writing

Feeling Overwhelmed | New Reading Plan

Keep_Calm_smallOne of the most stressful parts of being a reader and librarian is that I want to feel “on top of everything” when it comes to literature. I want to know what’s coming out, have a good understanding of which books did well in the last few years, and have a full grasp of the classics for my personal growth as a reader. This feels close to impossible lately. I had lists of “must read” classics and then I find that every one of those authors has a back list longer than I imagined. For instance, I was told to read Rebecca by Daphne Du Maurier, and suddenly I find myself deep in Jamaica Inn, The Frenchman’s Creek, My Cousin Rachel, and The House on the Strand….and wait…there’s more. That’s just one example of a “modern classic.” But every year there are new books that people are consuming, recommending, and loving. I am thrilled to have so many choices, but also extremely overwhelmed.

I decided to make a sort of selection based on yearly awards for a while. I read Nobel Prize winners, and their back-list (which kept growing), CBC Canada Reads, and the Pulitzer Prize. But then…there’s the British Book Awards, the Women’s Bailey’s Prize, PEN prize, the Irish Book Awards, The Hugo, The Nebula, The Arthur C. Clarke. The next question was, should I just read the winner or the shortlist? For instance, last year in the Women’s Bailey’s Prize Our Glorious Heresies won, but the synopsis that got my attention most was another title from the shortlist: The Portable Veblen. I get extremely overwhelmed and have a fear of missing out. Simultaneously I don’t want to miss out on the core staples of literature when it comes to classics, and modern classics. I feel like I’m sprinting through and reading fast, and then I get ARCs for early review, which leaves me hardly any down time for reflecting on poetry. Last month I received and read more ARCs than I expected and while I did enjoy writing reviews and reading things pre-publication, I didn’t feel like all of them were what I would call substantial. There is also a lot of pressure because I need to be able to articulate a proper review and even if I don’t like it, I owe an explanation as to why not. It may feel presumptuous that I “must” read ARCs but I want to know what to invest in for collection development.

I don’t want to create a TBR list each month because I want there to be room for surprises.

Long story short: I had to set up some rules…or guideline…that can make me feel like I’m on the right path without freaking out.

So here are my monthly reading goals as of now:

Every month I will read:

  • One Classic (Western Canon, Russian Lit, and other Global Classics)
  • One Modern Classic (post 1950): currently reading The Marriage Plot by Eugenides
  • Three to Five ARC Fiction Novels and/or nonfiction for Early Review however they wi
  • Two in the Sci-fi and Fantasy category (can include ARCs but preferably printed)
  • One-Two books that have come out in the last two years and won or was nominated/shortlisted for a significant award. Currently on my radar and list: My Name is Leon by Kit de Waal, The Power by Naomi Alderman, Our Glorious Heresies, The Underground Railroad, The Essex Serpent,
  • One Short Story anthology/collection (Can be ARC)
  • One Poetry Book (can be ARC)

I think that this guideline will make me feel like I’m on top of new things but keeping up with building my library and knowledge base, as well as being connected to the canon.

If you have had a similar experience and have advice or think I should incorporate something else in the list all recommendations are welcome!

May Wrap-Up | 2017

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Books I read for Reviews (with links)

  • Drinks with Dead Poets by Glyn Maxwell. A poet/professor wakes in a town where he must teach a syllabus on dead poets, and the dead poets come to life (To be published in August of 2017)
  • Matter & Desire by Andreas Weber. Academic text exploring the relationship between our existence and nature through erotic experience (To be published August 3, 2017)
  • The Man Who Loved Libraries by Andrew Larsen. This is a very short children’s book about Andrew Carnegie (to be published August 15)
  • Thin Places by Lesley Choyce. Free verse poem telling the story of Declan Lynch who can hear voices and follows them. (To be published July 29, 2017)
  • The Excursionist by J.D. Sumner. This is a travel satire with a very grumpy main character (published May 17)
  • The New Voices of Fantasy edited by Peter S. Beagle. A collection of new fantasy short stories (to be published August 18, 2017)
  • Scion of the Fox by S.M Beiko. Young adult book with magic, battles, family traditions and history, and is very much entwined with the natural realm (out for publication October 17, 2017)
  • Ewan Pendle and the White Wraith by Shaun Hume. Pleasant children’s adventure about Ewan Pendle who receives a special education. (published)
  • How to Read Nature by Tristan Gooley – book on navigating through nature and reviving the connection between ourselves and the natural realm (out for publication August 22, 2017)
  • Of Men and Women by Pearl S. Buck – short essays comparing the American household to that of China, published/written in 1941, currently being republished in a newer, updated eBook edition (out for publication June 27, 2017)
  • Ex Libris – Anthology of Sci-fi and Fantasy short stories with Librarians, Libraries, and Lore (out for publication July 11, 2017)
  • The Cloud Versus Grand Unification Theory by Chris Banks – poetry collection (out for publication Sept 5, 2017)
  • Hunger by Roxane Gay – a memoir; a history of Roxane Gay’s body and experience with weight gain (out for publication June 13, 2017)
  • Up Against Beyond by Jason Holt –Poetry collection (out for publication July 20, 2017)
  • Iain M. Banks by Paul Kincaid –academic book, short biography, close analysis/reading of Iain M. Banks and his works published both as ‘Iain M. Banks’ and ‘Iain Banks’ (out for publication May 30, 2017)

