list that is in translation. The original has been published in Korea in 2016 which means a lot of thought and consideration was given to place bring this novel into this competition. I thought it was a great read, and I highly recommend it for people who enjoy the works of Han Kang, Yoko Ogawa, Daphne du Maurier, and yes, even Shirley Jackson herself.
This novel involves two unsolved murders connected to Dustin Tillman, a psychologist, father of two sons, in his mid-forties, living in a suburb of Cleveland. The two murders are separated by a significant time gap, the first happening in the 80’s. Dustin’s parents, aunt, and uncle were killed and the blame fell on his adopted teenage brother Russell. Russell’s trial lacked any sort of physical evidence, as the jury simply took Dustin’s and Kate’s (Dustin’s cousin) word for it being related to Satanic cults. After a quick Google search I found that apparently there was a lot of hysteria during the 1980s over Satanic cults with many testimonies, physical, sexual abuse, and dangerous practices, and very prevalent in the United States, spreading to other countries by the early ‘90s. In present day, DNA testing proves that Rusty didn’t actually commit the crime and he has been released. We find this out in the first few pages as Dustin receives a phone call. The second crime involves one of Dustin’s patients connecting drunk college boy drownings sending Dustin on a “Clarice Starling” puzzle-solving quest. Suggestions of repressed memories, people’s perception of reality and truth, a lot of manipulation and the 80s Satanic rituals’ aftermath involving all the psychological side effects on individuals, groups, and society at large all play a part in this book that jumps back and forth in time between the 1980s and present day. Dustin’s own family has to observe, speculate, and deal with the hardship second -hand. The perspective from which we are told this story changes as well, and we are presented with “evidence” as if we too were participating in the solving of the mystery by means of text messages, or information laid out in ‘brainstorming’ format appearing in columns on the page.
This book had its own innovations, mainly in the ways it experimented with delivering information to its readers. By allowing readers to be a part of the decoding, and trying to figure things out, as well as leaving the end slightly ambiguous and vague, it succeeds in maintaining an overall mystery looming over the plot even after the story ends. It was an easy read, despite it being the longest on the nominee list, (I sped through it in two days) I don’t think it’s intimidating, and if it sounds like something of interest to you, I strongly recommend you pick it up. My issues with this novel nominated in this category comes from its lack of “Shirley Jacksonness.” Aside from the Satanic cults, this novel read more like a crime thriller, or a horror-mystery. I think it’s an excellent candidate for a horror or murder mystery award, and I’m glad to see it on the Locus Horror Award nomination list. I think it stands an excellent change of winning that one, I am just not sure it’s ideal for this category in this particular award series. I wouldn’t generally pick up something like this, so in a way this novel put me out of my reading comfort zone, but at the same time I turn to the Jackson Awards for a particular kind of supernatural, dark fairy tale element. There’s a sense that this novel was written for the screen. Perhaps it would make an interesting mini-series or full feature, but something in the way it’s written suggests that it was written for the screen more-so than a literary crowd. I am wondering if anyone else has read this book, and if so, what are you thoughts on this book, and its subsequent award nominations?
The Bone Mother is the first novel I’m reading for the project I’m currently working on: reading the nominees for the Shirley Jackson Award. The Bone Mother has already hit a very good spot with me and I enjoyed it immensely. I think in many ways it’s like Miss Peregrine’s Home for Peculiar Children for adults, and has a resemblance to Lore. As I mentioned before I’m from Romania, but I have been educated and raised in Canada. This book is written by Canadian author David Demchuk and it draws its inspiration from photographs made by Romanian photographer Costică Acsinte between 1935-1945, and Eastern European folklore, so in many ways it felt very familiar and close to home. This novel was also long-listed for the Scotiabank Giller Prize, which is very impressive as it is his debut novel.
This ‘novel’ isn’t quite a novel in the traditional sense. It is a series of stories, each prefaced by a black and white photograph from Acsinte’s collection, with a new name in the title. The names are both Romanian and Ukrainian/Russian. The tales focus on three villages on the border of Ukraine and Romania, neighbouring “The Thimble Factory.” Images of thimbles are present throughout the book, and we quickly learn that those who inhabit these villages must work five years at the thimble factory. There are narratives surrounding those working in the thimble factory which are more snippets of daily life, interspersed with fables and folkloric anecdotes featuring the supernatural like Strigoi (Romanian myth, troubled spirits of the dead rising from the grave, sometimes similar to vampire folklore) and Rusalkas (Russian myth, water spirit). At the center of it all is the fear of the Night Police who take people in the dead of night, and the most frightening figure at the center of the forest, not belonging to any village: the Bone Mother—she cooks and eats people who fail the tasks she gives them.
There are some phenomenal features to this work. The first is its juxtaposition of ‘regular’ folk next to these ‘supernatural’ beings as co-existing in the same spaces, while narrating it in a simplified, casual tone. The Bone Mother is never trying to scare you, but presents some narratives side by side of a history that may or may not have been. The way Demchuk also incorporates queer narratives gives the reader the impression that he is trying to look at various angles on the story of marginalized groups contrasting historical superstitions with contemporary oppression. There is also the juxtaposition of post-industrialism influence: the thimble factory, existing as a machine in the garden of folklore. The Bone Mother reminded me very much of a branch of literary theory contrasting naturalism with technology in literature. A work that comes to mind is the academic book by Leo Marx called The Machine in the Garden which explores the ways North America started out with such promise on untouched land with possibility, yet entered it with full industrial, assembly-line force, and how this is reflected in literature when the pastoral ideal clashes with technological advance. The way Demchuk presents these ideas in fiction is subtle but ever-present. Overall The Bone Mother very well written and had an innovative take on Eastern European folklore.
My only “problem” with this novel is that it’s not a novel. I thought the stories would combine as one, or that we would be introduced to some characters and then it would merge in novel-form. It maintained its short anecdote format, separated by images, that it was a little frustrating at times not knowing if it will merge or not. The short story format worked for what it is, however I’m wondering how it will rank against the other four nominees, and if this format would hold it back. What helped me a lot with this was getting the audiobook from Audible and following along in the text because they had different voice actors for each character and it brought them to life as diverse voices, with heavy Eastern European accents. Considering this is also a debut work, I think we can look forward to more from Demchuk and the book has done quite well so far making it on the list of two literary prizes already. This was a strong start!
I know a lot of people on Booktube, Bookstagram, and reading blogs keep up with several literary prizes. The Women’s Prize, International Man Booker, CBC Canada Reads, Bram Stoker, and Pulitzer among the most popular. I decided this year to try to keep up with at least one prize: The Shirley Jackson Awards. This award was created in recognition of the legacy of Shirley Jackson’s writing, for outstanding achievement in the literature of psychological suspense, horror, and the dark fantastic. My favourite kind!
I am only going to read the novels nominated as I know I won’t be able to find the rest in time (most of the short fiction is found under publications that require subscription). I placed holds on the five novels which have been nominated for this prize at my local library. They will announce the winner by July 15, so I have about a month to get through these five novels, which should be achievable. I may end up reading 2-3 of the novellas but that is where I will stop. Here are the five novels nominated:
- Ill Will, Dan Chaon (Ballantine Books)
- The Bone Mother, David Demchuk (ChiZine Publications)
- The Changeling, Victor Lavalle (Spiegel & Grau)
- The Hole, Hye-young Pyun (Arcade Publishing)
- The Night Ocean, Paul La Farge (Penguin Press)
The full list of other categories can be found here. I will try to put a review for each of the five within the next month and see how I’d rank them.
Just an update, right now I’m also reading a lot of children’s stories and children’s literature. It’s a “fantastical” kind of mood I’ve been having. I wanted to take on this project because it’s nice to have an ongoing challenge that has a definitive end (July 15). Anything that would be stretched out over a longer period of time…well… I’m afraid I’d fail or lose interest. If you also want to keep up, feel free to join in! The public library should have all these, and you can join in the conversation as I review these. If you already wrote about any of them in the past, or will in the future on your own review blog and would like to share it with me, just put a link below, I’d love to read your thoughts on these. I will start with The Bone Mother by David Demchuck.