Books I read for Myself

I had a great reading month mostly because I had all the time in the world: no work, no school, no exams.

According to my Audible App I also spent about 8 Hours listening. The listening included a variety of dramatizations of classics, or some audiobooks for the things listed below where I would follow along in the text while listening to an audiobook.

I read two short stories:

“The Machine Stops” – by E.M. Forster which already made it onto my ‘favourites’ list. The story is written in 1909 but it’s highly prophetic and describes a time where people are glued to conversation machines and lose touch with the organic. It’s like a “pre-WALLE” critique of our attachment to screens.

“The Pit and the Pendulum” by Edgar Allan Poe. This story took me a while to get into, mainly because I wasn’t sure what was happening for the first few pages. A man wakes up tied, in a pit, where a pendulum swings above him (one of those with a blade) and he doesn’t know why. He spends the story figuring it out. It didn’t really strike me in any way and it’s not as memorable as “The Black Cat.”

The Tenant of Wildfell Hall by Anne Bronte

9200000000656014I then read my monthly classic. This month I chose The Tenant of Wildfell Hall. Again, this didn’t sit with me quite as well as Jane Eyre or Wuthering Heights. What I’m saying is: I can see why it’s important, I can engage in conversation about many aspects of it BUT reading it wasn’t a very exciting experience. Anne looked at domestic abuse and the ways women would put up physical barriers like Wildfell Hall itself. I liked the many perspectives in this work but I had one major issue with this novel and that was the characterization of Gilbert Markham, the first narrator. Gilbert as a first narrator to me was so feminine that I had a hard time imagining this man as a (straight) man. Everything he said was something I could never picturing a man caring about like the way a woman’s eyebrows look like, or the fabric of their clothing. It sucks that in my head I kept comparing Markham to manly Rochester and Heathcliff but one cannot help but lump the Brontes together. I would have no problems with bending gender norms and stereotypes but I think in this case Anne Bronte just didn’t know how to capture a masculine voice. I did enjoy that Helen was a painter and the descriptions of her paintings got to me in a very heartwarming way. Helen’s character is very interesting.

Sleeping Giants by Sylvain Neuvel

sleepinggiantsI am not sure how to describe the synopsis without spoilers. I’m going to briefly borrow parts from the synopsis at the back. Rose Franklin falls through the earth when she is a child and ends up in the palm of a giant metal hand. She spends her life studying physics and gets involved with a military/science team in search for other remaining parts of these giant metal giants which are scattered worldwide. The book is written in interview format. Interviews are conducted with Rose connecting her personal experience to the expeditions, with Kara Resnik (a military leader on this mission), and with other members involved in this investigation. I sort of imagined it as someone from the Pentagon interviewing all the people involved or around anything relating to these robot parts showing up all over. There are romances hidden, mysterious components to the robots or “giants” and it’s definitely not boring. I read this book with the text in hand and with the audiobook. It is an experience I recommend mainly because audible has different voices for the different characters and you really experience their presence. Lastly, I couldn’t help but be reminded of A Monster Calls, The Iron Giant, and most of all the giant guardians that are dormant in Disney’s Atlantis: The Lost Empire. I don’t know if anyone remembers those but as a kid I watched Atlantis so many times and the moment when the giants pop out from the ground to protect the city is a scene forever ingrained in my memory. I don’t know if I’m alone in making this association.

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River of Teeth by Sarah Gailey

river-of-teethThis is a small novella that just got published by Tor.com. In the early 20th century America had a plan to import hippos to supplement the meat shortage. The plan was scrapped but Sarah Gailey re-imagines an alternate 1890s where hippos are present in the U.S. It’s a weird hybrid of fantasy and a westerner. This is the story of Winslow Houndstooth who rides his hippo. Every rider in this book has a hippo. Tor.com published an article introducing every hippo by name here. The novella is only 170 pages and a very easy read. The cover art is done by Richard Anderson and designed by Christine Foltzer. I’ll put together a better review for this on Goodreads later tonight.

Concluding Thoughts and Announcement

My favourite reads this month were Drinks with Dead Poets by Glyn Maxwell and Ex Libris: Libraries, Librarians, and Lore. I’ve also been reading Age of Myth by Michael J. Sullivan which I have not yet finished so it will be featured in next month’s wrap-up.

announcement-clipart-cliparti1_announcement-clipart_09BIG ANNOUNCEMENT! Along with Ennet House I will be reading Infinite Jest from June 1 to September 18 (along other books of course). If you would like to participate there is still time to get the book and join our community. More details on this HERE. Everyone is welcome!

Infinite Jest | David Foster Wallace | Announcement | Resources

“Alas, poor Yorick! I knew him, Horatio: a fellow. of infinite jest, of most excellent fancy

IMG_20170515_111929_651announcement-clipart-cliparti1_announcement-clipart_09This post is part announcement, part resource. Earlier today I came across a tweet from Ennet House announcing that they will begin reading Infinite Jest as a group this summer starting with June 1 and ending with September 18. That is a total of 15 Weeks and 4 days, or 109 Days. I figured I might read this work properly and take better notes. The first and only time I read this work was by using Audible as a crutch and without too much highlighting/note-taking. This shouldn’t come as a surprise but this reading journal blog’s name is heavily inspired by Infinite Jest, so I figured why not provide a reading schedule and various resources, as well as opportunities to join read-along groups on this very same forum. The Ennet House Reading group will be meeting in Vancouver, but they allowed an open window for those of us willing to join in online. Ennet House has a Tumblr as well as a Reddit Page where there will be discussion. Main discussion HERE <–

I created a downloadable and printable form of the reading schedule with space for noteworthy quotations and notes. Click here for the Infinite Jest Reading Schedule. If you can’t join in now for this summer and you want to appropriate it to a different 15 week chunk it is up to you. The resources will still be here for you to use. The breakdown was created by Ennet House but I added the spaces for notes and created the PDF for convenience.

You can find copies of Infinite Jest on Amazon, your local bookstore, several used bookstores, and it doesn’t matter if you use the 20 Year Anniversary edition or the earlier ones. Ideally, you should use the softcover edition like the one in the image above because I can say for sure that the pages correspond to the reading schedule.

Public Library Dewey Decimal Number 813/.54 20
Academic Library, Library of Congress Call Number: PS 3573.A425635

RESOURCES:

David Foster Wallace Bibliography

By David Foster Wallace

Novels:

  1. The Boom of the System (1987) Written as Masters Thesis
  2. Infinite Jest (1996) Excerpts from Infinite Jest first appeared in Grand Street, 1992.
  3. The Pale King (2011) Published posthumously—his unfinished novel.

Short Story Collections:

  1. Girl With Curious Hair (1989) published in Europe as: Westward the Course of Empire Tales Its Way
  2. Brief Interviews with Hideous Men (19(99)
  3. Oblivion: Stories (2004)

Non-Fiction / Essays

  1. Signifying Rappers: Rap and Race in the Urban Present (1990), coauthored with Mark Costello
  2. A Supposedly Fun Thing I’ll Never Do Again (1997)
  3. Up, Simba (2000)
  4. Everything and More (2003)
  5. Consider the Lobster (2005)
  6. McCain’s Promise (2008 paperback reprint of Up, Simba)
  7. This is Water (2009) Transcript of Convocation Speech
  8. Fate, Time, and Language: An Essay on Free Will (2011)
  9. Both Flesh and Not (2012)
  10. String Theory: David Foster Wallace Essays on Tennis (2016) published posthumously

About David Foster Wallace—Biography/ Interviews

  1. Although of Course in The End You End Up Becoming Yourself by David Lipsky (2010) Mostly a transcript of an interview between David Lispky and David Foster Wallace back in 1996 near the end of the tour for Infinite Jest. Recent film The End of the Tour featuring Jason Segal as DFW is based on this transcript.
  2. Every Love Story is a Ghost Story: A Life of David Foster Wallace by D.T. Max – Biography of DFW
  3. Conversations with David Foster Wallace edited by Stephen J. Burn (2012) A compilation of several interviews with David Foster Wallace/ The transcripts
  4. The Last Interview Series: David Foster Wallace (2012)
  5. Farther Away” Essay by Jonathan Franzen

Academic Works about Wallace’s Work

  1. Elegant Complexity: A Study of David Foster Wallace’s Infinite Jest (2007) Greg Carlisle
  2. David Foster Wallace’s Infinite Jest: A Reader’s Guide by Stephen J. Burn (2012)
  3. The David Foster Wallace Reader (2014) This 976 page book contains almost every other aspect of David Foster Wallace’s work, for instance it has the syllabus he designed as a professor for writing/reading courses at Pomona College, and additional excerpts not present in the texts above.

Online Resources/Forums/Archives

  • Audible has a 56 Hour-long Audiobook for Infinite Jest, and all his other works are there as well. I found that the audiobook really kept me going the first time.
  • Most of David Foster Wallace’s Archives are at the Harry Ransom Center in Austin Texas
  • The Howling Fantods – largest DFW fan group promoting News, Resources, and updates about DFW since 1997.
  • Several Facebook Groups: The Broom of the System being a dominant one
  • Goodreads Groups
  • Several interviews with DFW have been placed on YouTube
  • Two Films have come out based on 1. His life: The End of the Tour (based on Lipsky’s perspective of Wallace in 1996) and 2. His Work: Brief Interviews with Hideous Men
  • Don’t forget your public library! Both academic libraries in universities and public libraries will have most of Wallace’s works. If you prefer the online forum, OverDrive is connected through your library card and you can access most of the works mentioned.
  • In 2015 another group kept detailed records of their reading in a blog called Infinite Summer
  • A great Video Book Review of Infinite Jest by “FortheloveofRyan

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Drinks with Dead Poets | Book Review

“Every word, phrase or sentence spoken by the literary figures in this book is drawn verbatim from their letters, diaries, journals, or essays.” – Preface

33011553The main character is a professor by the name of “Glyn Maxwell” (name of Author) who finds himself in a dream-like, quaint, rustic, village school. There’s a pub, a church, all like in the old days. He must teach a semester-long course on poetry.  He is charismatic, funny, and passionate–a bit like Mr. Keating from Dead Poets Society.

He is given this syllabus to teach: “Reading List for Elective Poetry Module” featuring a week on each one of these poets: Keats, Dickinson, Hopkins, Brontes, Coleridge. Poe (on Halloween), Clare, Yeats, Whitman, Browning, Byron.

Each lesson feels like you, the reader, are present in a small seminar at University where the students can freely joke with the professor and also become fully engaged with the material—and the professor is passionate, and charismatic as he decomposes poems, discusses the poet(s), and asks thought-provoking questions. The lecture is followed by a vivid ‘hallucination’ or imagining that the narrator is meeting the poet in discussion. This whole book is a dream-like state. The dead poets talk to the narrator, get invited to class where they are publicly interviewed and they share anecdotes. They also explore parts of this town like the library, or pub. I enjoy the ways in which the whole text is full of literary references. For example if a student jokes a bit too much the teacher announces that ‘Yorrick’ is in the class. Simultaneously it merges the past with the present. Students for instance pick up that Bob Dylan songs have Poe references, as do Hitchcock films. I was more intrigued by the poets I genuinely like (Dickinson, Poe, and Whitman) because I was curious what Maxwell would do with them, and what new things I might learn about them. I found there were many funny parts, like when the narrator/author tries to write a letter to Walt Whitman but he just can’t get it right, because it sounds too much like something a teenage fan-girl would write, so he crumples up every draft thanking his lucky stars he didn’t ‘send it.’

Here are some of my favourite lines

Keats Lecture:

“poems that stay stay because the body feels them”

Dickinson Lecture:

“You can’t teach Emily Dickinson, you can’t write like her either. You no more have to write in her stanzas than you have to write limericks or clerihews. But you do have to absorb that she wrote about everything else she could think of—herself, others, life, death, God, Time, being here, being gone—in little quatrains shaped like hymns, rhymed or half rhymed, mostly four beats then three beats, four, three, stanza-break, and she barely left her bedroom…what you owe to such a poet is a true pause for thought.”

The visit to the library (with Emily):

“There are old books on every stall, twelve stalls, volumes and volumes, and great swathes of canvas thrown back behind the hardwood frames as if to protect them when needed.”

(A draft) Letter to Whitman:

“There’s more Life than there is Art, your poems seem to say, and the glory is in the reach, the stretch, the straining ever upwards like plant-life in the sunshine.”

I really enjoyed this book, and it really comes across as a work of passion. I wish I would have spread it out and read the poet alongside each chapter so that it feels like a real course. One can see that the author is well-versed and well-acquainted with the poets he teaches. The whole work felt like a love letter to these poets. I hope that if this work gets worked into an audiobook there will be more voices for each student and they find suitable voice actors for the dead poets because the whole work is mostly in dialogue and it would be fascinating to experience it that way—something like the way they recorded Lincoln in the Bardo. I thought it was well written, and captures the poets spot on because as the preface mentions the words, the attempt to reconstruct them, and capture their spirit comes from the poets’ archives and is probably as close as we will ever get to them.

I strongly recommend this book to readers who enjoy poetry, have liked studying poetry, want to learn any more about the poets listed, and who like 19th century literature from the Western Canon. Again, the feeling I had reading this was akin to sitting in a University lecture taught by a great professor…and that is a very pleasant feeling.

The book is scheduled to be published in August by Pegasus Books. Click here for link.

Travels with Charley | Review and Notes

“When I was very young and the urge to be someplace else was on me, I was assured by mature people that maturity would cure this itch…I fear the disease is incurable.”

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Front Cover of Edition I read

Have you ever thought “I love Steinbeck! I wish I could hang out with him!” If you have, then: READ. THIS. BOOK. This journal/travelogue work is John Steinbeck’s account of his travels across the United States in the 1960s, with his dog Charley, in a trailer that he names the Rocinante (after Don Quixote’s horse). He describes what he sees, records interactions with different people he meets on the way, and this book is filled with reflective notes on what he thought of certain situation and how they relate to other instances in life or giving his opinion on his immediate reaction. There are a few literary references, and there instances of simple humour (i.e. getting stopped at the Canadian border for “dog reasons”).

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Steinbeck and Charley

I kept thinking that if anyone other than Steinbeck wrote the same travelogue it wouldn’t be that interesting. Although it’s not as high of a thrill as later written travelogues which are now quite popular, this book is interesting BECAUSE it’s Steinbeck. It seems a lot more relaxed than reading Krakauer’s Into The Wild for instance, or Cheryl Strayed’s Wild. I recommend it to anyone who enjoys travel literature, travelogues, journals/diaries, and those who love Steinbeck and his work because in the end it just feels like you’re hanging out with him and his dog. Interestingly enough, in 2014 Bill Steigerwald dedicated a lot of time to “exposing” Steinbeck as a fraud for this book and labelled this travelogue as a “fictionalized non-fiction” in his book Dogging Steinbeck. He elaborates on his issues with Steinbeck’s work in his blog.

 

Regardless, I enjoyed Steinbeck’s work and I thought I would share with you some of my favourite lines:

We find after years of struggle that we do not take a trip; a trip takes us (page 4)

I saw in their eyes something I was to see over and over in every part of the nation—a burning desire to go, to move, to get under way, anyplace, away from any Here. They spoke quietly of how they wanted to go someday, to move about, free and unanchored, not toward something but away from something (page 10)

It was like starting to write a novel. When I face the desolate impossibility of writing fie hundred pages a sick sense of failure falls on me and I know I can never do it. This happens every time. then gradually I write one page and then another. One day’s work is all I can permit myself to contemplate and I eliminate the possibility of ever finishing (page 23)

Humans had perhaps a million years to get used to fire as a thing and as an idea. Between the time a man got his fingers burned on a lighting-struck tree until another man carried some inside a cave and found it kept him warm, maybe a hundred thousand years, and from there to the blast furnaces of Detroit – how long?…for man has to have feelings and then words before he can come close to thought and, in the past at least, that has taken a long time (page 32)

I was born lost and take no pleasure in being found (page 70)

Edition of book I read is the Bantam Pathfinder Edition and Viking Press, 1961.

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