“piano of ebony, symbol of my life:
My poor soul, like yours is ravished of happiness:
You lack an artist, and I the true ideal”
Today I am doing an author spotlight on poet and thriller/mystery writer Geza Tatrallyay. He is an excellent read for the month of November as he has written three memoirs—all perfect for the Nonfiction November. I often find that focusing on living authors I sometimes lack the ‘awe’ of having a biography filled with adventure to introduce the work, but in this case I have an exception. Tatrallyay was born in Hungary. Under the Communist regime his family escaped and immigrated to Canada. He captured this journey in the memoir: For the Children. He graduated with a BA from Harvard in 1972, and as a Rhodes Scholar from Oxford in 1974—two achievements I can only dream of—topping it off with an MSc from London School of Economics. In addition, Tatrallyay represented Canada in epee fencing at the 1976 Olympics in Montreal—the same event where Nadia Comaneci got the perfect 10. Events I only read about, Tatrallyay experienced firsthand not as a viewer but as an active participant. He also worked as a host at the Ontario Pavilion at Expo 70 in Osaka, Japan where he helped three Czechoslovak women defect to Canada which he captures in the memoir The Expo Affair. He now lives in Vermont, and writes mystery/thriller novels, currently focusing on the Twisted Trilogy, the first two books of which are already out: Twisted Reasons, and Twisted Traffic. If you enjoy Stieg Larsson, or Graham Greene, you should certainly give Tatrallyay’s fiction works a try. You can also be caught up by the time the third book comes out. I can go on and on but what I would like to review today is his poetry collection Cello’s Tears.
Cello’s Tears is a perfect combination of all of Tatrallyay’s life experiences. Death, love, and growth are all explored at different points in his life. Abriana Jetté mentions in the foreword to this collection that “his brain exists in two spaces; our speaker thinks in multiple languages.” The collection is divided in four parts–similar to the four movements in a symphonic form. Part One is titled “Teardrops” and focuses on growth and life experiences. The section begins with ‘echoes,’ mere sounds we make as we grow before we become our own individuals. It ends with a poem titled “The Death of My Mother.” The death of the mother as the end of a section is symbolic of the day we are all truly cut off from the care of our parents and must search the world alone. Their protection is always there, like a shadow. The figure of the mother named Lily—a fragile flower—is depicted as an idyllic almost fairytale-like mother whereupon her death:
“we curse a perverse god / who dared crush the perfect / lily that was your life.”
Section two and three are “Concerto,” and “Pictures at an Exhibition” where Tatrallyay explores the artistic and musical. References are made to artists, locations, and cultural symbols. Tatrallyay combines elements from both the East and West, merging them together in verse with the themes uniting us all: music and nature.
“moments musicaux / Float into the night ether/ … Toward the black hole / Of thermodynamic/ Annihaltion/ Of everlasting death.”
Lastly, the fourth section “Unanswered Questions” opens up opportunities for unifying questions, and the basis of philosophy ending with the poem “Dollops of Drivel.” In the introduction, Tatrallyay says that he tries to capture the Wittgensteinian frustration with the inherent impossibility of communicating the fullness of one’s feelings. He writes in this last poem:
“why are there no words to convey the raw / And burning beauty of this energy / Bursting inside my heart, my mind, my soul?”
What I loved about this collection was that 1. We get glimpses of the poet in different stages of his life and 2. the ways in which he plays with format. There are several haikus scattered, and each poem is never too long-winded. They are succinct and capture the intensity of the moment within a few lines, while simultaneously not suppressing the rawness of each experience.
I loved this collection and I would recommend it to everyone who enjoys poetry. I hope I captured some of the parts that made this work beautiful without giving too much away, and that it makes you want to read it for yourself. The good news: Tatrallyay will have a second collection of poems coming out in the Spring of 2018 titled: Sighs and Murmurs. I very much look forward to it!
You can watch Tatrallyay read from his works here and here. You can also find him at his website, Twitter, and on Goodreads. Some of his works can also be found at your local library (link to Toronto’s).
Geza Tatrallyay’s other works: